Ajouter une intrigue dans votre langueWhile awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled ... Tout lireWhile awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled to contact the families of his dead friends.While awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled to contact the families of his dead friends.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
- Dr. Tim Brooks
- (non crédité)
- Mrs. Fletcher
- (non crédité)
- Restaurant Patron
- (non crédité)
- Undetermined Secondary Role
- (non crédité)
- Airplane Passenger
- (non crédité)
- Restaurant Patron
- (non crédité)
- Mrs. Brooks
- (non crédité)
Avis à la une
Merrill is solid as David Trask, a lawyer with his own issues, who links the stories. Shelley Winters shines as Binky Gay, an entertainer who never quite made the big time and lives in the shadow of her celebrity husband and mother-in-law. Winters's role is showy, and she plays both her character and Trask's enhanced version of her character with panache. Keenan Wynn is the perpetual clown, who grows tiresome to his friends and eventually to the audience. Beyond the four central characters, even the small parts are big in this film. A young Beatrice Straight plays Michael Rennie's wife; Evelyn Varden is Sally Carr, an aging nightclub headliner; and Bette Davis appears near the end to show her then husband, Merrill, how to face his own character's crisis.
"Phone Call from a Stranger" is not a classic, but rather a solid programmer from the early 1950's with an above-average cast and some good performances. While the film does not merit repeat viewings, except perhaps to appreciate a little known Bette Davis role, the story is told with a good pace, and any time spent in the company of these fine actors is well spent.
An interesting and decent but hardly ever outstanding dramatic compendium , dealing with a simple and plain plot about a survivor after a plane accident visits the families of three of the victims whom he met during the flight , being paced in good sense , sensibility and with plenty of emotion . Maudlin and adorable film with emotion , deep feeling and and intense drama . Compellingly performed by a nice main cast as Gary Merrill , Shelley Winters , Michael Rennie and Keenan Wynn .These great stars being well accompanied by a good support cast , such as : Evelyn Varden , Warren Stevens, Beatrice Straight , Craig Stevens , John Doucette , Nestor Paiva and Helen Westcott . Brief appearance by George Nader as a pilot and Bette Davis , then Gary Merrill's wife, shows up in a subordinate role as Keenan Wynn's spouse and moves things up a gear or two .
Being well written and produced by Nunnally Johnson. Displaying a stirring and memorable musical score by classic composer Franz Waxman . Equally , an atmospheric and evocative cinematography by Milton R. Krasner. This agreeable and sentimental weepie was competently directed by Jean Negulesco . This classy Hollywood director Jean Negulesco was an elegant and brilliant filmmaker who made notorious films with penchant for Musical, Comedy and Drama, such as : The invincible six, The best everything, Daddy long legs, Three coins in the fountain, How to marry a millionaire, Titanic, Phone call from a stranger, A woman's world, Three came home , Road house, Humoresque, among others. And of course his successful Belinda with the Oscarized Jane Wyman. Phone Call from a Stranger (1952) rating : 7.5/10. Better than average.
Lawyer David Trask (Merrill), leaving his family troubles behind, survives a plane crash and decides to call on the families of the people he made friends with during the trip...
Utterly lovely drama, a film that boasts quality across the board. How great to see a picture that affords characters time to breath and impact on the story, impact that becomes four fold come the wonderfully humanistic finale. Story is structured as a two play piece, first act lets us into David Trask's pain and builds three characters around him as the so called "Four Musketeers" become friends during a troubled aeroplane journey. We get to know them and wonder what their home life is like, their secrets and tribulations, and then the walls come tumbling down and the story shifts into sombre tones to lead us down paths adorned with thoughtfulness and intelligence.
There's a hint of contrivance and some moral grey areas, yet this rises well above the minor quibbles to become a film of dramatic emotional strength. Beautifully performed by the principal players, it forces us to question that things may not always be as they first appear. It also has meditations on grief, second chances and that out of pain can come good, the human interest value here extraordinarily high. Yes! This is a most under seen and under appreciated bit of classic era cinema, its rewards just waiting to be discovered by more film loving fans. Go on, seek it out, come the finale you will feel better for it. 8/10
This movie will make you feel good about yourself. I promise. I think that's what so great about older movies; no special effects to disturb the real meaning of movies: the actors and actresses.
A must-see for classic movie fans.
In addition to his excellent performance, the movie is so well-written. The vignettes where he meets the families are very touching and sometimes very ironic (such as the one he plays with Ms. Davis). It is a strange but well-executed film that deserves to be remembered.
Le saviez-vous
- AnecdotesThe film was the third and final on-screen pairing of real life husband and wife Gary Merrill and Bette Davis. The other two pictures are Ève... (1950) and Jezebel (1951).
- GaffesBehind the opening credits, the taxi that's taking Trask to the airport passes two movie theaters at least three times, as if the rear projection of stock footage was on a continuous loop. The movies playing at these theaters are "Homestretch" and "The Two Mrs. Carrolls," (at the McVickers), both released five years before this film. The McVickers was a well known Chicago theatrical site, but the taxi arrives at the MIDLAND CITY, IOWA airport, and a flight FROM Chicago is among those listed on the arrival schedule.
- Citations
Marie Hoke: Dull, foolish, vulgar to some but not to me. To me he was a man like a rock. Nothing could shake him. Nothing could shake his love. It was from him that I learned what love really was. Not a frail little fancy to be smashed and broken by pride and vanity and self pity. That's for children. That's for high school kids. But a rock as strong as life itself indestructible and eternal.
- ConnexionsReferences La seconde Madame Carroll (1947)
- Bandes originalesThe Daring Young Man on the Flying Trapeze
(uncredited)
Music by Gaston Lyle
Lyrics by George Leybourne
Sung by the passengers on the airplane
Meilleurs choix
- How long is Phone Call from a Stranger?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Phone Call from a Stranger
- Lieux de tournage
- 5301 Wilshire Boulevard, Los Angeles, Californie, États-Unis(ambulance races past Tilford's restuarant at the corner with La Brea Ave.)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 45min(105 min)
- Couleur
- Rapport de forme
- 1.37 : 1