The Last Page

That was worth it just to see a 20 year old Diana Dors looking stunning with lips to die for.

Apart from the bottle blonde she looked largely natural at this time and more to my taste that the over made up Marilyn Monroe.

Her character attemps a clumsy seduction in the back of crusty George Brent's book shop office that along with her slimy male accomplice played by Peter Reynolds leads to blackmail and tragedy.

George Brent had his Hollywood moments I particularly liked him in Temptation playing an Egyptologist alongside Merle Oberon but here he is passed his prime.

An early Hammer thriller movie for a rainy winter's afternoon , now available in the public domain on Youtube.

J. A. Pearson's Bookshop evokes little of the warmth, cosiness or hospitality presided over by Anthony Hopkins in '84 Charing Cross Road'. Stern, pompous Raymond Huntley is frequently falsely accusing chirpy, good-natured Harry Fowler of not doing his job. It's hardly surprising that dutiful, beautiful Marguerite Chapman has no interest in joining him for an after work drink. Whilst ravishing Ruby Bruce (Diana Dors), is a largely late arrival, much to the displeasure of her colleagues. Dapper and decent George Brent ably runs the store, but with a disabled wife (Isabel Dean) to care for, he's clearly feeling the strain.

In a moment of weakness, Brent commits a minor indiscretion with Dors, for which he is profusely apologetic. The matter seems closed until the voluptuous sales girl informs love interest, Peter Reynolds, whose leering, smug, self-satisfied facial expression seems to be constantly inviting.....a deftly aimed fist, to at least temporarily wipe off that nauseating smirk! It is a measure of his despicable character, that rather than being the jealous lover, '£' signs light up in his eyes and he manipulates the naive Dors along a path of extortion and blackmail towards her boss.

A murder on the premises and the accidental, but mysterious death of his wife makes Brent the target of an intense police investigation and he receives little sympathy or support from the humorless Huntley. In what begins to play out like Phase two of 'The Phantom Lady', it's left to the doting and devoted Chapman to clear Brent's name, even at the risk of endangering her own life.

In an era of movie making when justice had to be seen to be done, it's unsurprising that 'The Last Page' concludes with a long sentence. The film is hardly overflowing with novel ideas, but there is sufficient action between the covers to maintain interest.

...First thing he does is go to a bookstore. He tries to steal a book. That is how logical this movie is throughout. When we see shelves of books at a time, later, the books seem to be attached to each other. They're like room decorations some people buy in bulk.

The proprietor of this bookstore is, of all people, George Brent. He had a long career. Though this is a noir of sorts and I therefore can't give it a bad rating, let's just say this is hardly a career highlight for him.

Marguerite Chapman is attractive and convincing as his employee. She's stylish and pretty and comes off as nice.

This is an early Diana Dors film. She's decent in it. She gets pulled into some very bad behavior. But she's not a truly terrible character. She's chronically late to work and weak willed.

This isn't a memorable or distinguished film. But it isn't terrible, either. Nor does it hold to any formula. It's mediocre in a unique way.

A better than average drama written by Frederick Knott, the author of "Dial M for Murder" and "Wait Until Dark", this shows Terence Fisher expertly handling a story of crime, lust and death during his efficient early phase working for Hammer Films, five years before the big success of "The Curse of Frankenstein". Although the main character is John Harman, the mature manager of a London bookstore (played by Irish actor George Brent), two young actors play more appealing characters who are key components of the plot and feature: Diana Dors and Peter Reynolds. A ravishing blonde beauty at 20, Dors had had a dozen of minor screen roles before being introduced in this production as Ruby Bruce, a sexy worker who turns everything around her upside down after she gets mixed up with Jeff Hart, a seductive ex-con played by Reynolds. Under Jeff's influence Ruby blackmails Harman, next a couple of corpses complicate the proceedings, soon Harman is accused of murder and then his secretary (American actress Marguerite Chapman) helps to solve the mystery, putting her life in danger. Peter Reynolds is fine, but he does not have much to do as the villain with sinister charm. It is Diana Dors who has more room for creating a real character. She was a very good actress, and although comparisons were often made with Marilyn Monroe, on the acting level she surpassed her American colleague: here she convincingly mixes naive wickedness with vulnerability, making the film not only the account of Harman's story but the drama of a confused working girl as well.

A very young Diana Dors, who looks very much like Margaret Lee, it's like they are twin sisters. She also looks like a young Marilyn Monroe. She's not bad in the role of the naive young woman, killed by the villain played by Peter Reynolds. George Brent and Marguerite Chapman are very good in two sensitive roles. The film is slower in the first half, becoming alert and thrilling towards the end. Terence Fisher, the later expert on horror films, did a good job in this film made early in his career.