Nick Cochran, un américain en exil à Macao, peut sauver sa réputation s'il aide à capturer un seigneur du crime international. Infiltré, peut-il tromper les méchants et, en même temps, court... Tout lireNick Cochran, un américain en exil à Macao, peut sauver sa réputation s'il aide à capturer un seigneur du crime international. Infiltré, peut-il tromper les méchants et, en même temps, courtiser la belle chanteuse et petite escroc, Julie Benson ?Nick Cochran, un américain en exil à Macao, peut sauver sa réputation s'il aide à capturer un seigneur du crime international. Infiltré, peut-il tromper les méchants et, en même temps, courtiser la belle chanteuse et petite escroc, Julie Benson ?
- Réalisation
- Scénario
- Casting principal
- Arabian
- (non crédité)
- Bus Driver
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- Alvaris
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- Woman Passenger
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- Casino Patron
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- Narrator
- (voix)
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- Chinese Photographer
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- Hood
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- Casino Patron
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Avis à la une
Robert Mitchum, sexy and wide-shouldered in one of those loose-fitting tropical suits, plays Nick Cochran, going to Macao to start over after leaving the U.S. and spending time in the service. He originally thought he committed murder, but even though he hadn't, he kept going. On the boat en route to Macao, he meets beautiful, sexy, non-nonsense Julie Benson (Jane Russell) and a salesman (William Bendix).
When they arrive, Mitchum is taken for a police detective out to get a criminal/casino owner Halloran (Brad Dexter) back to the states. The chief of police (Thomas Gomez) is in cahoots with Halloran. Plus, Halloran becomes interested in Julie, so he really wants to get rid of Cochran. Criminals in Macao avoid the "three mile limit" - because three miles outside of Macao, international jurisdiction rules.
Apparently Mitchum did some rewrites on this script because it didn't make much sense. The cast and crew, all of whom had worked together many times, were a little too friendly for von Sternberg, which caused Mitchum to push all of his buttons. I'm not sure if Ray dragged Gloria Grahame with him or what, but she's wasted here, and she had no interest in this role. Can't blame her.
Despite all of this, Mitchum and Russell are great together, a wonderful, sexy combination. Both stars just ooze sex appeal, and Mitchum's laid-back performance is a great juxtaposition to Russell's character - it's pointed out that she has a big chip on her shoulder. Russell looks fabulous in the costumes, an added bonus.
Pretty music, excellent noir photography, and a good pace help make "Macao" good entertainment. For me it can't touch "Out of the Past" or "The Big Steal," but you can't beat Mitchum and Russell heating up the screen.
Director Von Sternberg, whose visual style of the 30's was the envy of Hollywood but had fallen on tough times and was nearing the end of his career, occasionally captures the magic that displayed Marlene Dietrich with such allure and mystery in films like Shanghai Express and Morrocco. The problem is that Dietrich and Russell are different animals. Russell has never looked more glamorous but she doesn't move like Dietrich and her singing scenes make her look a bit like Gilda on steroids. Still, there is a chemistry between her and Mitchum that keeps the film entertaining. The supporting cast offers a comically hammy turn by William Bendix and a somewhat strange, semi-comatose performance by Gloria Grahame.
Von Sternberg borrows heavily from his last good film, The Shanghai Gesture in many scenes, but Macao's main strength rests squarely on the broad shoulders of its two stars.
Dexter has a girlfriend, played by Gloria Grahame, who becomes jealous of Russell after he employs Russell as a singer, but also so that he can keep tabs on Mitchum. The plot thickens as Mitchum and Russell fall for each other, the real cop is revealed and a ploy involving stolen jewellery is instigated to bring Dexter to Hong Kong where he can finally be arrested. After an exciting foot-chase around the dark, deserted docks involving Mitchum and a couple of Dexter's knife-wielding Chinese henchmen, the denouement takes place on Dexter's boat climaxing in a roughhouse fist-fight between Dexter and Mitchum and a reconciliation between Mitchum and Russell which gives Mitchum a cheeky, risqué closing line before the end titles.
The film was a return to Hollywood film-making by Dietrich's celebrated German director of the 30's, Josef Von Sternberg, after a gap of several years and his stylised technique of lighting is evident especially in the night time scenes, although Nicholas Ray, then married to Grahame, was reportedly called in to finish the shoot after Von Sternberg was fired from the production.
The film packs a lot of plot into its eighty minute running time and still finds time to allow Russell to sing a few numbers, notably "You Kill Me" (great name for a torch song) and "One For My Baby" which Sinatra would later make his own. Mitchum and Russell bring their own respective brands of vulnerable machismo and sultry sassiness to their parts as well as the heat in their scenes together. Grahame however seems disinterested in her part but Bendix and Dexter are more convincing as the real protagonists way out east.
An enjoyably entertaining Oriental adventure, what it lacks in budget, it makes up for in style and the charisma of its two undeniably magnetic leads.
On the arrival, the corrupt Police Lieutenant Sebastian (Thomas Gomez) has the information that an undercover detective from New York is on board of the vessel and he believes that he is Nick Cochran. He discloses the information to the crime lord Vincent Halloran (Brad Dexter) that owns a casino and Halloran believes that Nick has the intention of taking him into international waters so that he can be arrested. Halloran hires Julie and tries to bribe Nick to leave Macao, but Nick and Julie feel attracted to each other and Nick has no intention to travel to Hong-Kong. When Trumble offers a deal to Nick with a diamond necklace, Nick shows a diamond from the necklace to Halloran and he concludes that Nick is really an undercover cop and sends his henchman to capture him. Who might be Trumble?
"Macao" is an entertaining adventure with a non-original story. The screenplay is weak, with a rushed conclusion, and the characters are poorly developed. The greatest attractions are the always great Robert Mitchum and the sultry Jane Russell that makes it worthwhile watching. My vote is six.
Title (Brazil): "Macao"
Le saviez-vous
- AnecdotesJane Russell reports that director Josef von Sternberg was nasty to the crew, and would make insulting remarks about her and Robert Mitchum to each other, such as "what are we going to do with this beautiful stupid girl." Although Sternberg threatened Mitchum that he could be put off the picture, in the end it was the director who was replaced by Nicholas Ray.
- GaffesThe photographer hands the developed photos to the police within five minutes of taking them. There was no technology like that in 1950.
- Citations
Lt. Sebastian: [referring to Julie Benson] Besides her obvious talents, she also sings.
- ConnexionsFeatured in Hollywood the Golden Years: The RKO Story: Howard's Way (1987)
- Bandes originalesOcean Breeze
Music by Jule Styne
Lyrics by Leo Robin
Sung by Jane Russell (uncredited)
Played on phonograph
Meilleurs choix
- How long is Macao?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Macao : Le Paradis des mauvais garçons
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 3 530 $US
- Durée1 heure 21 minutes
- Couleur
- Rapport de forme
- 1.37 : 1