Ivanhoé

It was in this film that the legendary stuntman, Paddy Ryan, did a spectacular fall into an amazingly small amount of water. I started working in the UK in 1960 and there was still talk among casts and crews of Paddy's famous fall. I met Paddy a few times and asked him about the stunt dive. He said it was no big deal. He remembered being asked by some publicist why he did such dangerous things. He replied that he looked down from the great height, imagined he saw his pay check lying there, and took off! I suggested that he should write his memoirs. He said he had started and had spent a long time writing it all out by hand and had almost finished when his manuscript was stolen from, if I remember correctly, his car. He said he was too fed up to sit down and do it all again. What a loss!

In his return from the crusades king Richard of England is captured and held for ransom by Austrian king Leopold. His loyal knight Wifred of Ivanhoe tries to collect the amount for his liberation but Prince John (Richard's brother) sits now in the throne and will do anything to stay there with the aid of some Normand knights.

This is a real good action and adventure medieval film with knights, maidens, castles, tournaments, battles, duels and else. Richard Thorpe direction is excellent (perhaps his best work ever); you'll find also good color photography, well made settings and an interesting plot. Costumes and armours -though perhaps too "hollywoodish" perfect- are also a plus.

Robert Taylor (Ivanhoe) was in his peak and does well as the reliable and faithful knight who fights for his captive king. George Sanders is very well casted as Brian de Bois Gilbert the Templar warrior-monk that would give up his honor for the love of the Jewish maiden Rebbeca (Elizabeth Taylor) but will rather see her death when he is rejected. Joan Fontaine is Lady Rowena Ivanhoe's bride. The rest of the cast includes some all time favourites as Felix Aylmer (Rebbeca's father), Finlay Currie (Cedric the Saxon), Robert Douglas (as Sanders's sidekick Sir Hugh de Bracy) and in a typical role for him Guy Rolfe as the treacherous and ambitious Prince John (this guy was born to play villains).

The tournament in which Ivanhoe challenges the five top Saxon knights and the assault on Front de Beuf's castle by Robin of Locksley and his men are very well achieved action scenes and even more if you consider it was the early 50's. And the final duel between Taylor and Sanders is a great climax for the film (notice they chose war axe and iron ball and chain instead of the usual swords).

A most enjoyable film in its genre.

I can't comment on the film as an adaption but I did find that it was quite entertaining standing alone. Some have criticized Robert Taylor for being too stiff, but I found him to be suitably formal and chivalrous. Elizabeth Taylor and Joan Fontaine both provided ample glamour and grace to their roles. They are also both very photogenic to say the least. The performance of George Sanders intrigued me the most. Though a villain, he actually became more sympathetic to me as the movie progressed. The relationship of the four major characters was what kept me interested. Although I am sure it took careful planning and execution (and a lot of extras) to stage the fight scenes, I actually thought they were quite perfunctory. Solid if not spectacular, 7/10.

The basic plot:Ivanhoe tries to restore the throne to Richard the Lionhearted and away from his Evil brother John,who isn't very cool about that idea.

The praise:A big,glamorous,technicolor,adventure movie,(this is one of those films that's a movie,not a film).Suspenseful,action -packed plot has romance in terms of the jewish Rebbeca(Elizabeth Taylor),with thick jewish eyebrows,and the Lady Rowena(Joan Fontaine),a blonde.Just the right mix of perfectly staged ,suspenseful,action-packed raids,battles,jousts and trials,combined with romance,comic-relief, and Ivanhoe(Robert Taylor) himself. Miles of on location scenery.

The flaws:Too minor to quibble about.

The difficulty with bringing a piece of revered literature to the big screen has more to do with pleasing the fans of the work than in making a pleasing movie. Those who hold Walter Scott's classic "Ivanhoe" in high esteem will deem any adaptation to a largely visual medium unworthy no matter how much care and devotion are given to visualizing the original source.

This version of "Ivanhoe" holds up well and remains one of the more realistic films dealing with the myth, legends, and pomp of the High Middle Ages. The pictorial representation of Judaism at a time of wide-spread persecution of that religion throughout Europe by Christians who continually used the Jews as scapegoats was noble indeed for 1952, the height of the McCarthy witch hunts. The audience of the day undoubtedly overlooked this point when Rebecca is accused of witchcraft in order to insure conformity and stifle opposition to Prince John's tyrannical rule of England in King Richard's absence.

From a historical perspective, this film is about as accurate as any of the numerous Robin Hood tales prevalent at the time in the movies and on TV. Ivanhoe's father is correct when he remarks that Richard would be no better than John as far as the Saxons were concerned. Both Richard and John were ineffectual rulers. Prince John (later King John) has received a bad press as a result of the lionization of Richard the Lionheart. At least John stayed home and attempted to rule England; whereas, Richard was always traipsing about Europe and the Near East on a Crusade or leading his knights in battle mainly for personal gain. His ransom as a result of falling into the hands of the Germans was costly for his realm. Neither Richard or John was the skilled administrator their father, Henry II, proved to be, one of England's greatest monarchs. Neither inherited the diplomatic skills of their mother, Eleanor of Aquitaine, one of the great women leaders in western civilization.

The division between the Saxons and Normans as a result of the Norman invasion of 1066 is at the crux of the story, Ivanhoe being Saxon, the royal family being Norman, descended from William the Conqueror. Nothing is said about those who lived on the British Isles before either the Saxons or the Normans, the Celts first, then the conquering Romans.

A highlight of "Ivanhoe" is the jousting tournament, leading to rivalry between Ivanhoe (Robert Taylor) and Sir Brian de Bois-Guilbert (George Sanders), a rivalry that extends to winning the hand and heart of Rebecca. The alluring nineteen-year-old Elizabeth Taylor who portrays Rebecca is at the peak of her beauty and loveliness. George Sanders and Robert Taylor were much older than Elizabeth at the time. Taylor was uncomfortable making love, even on celluloid, to one so young, especially since he recalled her as a child in the early days of his movie career.

The brilliant Technicolor cinematography is bewitching even by today's standards. Adding to the eye-catching color are the action scenes, especially toward the end of the movie. The besieging of the castle is directed with élan by Richard Thorpe, who learned his trade well from directing action packed B films.

The acting is top notch throughout with Guy Rolfe as the loathsome Prince John stealing every scene he's in. The weakest is Emlyn Williams who plays Wamba (a chattel who becomes Ivanhoe's Squire). Wamba apparently is supposed to supply comic relief and is given some good lines by the writers, but Williams tends to overplay the part to the extent that at times the character becomes an obnoxious loudmouth.