Invitation

The premise of Invitation is very interesting, and the rest of the movie doesn't disappoint. Isn't it nice when that happens? Dorothy McGuire, a classic actress who shouldn't have been forgotten about by modern audiences, shines in this drama about an ill woman who doesn't know of her condition. She thinks she's perfectly healthy, and she loves her husband, Van Johnson. She enjoys planning parties and vacations and thinks he's as happy as she is. . . Until she finds a letter.

The letter was written by her father years ago, and it reminds her of how she and Van met. It was a set-up by her dad, Louis Calhern. A whirlwind courtship led to a quick marriage, but why? Was she really that irresistible? Or did her father give Van some "incentive" to make his daughter happy? I'd recommend this entertaining romance if the storyline appeals to you, or if you're a Dorothy fan. I was impressed by Van's performance, especially since I don't usually like him. For those who like classic romances that make you reach for your hankies, check out this drama.

This glossy MGM film bears traces of DARK VICTORY, with Dorothy McGuire suddenly finding out about her impending doom and that her marriage is a sham--a convenience arranged by her loving father and a man who always had a soft spot for her, Van Johnson. To her credit, McGuire plays the role with great simplicity and sincerity, especially moving once she finds out what's really going on around her. Her quiet reaction to what Van Johnson reveals (in a long monologue) is one of the finest aspects of her overall performance. Her face reflects so many shaded nuances of expression as she tries to understand the truth.

But sadly, the script never lives up to its promise. Despite some fine acting by Louis Calhern as her father and Ruth Roman as a vindictive woman who has been cast aside by Johnson, none of it is told in a compelling enough format. It's as though Ladies Home Journal had a hand in selecting the impeccable furniture and set designs. Gottfried Reinhardt's heavy direction seems incapable of infusing the story with a real sense of life.

It's no help that there's little real chemistry between Dorothy McGuire and Van Johnson. He gives a decent performance but it's as though his heart isn't in the role--there's not much he can do with it. Despite his limitations, McGuire commands the screen with an incisive portrayal and has seldom looked lovelier even though she is supposed to have barely a year to live. Ruth Roman is quite convincing as "the other woman" in Van's life.

An asset is the haunting theme, "Invitation," which could have been used more forcefully for the final thirty minutes of exposition.

The plot to "Invitation" is very odd to say the least and it's really a one of a kind picture. A woman (Dorothy McGuire) has learned a couple important things that folks she loved failed to mention to her: doctors expect her to be dead within a year due to her heart condition and thta her husband was paid by her father to marry her! How is the husband (Van Johnson) going to deal with all this?!

The plot was weird, confusing and hard to believe. I did, however, love Johnson't monologue with his wife late in the film...it was very sweet. A money-losing picture that isn't as bad as you might assume.

The high rating is due to the cast. Van Johnson is really underrated, as is Ruth Roman. Both of them, especially in later roles, displayed a great deal of talent that was underutilized by Hollywood.

However, the true standout here is the radiant Dorothy McGuire--playing a "plain" girl. Plain? Even with a bag over her head, Miss McGuire could never be plain. In addition to her consummate and versatile acting ability, she can be summed up in four words--THAT FACE, THAT VOICE. She is one of the truly greats who can never be replicated.

The lovely score by Bronislau Kaper adds to the enjoyment of the movie; the title song, "Invitation," has become a standard. (Percy Faith recorded it memorably on one of his many albums.)

It is a comment on Hollywood and the current audiences that this film--essentially a woman's picture--is graced with such literate dialog and fine acting that is not often seen today.

I hate this expression, because I dont categorize film by gender, etc. a good movie is a good movie thats it However, it is appropriate to use in this case.... A very good film never heard of/ once again, Thank You TCM.... another sleepless night... I got hooked immediately. Dorothy McGuire was such a special actress, always good !! beautiful and elegant, this film was geared for her special talents..Beautiful MGM production, with excellent cast, Van Johnson as the husband, who must eventually proove his love; Ruth Roman, in a very "bitchy" role,, as the "other woman", with a twist,, she plays this role extremely well also; and Louis Calhern as the very rich aristocratic overloving father. Good cast / good storyline/ started at 2AM in my area, could not get back to sleep, and my VCR was not on.. Glad I watched... Dorothy McGuire was a treasure!!