Ajouter une intrigue dans votre langueA millionaire tries to buy his dying daughter a husband.A millionaire tries to buy his dying daughter a husband.A millionaire tries to buy his dying daughter a husband.
- Réalisation
- Scénario
- Casting principal
Pat Conway
- Bill
- (as Patrick Conway)
Bette Arlen
- Tennis Player
- (non crédité)
Barbara Billingsley
- Miss Alvy
- (non crédité)
Dick Cherney
- Restaurant Patron
- (non crédité)
Avis à la une
The soaper's better than it had any right to be. A plain looking single woman (McGuire) has a heart condition and only a year to live. Her wealthy father (Calhern) wants to inject some happiness into her remaining year, so he bribes handsome Dan (Johnson) to marry her. Trouble is this leaves cold-hearted Maud (Roman) minus her heart's desire, Dan. Thus she plots revenge.
A plain girl with a year to live!—sure it's a tear-jerker but done intelligently without rubbing our nose in it. Ellen's had a difficult time holding onto self- respect after years of romantic rejection. Her sense of dignity has somewhat hardened, making her more sympathetic than likable. It's a difficult role, similar to DeHaviland's in The Heiress (1949). Fortunately, winning actress McGuire rivets interest in the woman's plight despite an unsmiling demeanor. At the same time, Johnson's boyish charm hits the right notes, though the production fudges on showing Dan's grasping side. To me, that's the movie's biggest flaw, though given the script's general direction, probably understandable. On the other hand, credit MGM's production crew with first-rate craftsmanship in putting the elements together in tasteful fashion. Good also to see such supporting players as Ray Collins and Louis Calhern adding their brand of plausibility to the results. And credit someone—writers, producer?—with avoiding a clichéd ending.
No, there's nothing memorable here. But considering the many excesses a movie like this is subject to, the results amount to an affecting exercise in sheer Hollywood professionalism.
A plain girl with a year to live!—sure it's a tear-jerker but done intelligently without rubbing our nose in it. Ellen's had a difficult time holding onto self- respect after years of romantic rejection. Her sense of dignity has somewhat hardened, making her more sympathetic than likable. It's a difficult role, similar to DeHaviland's in The Heiress (1949). Fortunately, winning actress McGuire rivets interest in the woman's plight despite an unsmiling demeanor. At the same time, Johnson's boyish charm hits the right notes, though the production fudges on showing Dan's grasping side. To me, that's the movie's biggest flaw, though given the script's general direction, probably understandable. On the other hand, credit MGM's production crew with first-rate craftsmanship in putting the elements together in tasteful fashion. Good also to see such supporting players as Ray Collins and Louis Calhern adding their brand of plausibility to the results. And credit someone—writers, producer?—with avoiding a clichéd ending.
No, there's nothing memorable here. But considering the many excesses a movie like this is subject to, the results amount to an affecting exercise in sheer Hollywood professionalism.
Simple story. Great writing and acting. An unusual love story that keeps the viewer interested from beginning to end. If this movie were to be made today, there would be foul language, a couple affairs a business man being investigated and a doctor accused of sexual harassment. None of which would have been necessary. And all wrapped up in under 90 minutes. What a gem!!
Powerfully performed and acted by Dorothy McGuire. The plot seems like it will be simplistic, but you are in for a surprise.
Invitation is another of Hollywood's tales told from the rich man's perspective (weren't they all?) but this one has some guts to it and a solid performance by McGuire.
Invitation is another of Hollywood's tales told from the rich man's perspective (weren't they all?) but this one has some guts to it and a solid performance by McGuire.
Always believing she had a happy marriage, a young wife's trust in her husband is shaken when she discovers that her father had paid him to marry her.
Van Johnson and Dorothy Maguire made the perfect movie, in that the smoothness of each other was almost perfect, one would not ever know, Van was being paid. The ending was a surprise!I could watch this movie again and again. It was heart-warming.
I never liked Dorothy McGuire as and actor, but in this film she was spot-on!
Van Johnson never made a bad movie (he's the glue that holds "Battlegound" and "The Caine Mutnity" together). HE never looks like he's acting; has that college boy look (always up to the next girl adventure).
It's a compelling story that is easily plausible and very human. I'm guessing that it was shown back to back with "Til We Meet Again," a similar tragic situation, yet much more intense. So if you liked "Invitation" you had to enjoy this one as well, assuming you liked the actors: George Brent and Merle Oberon.
I do not like spoiling a movie by telling specific about it; reviews should be, in my intractable position, your response to story and actor. Stop telling what happens.
I love these old B/W film. The quality forever surpasses predictable crap made today.
Van Johnson never made a bad movie (he's the glue that holds "Battlegound" and "The Caine Mutnity" together). HE never looks like he's acting; has that college boy look (always up to the next girl adventure).
It's a compelling story that is easily plausible and very human. I'm guessing that it was shown back to back with "Til We Meet Again," a similar tragic situation, yet much more intense. So if you liked "Invitation" you had to enjoy this one as well, assuming you liked the actors: George Brent and Merle Oberon.
I do not like spoiling a movie by telling specific about it; reviews should be, in my intractable position, your response to story and actor. Stop telling what happens.
I love these old B/W film. The quality forever surpasses predictable crap made today.
Le saviez-vous
- AnecdotesThe haunting theme music by Bronislau Kaper was actually introduced two years earlier in MGM's Ma vie à moi (1950), but became a jazz standard under the title "Invitation", especially associated with tenor saxophonist Joe Henderson.
- Citations
Ellen Pierce: There is something much more important than keeping alive, and that is knowing that you have lived.
- Bandes originalesAll I Do Is Dream of You
(uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Briefly whistled by Van Johnson
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 1 020 000 $US (estimé)
- Durée
- 1h 24min(84 min)
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant