Parachutiste malgré lui

With more of an accent on comedy than romance, Jumping Jacks turns out to be more of a Jerry Lewis than a Dean Martin picture. Usually Dean got one or two good songs in one of their films, here he got none and didn't even bother to record any of the material written by Mack David and Jerry Livingston.

But Jerry got a ton of laughs as the former comedy partner of Dino who's been drafted into the army and is now a paratrooper. Dino's got himself a nice lush assignment there, he's got to put on a talent show and maybe get himself a permanent berth doing that sort of thing if he can only impress General Ray Teal. But the amateur talent Dino has from the army pool has its limits.

What to do but trick is hapless former partner into visiting him on the base at Fort Benning and take the place of one of the other soldiers and be in the show. It works only too well as Teal singles out Lewis and really loves the idea of the show traveling to other bases as is. Now the Airborne Rangers are stuck with Jerry Lewis.

And Dino and the rest of the guys are stuck with keeping the con up, to the extent of fooling their new sergeant Robert Strauss. Watching Strauss we get an idea of what his character the Animal must have been like before he became a prisoner at Stalag 17. He and Lewis form a curious bond.

Speaking of Stalag 17 another cast member from that great film that would be coming from Paramount a year after Jumping Jacks is Richard Erdman. Erdman if you'll remember played barracks chief Sergeant Hoffman in Billy Wilder's classic. In Jumping Jacks if Jerry Lewis is the Schlemiel, Erdman is the Schlamazel as Dogface Dolan, the soldier who Jerry takes the identity of. Erdman cuts himself in for quite a few laughs himself.

The service comedy stuff is reworked a lot from previous films, Buck Privates and Keep 'Em Flying from Abbott&Costello come to mind. The finale is straight from Keep 'Em Flying. But I do like the way Lewis distinguishes himself in the war games which has some really good moments for Jerry.

Still the weakness of Jumping Jacks is Martin is relegated almost to the side. You know that when the best number in the film is done by Mona Freeman and Jerry Lewis at the beginning, A Boy In A Uniform.

Paramount and Hal Wallis brought Dean and Jerry and the whole crew to Fort Benning, Georgia, the army's Airborne Headquarters to shoot the film. I'm sure the troops we see here who were no doubt on the way to Korea liked getting in the movies.

Jumping Jacks is a good Martin&Lewis comedy, but definitely more Lewis than Martin.

So, Martin & Lewis came out near the end of the slapstick comedy era. They were the last of the great classic comedians, that grew out of vaudeville and kept the sub-genre of the slapstick comedy alive for 50 years. In the silent era of film, you had the likes of, Charlie Chaplin, Buster Keaton and Harold Lloyd. In the 1930s and 40s, it was names like, Laurel and Hardy, the Marx Brothers, The Three Stooges and Abbott and Costello, who reigned as kings on the slapstick stage. Martin and Lewis would debut in the movie theaters in 1949 and dominated the 1950s. But, by 1956 (oddly enough the same year that Abbott and Costello broke up), Dean Martin and Jerry Lewis called it quits. This left the decaying bones of the slapstick sub-genre to low-budget films, mostly made by the aged Three Stooges, Jerry Lewis' solo career and a small resurgence of new comedians on television, that kept the sub-genre alive until its untimely death in the 1970s.

This film is a textbook example of what a great Martin and Lewis film looked like. Dean and Jerry were huge in the 1950s. They had crowds show up to their Atlantic City, New Jersey shows, like Elvis was in town. They were big in the movies and on television. This film follows the same formula, that the old Abbott and Costello war films were like. The difference with this one was the Korean War was going on and it was a different attitude in the 1950s. They weren't trying to sell war bonds, so much as, just make a comedy about basic training and war games. Dean (as Chick Allen), is a corporal in the Army, who is part of the para-troopers and also used to do a nightclub act back in the states. In a desperation move to put on a great show, he asks for the assistance of his old fellow performer, Jerry (as Hap Smith), which unfortunately ends in Hap getting pulled into training camp and becoming, accidently, a para-trooper himself. It is hilarious watching Hap, who has no business being near the Army, get through this film without getting himself killed. Dean throws in some great songs and this film is a classic in a sub-genre still at its peak.

7.3 (C+ MyGrade) = 7 IMDB.

Starting in 1949 and through the early 1950s, Dean Martin and Jerry Lewis made 16 films together. Their match-up is the familiar one of comedy teams. A straight man, who often gets the gal, and a goof-up, klutz or clown. So, we had had Laurel and Hardy, Crosby and Hope, and Martin and Lewis.

This is one of the earlier Martin-Lewis comedies. As with most of their films, Dean's singing and their comedy routines play in the plot. So, we get a little singing and dancing along with a wacky story of sorts. After Chick (Martin) goes in the Army, Hap Smith (Lewis) finds himself a female partner for a new show. But before they can get launched in the big time, Chick calls for help that only Hap can provide. So, he sneaks on base to help with a show for the troops.

Well, it's not hard to imagine what happens from there on. The base is a fictitious one, of course, but for this one Paramount did some film shooting at Ft. Benning, GA, and the Army parachute school.

While this and similar films still bring a chuckle here and there, they don't seem as funny as they must have been to audiences in the mid- 20th century. I remember watching these in theaters as a youngster. Slapstick can still be good and very funny, but I think the comedy with actors completely changing their voices was a phase from that period that hasn't lasted.

This film is OK for some laughs and the music and comedy. The rest of the cast provide nice support for the two leads.

Jumping Jacks though early in the careers of Martin and Lewis personified and solidified the act as comedians. Though it was relatively the end of their comedy team, this movie only proved they had more fun and slap stick to come. Fantastic laugh a minute movie with a few Martin songs which are equally as good. If you have never seen a Martin and Lewis movie this is the one to see.

It's a great sorrow and continual grief in my heart to say this picture was miles away from the best pictures of the remarkable duo Lewis and Martin, sadly I have to confess even I'm a big fan of Jerry Lewis, it disappointed me entirely, the plot is unplugged and complex, nothing making sense at all, Dino singing along the movie is worst on those old fashionable and awful songs, even on those fancy sets, not enough romance allowed, just few scenes with Mona Freeman, they concentrated forces on military exercises and parachutes jumps, a sort of Army propaganda, has a minimal funny scenes which can be counted on the fingers of a single hand, the few number of votes at IMDB and rare reviews can justify such veracity, also almost all movies from Jerry Lewis were dubbed in Brazil and curiously it wasn't, why?? It's too easy explainable, the picture wasn't enough good!!

Resume:

First watch: 2019 / How many: 1 / Source: DVD / Rating: 6.