Fargo

Elliott plays Bill Martin, who returns home when his brother is killed. Bill's brother was caught in a range war between cattlemen and farmers, and Bill is soon caught up in the midst of the battles himself when he assists farmers putting up barbed wire to keep their crops from being trampled by cattle.

There's a unique scene featuring a machine the farmers use to string together their barbed wire. Wild Bill Elliott, as in most late 40's and 50's westerns is a tight lipped, grim-faced character who seems to carry a lot on his shoulders. Here, he is determined to fulfil what his brother wanted to achieve, so he fences the cattle out of farming land.

A well-told "barbed wire" story with good acting, dialogue, though it lacks a little in pace in the first half. But it picks up pace in pace in the second half, and ends with a rambunctious showdown. There's a horrific scene of Elliott delivered to a dance wrapped head to toe in barbed wire.

The movie was exciting and had a good story line, but I feel the cast is what sold this 1952 "B" western. Bill Elliott was my favorite cowboy actor, and he did well as the low-keyed-yet-very tough, determined rancher. Kermit Maynard was excellent as the rancher sometimes at odds with Elliott yet basically his friend. To state it mildly, Phyllis Coates was a very attractive attention-getting icon as Ken Maynard's daughter and Elliott's lover, as she was in other movies with him. (Oh! She was adorable!) As for the villains, Robert Wilke and Myron Healey were mean outlaws par excellence: you almost have to feel sorry for those two who were primarily portrayed as crooks during their film careers. And Stanley Andrews, later to be known as the Old Ranger on "Death Valley Days" fell well into his role as the judge. Truly, this was a well-amassed cast for a movie of its kind. In this movie whose story line centered around the rancher (Elliott) wanting to ward off cattle stampedes by building barbed-wire fences, there was no dearth of action. Yes, the movie was very exciting and rather tense all the way through. It was for me personally very much of a favorite.

You may wonder why I bothered... As I have not seen this movie. Yet I was puzzled by the fact there is so little in the web to compare it with the 1996 "Remake???) Was it a remake? Reading the plot I would not think so. The reason I'm here is because I just watch the 1996 version of Fargo and curious to see there was a 1952 version I find it... Here there was only five reviews and the one displayed with the page states that the author liked about it was the part someone got shoved into a wood chipper! This also puzzled me.... and this is basically the whole comment! There is no indication in the plot this happened. But any comparative search I attempted did get me nowhere so I'm still non the wiser also I did get the plot which to me is quite different.

William "Wild Bill" Elliott was one of the better western stars of the 1940's and 1950's. His no-nonsense, peaceable man demeanor served him well in this and dozens of other films. Whether it was fistfights, gunfights or shootouts, he was always on top of his game.

This film was exciting, fast-paced and entertaining. Elliott was fine in this role and was supported by a fine cast. The production values and budget on this film seem a notch above other similar films of the era.

All in all, this was one of Elliot's best films. this is good, quality entertainment........ the kind that is sorely lacking nowadays !

Fargo has Wild Bill Elliott coming back to Dakota Territory to take up a crusade that his murdered brother House Peters, Jr. tried. While Elliott was roaming the west Peters took up the family ranch and sublet it to a lot of homesteaders with the inevitable barbed wire that they bring to fence in crops. That got Peters killed and Elliott back to Fargo.

Elliott continues with his brother's ideas which is that the days of open range are over, that if worked right the farmers can sell their grain to the ranchers for feed as well as to outside markets. But some people are set in their ways.

Wild Bill really gets wrapped up in this one when chief enforcer Myron Healey and his gang capture him and send him back to the farmers and sympathetic ranchers gift wrapped in barbed wire. Quite lucky he wasn't killed in the process. All that did was get the peaceable man quite provoked.

Their are some plot holes in this western, but the final gun battle between Healey's gang and the forces of law and order and progress will not be denied. As if they ever are in these westerns.