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Home at Seven

  • 1952
  • 1h 25min
NOTE IMDb
6,7/10
876
MA NOTE
Margaret Leighton and Ralph Richardson in Home at Seven (1952)
CrimeDramaMystery

Ajouter une intrigue dans votre langueDavid Preston, a banker, has a 24-hour memory lapse. Accused of robbery and murder, he can't account for his lost time. With no alibi, police press him to explain the missing hours, jeopardi... Tout lireDavid Preston, a banker, has a 24-hour memory lapse. Accused of robbery and murder, he can't account for his lost time. With no alibi, police press him to explain the missing hours, jeopardizing his freedom.David Preston, a banker, has a 24-hour memory lapse. Accused of robbery and murder, he can't account for his lost time. With no alibi, police press him to explain the missing hours, jeopardizing his freedom.

  • Réalisation
    • Ralph Richardson
  • Scénario
    • Anatole de Grunwald
    • R.C. Sherriff
  • Casting principal
    • Ralph Richardson
    • Margaret Leighton
    • Jack Hawkins
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    876
    MA NOTE
    • Réalisation
      • Ralph Richardson
    • Scénario
      • Anatole de Grunwald
      • R.C. Sherriff
    • Casting principal
      • Ralph Richardson
      • Margaret Leighton
      • Jack Hawkins
    • 30avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos6

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    Rôles principaux14

    Modifier
    Ralph Richardson
    Ralph Richardson
    • David Preston
    Margaret Leighton
    Margaret Leighton
    • Janet Preston
    Jack Hawkins
    Jack Hawkins
    • Dr. Sparling
    Campbell Singer
    Campbell Singer
    • Inspector Hemingway
    Michael Shepley
    Michael Shepley
    • Major Watson
    Margaret Withers
    Margaret Withers
    • Mrs. Watson
    Frederick Piper
    • Mr. Petherbridge
    Meriel Forbes
    Meriel Forbes
    • Peggy Dobson
    Gerald Case
    • Sergeant Evans
    Diana Beaumont
    Diana Beaumont
    • Ellen
    Archie Duncan
    Archie Duncan
    • Station Sergeant
    • (non crédité)
    Victor Hagan
    • Police Photographer
    • (non crédité)
    Robert Moore
    • Fingerprint Man
    • (non crédité)
    Johnnie Schofield
    • Joe Dobson, Landlord of the Feathers
    • (non crédité)
    • Réalisation
      • Ralph Richardson
    • Scénario
      • Anatole de Grunwald
      • R.C. Sherriff
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs30

    6,7876
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    10

    Avis à la une

    MIKE-WILSON6

    A Gentle Little British Thriller.

    A long forgotten British film, that has David Preston ( Ralph Richardson) as a lowly bank clerk, who returns home, as usual, only to be told by his wife, that he has been missing for 24 hours.

    He slowly starts to come to terms with what has happened, only to find out that the steward of his local club has been murdered, and that he has been implicated. Margaret Leighton as his wife, and Campbell Singer,as the police inspector give good support. I find these films from 40's and 50's fascinating, as they show a way of life that has long since disappeared.
    7barryrd

    British Gold Nugget from the 1950's

    Ralph Richardson, who both directs and acts in this film, has taken a simple story that depicts a short period in the life of a middle-class couple in post-war England whose routine is suddenly disrupted by the memory lapse of the husband. The story is brought to life by the acting of the three main actors - Richarson and Margaret Leighton as the couple and the medical doctor, Jack Hawkins.

    A veteran of World War II (1939-45), the dutiful husband is stricken with an anxiety attack that causes him to relive his days in battle. When this mental episode is over, he cannot remember what happened for a full 24-hour period. Husband and wife are perplexed and anxious by this sudden turn of events. They turn to their understanding family doctor for an explanation. The doctor, Jack Hawkins, is sympathetic and not overly worried but eager to find out the source of the problem.

    As it turns out, a theft and murder occurred that seem to implicate the husband or so the couple fears. Lies and cover-ups complicate the matter and the couple become so upset that they make things worse for themselves. The couple are so used to their routine that a sudden and unexplained twist becomes exaggerated. The story presents us with a puzzle and the reaction of two decent but somewhat docile human beings, who feel they will be unfairly targeted by the authorities. However, the police go about their work very calmly and before long everything is explained.

    The movie is a throwback to a time when ordinary people enjoyed simple pleasures like going to their club, or taking in the "pictures" and growing their chrysanthemums in the adjoining greenhouse garden...so very British.

    It is these very ordinary people that I have a great sympathy and admiration for in our often self-serving world. Nothing extraordinary about the movie or the couple but almost 60 years on, the acting still makes it a delight to watch.
    8MOscarbradley

    Stagey but surprisingly good.

    It's not uncommon for actors to direct themselves in films but many do it only once, perhaps because they believe in a project, either as vehicle for themselves or just as a vehicle worth bringing to the screen. In 1952 Ralph Richardson felt the need to direct a film of R. C. Sherriff's play "Home at Seven" casting himself as the bank clerk who has a 24 hour memory lapse and then finds himself inplicated in a murder.

    It's a good plot and if Richardson handles it in a somewhat theatrical fashion he, at least, draws first-rate performances from his cast while he is outstanding as the clerk. After Olivier, I've always felt Richardson was the finest of the theatrical knights to make it in the movies and he doesn't disappoint here. It's a wonderful performance and Margaret Leighton and Jack Hawkins are just as good as his fretting wife and the doctor who tries to help him. The plot itself may be a little far-fetched but the treatment is excellent making this one of the best and certainly one of the most underrated British films of the period.
    6JuguAbraham

    Margaret Leighton and Jack Hawkins are wonderful

    Though this movie ought to be mainly credited to Ralph Richardson as actor and director, his contribution is totally overshadowed by the performances of the late Margaret Leighton and the late Jack Hawkins.

    Ms Leighton, playing the loving wife, is eye candy and exhibits her talent for acting (contrast her negative roles in Ford's "The 7 Women" and Hitchcock's "Under Capricorn" and the wonderful, unusual role in Forbes' "The Madwoman of Chaillot".) Mr Hawkins is equally wonderful to watch.

    Otherwise as a film, it is average entertainment--a film on post-war PTSD made decades before the disorder came into the limelight.
    7mikrift

    Slow starter

    Very slow to gain momentum, but once it does it chugs along at an acceptable pace. Richardson may be an impeccable Shakespearean actor, but on the big screen he is far less convincing. Leighton excels as the dutiful wife who will do anything for her suffering husband. Of course we laugh at those traits in this modern age of feminism, but what a comfort dutiful wives must have been for men of that era. The plot is very predictable and somewhat rigid given the base cause: (amnesia), but it is handled very well by the direction of Richardson that you could be excused for mistaking it for a Hitchcock movie. All in all, an enjoyable film.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Sir Ralph Richardson's only directorial effort.
    • Connexions
      Version of Hemma klockan sju (1958)

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    FAQ13

    • How long is Murder on Monday?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 mars 1952 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Murder on Monday
    • Lieux de tournage
      • Shepperton Studios, Shepperton, Surrey, Angleterre, Royaume-Uni(Studio)
    • Sociétés de production
      • London Film Productions
      • British Lion Film Corporation
      • Maurice Cowan Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 25 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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