NOTE IMDb
7,2/10
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MA NOTE
Ajouter une intrigue dans votre langueAn English clergyman's neglect of his grown children, in his zeal to tend to his parishioners, comes to the surface at a Christmas family gathering.An English clergyman's neglect of his grown children, in his zeal to tend to his parishioners, comes to the surface at a Christmas family gathering.An English clergyman's neglect of his grown children, in his zeal to tend to his parishioners, comes to the surface at a Christmas family gathering.
- Réalisation
- Scénario
- Casting principal
Maureen Delaney
- Aunt Bridget
- (as Maureen Delany)
Mary Chapman
- Girl
- (non crédité)
Sally Owen
- Young Girl
- (non crédité)
Avis à la une
For a while there, in Canada - in the eighties and nineties, when the television landscape was forever expanding - I could be guaranteed of seeing this movie; there was always some new station looking for filler, particularly during the Christmas season. What a treat!
This movie is not just a great film about the real meaning of Christmas, it is also a relic of a period that is not so long ago in terms of years, but is eons away in terms of social convention, manners, etc.
Even better, although the film was made in a gentler, more genteel time, serious issues (illegitimacy, alcoholism, reckless self-sacrifice) are explored with depth. If this had been a lesser movie, it would have come off as something to be shown in a religion class, but the extremely talented cast runs with the story and helps create a film that is magical and meaningful.
I have a tape of this somewhere, and am always on the lookout for a DVD version. I only hope The Holly and the Ivy makes it to digital transfer soon, and is rediscovered as the Christmas classic that it is.
This movie is not just a great film about the real meaning of Christmas, it is also a relic of a period that is not so long ago in terms of years, but is eons away in terms of social convention, manners, etc.
Even better, although the film was made in a gentler, more genteel time, serious issues (illegitimacy, alcoholism, reckless self-sacrifice) are explored with depth. If this had been a lesser movie, it would have come off as something to be shown in a religion class, but the extremely talented cast runs with the story and helps create a film that is magical and meaningful.
I have a tape of this somewhere, and am always on the lookout for a DVD version. I only hope The Holly and the Ivy makes it to digital transfer soon, and is rediscovered as the Christmas classic that it is.
A fine play in a 1950s screen version, wonderfully cast - Ralph Richardson is the parson who has bred a dysfunctional family (daughters Celia Johnson and Margaret Leighton, son Denholm Elliott).
When the family comes together at Christmas, with the two maiden aunts - the holly and ivy represented in human form? - secrets tumble out, the family comes together, and peace and understanding comes to pass as it should in the festive season.
Leighton's flighty daughter with the grief of a loss in the war hanging over her; Johnson's tired and emotionally drained woman in love (with John Gregson, about to emigrate for his work); Elliott's Army private bristling against authority at all levels - all these characterisations are spot-on.
But the film belongs to Richardson - quietly watching and waiting for his moment in the sun, a long speech to his daughter - although he is saddled with a slightly odd accent.
The Holly and the Ivy is a heartwarming fable of Christmas and should be much better known than it is - can we have a television showing this season?
When the family comes together at Christmas, with the two maiden aunts - the holly and ivy represented in human form? - secrets tumble out, the family comes together, and peace and understanding comes to pass as it should in the festive season.
Leighton's flighty daughter with the grief of a loss in the war hanging over her; Johnson's tired and emotionally drained woman in love (with John Gregson, about to emigrate for his work); Elliott's Army private bristling against authority at all levels - all these characterisations are spot-on.
But the film belongs to Richardson - quietly watching and waiting for his moment in the sun, a long speech to his daughter - although he is saddled with a slightly odd accent.
The Holly and the Ivy is a heartwarming fable of Christmas and should be much better known than it is - can we have a television showing this season?
Beware, this film may creep up on you, it can be so easily dismissed but any viewer infused with the passion of humanity and what makes us tick will be enthralled.
Some reviewers missed the point (or simply didn't want to see it!) The insightful will relish the final outcome. Writer Wynyard Brown brings to mind the intensity of Eugene O'Neal, but somehow makes it easier to take.
Brown's collaboration with Producer/Writer Anatold De Grunwald offers the discerning viewer a true gem. Pity writers and Producers of this quality were given over to the bleak grittiness of the 'kitchen sink' movement (who managed to leave us a somewhat limited legacy)
Performances are quite remarkable, especially the principal characters (Richadson is a standout) The stories search for faith in life over self pity is solid.
Sure, it was written as a play (as was O'Neill) but unlike some others, I felt the coupling of an astute Director, and Cinematographer, has fashioned many subtle, but smart cinematic moments.
D.O.P Ted (Edward) Scaife an amazing all rounder, often associated with outdoor action spectaculars (Outcast of the Islands, Dirty Dozen, Tazan's Greatest Adventure/The Magnificent, Night of the Demon, to name just a few) gives this mostly indoor film a unique look and feel, allowing the personalities of the characters to speak directly to us.
If you enjoy a film to think about and feel, this could be for you. Malcolm Arnolds well arranged Music score adds greatly. I would like to buy it on DVD but don't know if the original 83min vers has been transfered or only the inferior 74min (sadly the one usually run on TV) is all thats on offer. The full running time is moderate anyway, but in this case, the longer is the better. Its rare, so find either and enjoy....
Some reviewers missed the point (or simply didn't want to see it!) The insightful will relish the final outcome. Writer Wynyard Brown brings to mind the intensity of Eugene O'Neal, but somehow makes it easier to take.
Brown's collaboration with Producer/Writer Anatold De Grunwald offers the discerning viewer a true gem. Pity writers and Producers of this quality were given over to the bleak grittiness of the 'kitchen sink' movement (who managed to leave us a somewhat limited legacy)
Performances are quite remarkable, especially the principal characters (Richadson is a standout) The stories search for faith in life over self pity is solid.
Sure, it was written as a play (as was O'Neill) but unlike some others, I felt the coupling of an astute Director, and Cinematographer, has fashioned many subtle, but smart cinematic moments.
D.O.P Ted (Edward) Scaife an amazing all rounder, often associated with outdoor action spectaculars (Outcast of the Islands, Dirty Dozen, Tazan's Greatest Adventure/The Magnificent, Night of the Demon, to name just a few) gives this mostly indoor film a unique look and feel, allowing the personalities of the characters to speak directly to us.
If you enjoy a film to think about and feel, this could be for you. Malcolm Arnolds well arranged Music score adds greatly. I would like to buy it on DVD but don't know if the original 83min vers has been transfered or only the inferior 74min (sadly the one usually run on TV) is all thats on offer. The full running time is moderate anyway, but in this case, the longer is the better. Its rare, so find either and enjoy....
This movie is a little gem for the most part. And a welcome change from the usual Christmas fare. The only fault is with the ending which appears rushed and we are left to grieve the characters a little. Rather like a dessert that gets whisked away before one is quite finished. Unsatisfied. It tells the story of a widowed parson and the family members who come home for the holidays to a quaint old village. Father, played wonderfully by Ralph Richardson, has always been shielded from the facts of life by his three - now adult - children. For the era in which it was made (1952)the secrets one of the three carries is quite a shocker. A flaw is that Celia Johnson, an actress I enjoy, is far too old in this to play a thirty one year old. Margaret Leighton's brittle charm is never more appealing than here. However, the two aunts steal every scene in which they appear, two wonderful stage actresses, Margaret Halstan and Maureen Delaney. A great script, a little stagey, and ending far too swiftly, I gave it a 7 out of 10.
The Holly and the Ivy is a far cry from the usual Christmas story since it is more a family drama set during the Christmas season. It is a powerful story with excellent acting as the group gets together in a country village north of London in 1948.
The family made up of father, aunts, grown children and two male friends come together at the vicarage of the father, the parson in a local church. Ralph Richardson and Margaret Leighton, as father and daughter, have the key roles and are bolstered by a strong supporting cast, including Denholm Eliot and Celia Johnson.
During the evening and Christmas morning, family matters that had been ignored or kept secret, come to the fore. After a series of uncomfortable incidents and heart-to-heart talks, things change and everyone finds comfort and possibly a deeper purpose in this Christmas.
This is certainly a serious movie and totally entertaining. Unlike many of the fantasy films we see at Christmas, this offers a dose of reality. The sets are very plain as they were in most British dramas of that era but the acting is superb. It teaches the audience that Christmas and family difficulties are often played out together. In that sense, family Christmas gatherings may not be that different than they were 60 some years ago.
The family made up of father, aunts, grown children and two male friends come together at the vicarage of the father, the parson in a local church. Ralph Richardson and Margaret Leighton, as father and daughter, have the key roles and are bolstered by a strong supporting cast, including Denholm Eliot and Celia Johnson.
During the evening and Christmas morning, family matters that had been ignored or kept secret, come to the fore. After a series of uncomfortable incidents and heart-to-heart talks, things change and everyone finds comfort and possibly a deeper purpose in this Christmas.
This is certainly a serious movie and totally entertaining. Unlike many of the fantasy films we see at Christmas, this offers a dose of reality. The sets are very plain as they were in most British dramas of that era but the acting is superb. It teaches the audience that Christmas and family difficulties are often played out together. In that sense, family Christmas gatherings may not be that different than they were 60 some years ago.
Le saviez-vous
- AnecdotesWynyard Browne's original play opened at London's Duchess Theatre in 1950. Maureen Delaney and Margaret Halstan reprised their stage roles for this movie.
- GaffesWhen Aunt Bridget hands her landlady a photograph of her nephew Michael (Denholm Elliott) from the sideboard, it's a different one. The close up shot of the photo shows him in uniform as opposed to civilian dress on the sideboard.
- Citations
Richard Wyndham: Cheer up, Mick old boy. In a hundred years we'll all be dead.
- ConnexionsFeatured in The Andrew Klavan Show: Épisode #1.436 (2017)
- Bandes originalesThe Holly and the Ivy
(uncredited)
Traditional, music first published by Cecil J. Sharp, arranged by H. Walford Davies
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- How long is The Holly and the Ivy?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Wynyard Browne's The Holly and the Ivy
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 23 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was The Holly and the Ivy (1952) officially released in India in English?
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