Ajouter une intrigue dans votre langueAfter leading nuclear scientists are kidnapped and smuggled behind the Iron Curtain, an FBI man and a British agent are assigned to catch the kidnappers.After leading nuclear scientists are kidnapped and smuggled behind the Iron Curtain, an FBI man and a British agent are assigned to catch the kidnappers.After leading nuclear scientists are kidnapped and smuggled behind the Iron Curtain, an FBI man and a British agent are assigned to catch the kidnappers.
- Réalisation
- Scénario
- Casting principal
Grace Arnold
- Neighbour
- (non crédité)
Ernest Blyth
- Morgue Attendant
- (non crédité)
Cyril Chamberlain
- Bailey
- (non crédité)
Arnold Diamond
- Max
- (non crédité)
Howard Douglas
- Taxi Driver
- (non crédité)
Arthur Lovegrove
- Phillips
- (non crédité)
Anthony Pendrell
- Rees
- (non crédité)
Norman Pierce
- Inspector Hobbs
- (non crédité)
Harry Towb
- Immigration Officer
- (non crédité)
John Warwick
- Security Chief Brice
- (non crédité)
Avis à la une
Have been watching quite a few of the films presented by TCM in the latest retrospective of George Raft's films. and am amused by many of the reviews critical of the quality of the films. Yes, they are dated, corny, not well-plotted in some cases and Raft is not a very good actor -- in fact he is quite stiff and only seems to move with any grace when he is dancing.
But he is fun to watch and in this film, as in many others in this latest series on TCM, you see what audiences found appealing about Raft -- he is always very cool and virtually expressionless regardless of the circumstances and his backstory including his friendship with mobsters is right out of The Godfather.
The Soviets have been kidnapping scientists from all over the world. FBI agent Steve Rossi (George Raft) sneaks into England to try to infiltrate the kidnapping ring. He is captured by MI5 agent Joan Miller and she joins his mission.
This is a British espionage thriller. There isn't much thrilling. There is not much action to speak of other than a slow ride down an elevator. The elevator is more interesting than the fight. There is no great spy craft. It's a lot of static talking with intermittent moments of something possibly interesting. It's not enough.
This is a British espionage thriller. There isn't much thrilling. There is not much action to speak of other than a slow ride down an elevator. The elevator is more interesting than the fight. There is no great spy craft. It's a lot of static talking with intermittent moments of something possibly interesting. It's not enough.
Airplane engineers are being snatched off the street, so George Raft, an airplane designer, flies to London to take up Clifford Evans' job offer, only first he has to find him. This leads him to Sally Gray, who turns out to be working for British Intelligence. They start pursuing Evans together.
This is a rote movie and everyone seems to be putting in just enough energy to collect their paychecks. The script starts and stops for no clear reason, as bad guys try to kill Raft and then leave after the first attempt fails; a bad guy takes a swing at Raft, misses by several inches, and Raft falls down. The entire production is run in such a sloppy, uncaring manner that the viewer must be similarly unengaged.
There is some decent inadvertent documentary work in the site location; as Raft and Miss Gray wander about London, there are some nice views of still unrepaired war damage. However, given the generally low level of excellence, that made me think the film makers were ripping off shots from THE THIRD MAN and NAKED CITY.
This was Sally Gray's first movie since 1949 and her last. She would retire from the movies to become Baroness Oranmore and Browne, Baroness Mereworth in a fifty-year marriage and live to be 91. It's a happy ending that satisfies me.
This is a rote movie and everyone seems to be putting in just enough energy to collect their paychecks. The script starts and stops for no clear reason, as bad guys try to kill Raft and then leave after the first attempt fails; a bad guy takes a swing at Raft, misses by several inches, and Raft falls down. The entire production is run in such a sloppy, uncaring manner that the viewer must be similarly unengaged.
There is some decent inadvertent documentary work in the site location; as Raft and Miss Gray wander about London, there are some nice views of still unrepaired war damage. However, given the generally low level of excellence, that made me think the film makers were ripping off shots from THE THIRD MAN and NAKED CITY.
This was Sally Gray's first movie since 1949 and her last. She would retire from the movies to become Baroness Oranmore and Browne, Baroness Mereworth in a fifty-year marriage and live to be 91. It's a happy ending that satisfies me.
I've seen Raft in many movies, and just don't get why people liked him so much. His acting is wooden, not just here, but in many roles. He's not particularly handsome nor charismatic. But whatever.
I like this movie because it's what we yanks consider a hollywood genre, but set and shot in the UK. It's refreshing to see a procedural done in another country. Similar, but different. And plenty of on location and street shots, not just endless soundstages. The camerawork even has a few imaginative moments.
But it's not special in any other way. I'm pretty good with british acting names and faces, and I don't recognize one here. It's rare that I recognize only one performer in a movie, in this case, Raft. I didn't previously know Sally Gray. I found it hard not to watch her. To me she looks much more american than british for that time period.
This could be a good movie for an update, a remake. It's got good bones.
I like this movie because it's what we yanks consider a hollywood genre, but set and shot in the UK. It's refreshing to see a procedural done in another country. Similar, but different. And plenty of on location and street shots, not just endless soundstages. The camerawork even has a few imaginative moments.
But it's not special in any other way. I'm pretty good with british acting names and faces, and I don't recognize one here. It's rare that I recognize only one performer in a movie, in this case, Raft. I didn't previously know Sally Gray. I found it hard not to watch her. To me she looks much more american than british for that time period.
This could be a good movie for an update, a remake. It's got good bones.
Another quota quickie British film of the fifties. This is one of literally hundreds of films that had an American actor in the leading role purely as a way of getting a release in the USA.
George Raft stars as an FBI agent sent over to Britain to find out how, why and where leading scientists are being abducted and taken East.
Raft, obviously at the twilight of his career, looks a little bored with the whole thing. Judging by his square shoulders, he seems to have left his coat hanger in his overcoat and his arms seem to be glued to his sides. His leading lady, quite a bit younger than him, also seems uneasy of smooching an older man!
Using schoolboy spy techniques they uncover the spy ring and Raft gets the girl. An undemanding film that passes the short running time.
George Raft stars as an FBI agent sent over to Britain to find out how, why and where leading scientists are being abducted and taken East.
Raft, obviously at the twilight of his career, looks a little bored with the whole thing. Judging by his square shoulders, he seems to have left his coat hanger in his overcoat and his arms seem to be glued to his sides. His leading lady, quite a bit younger than him, also seems uneasy of smooching an older man!
Using schoolboy spy techniques they uncover the spy ring and Raft gets the girl. An undemanding film that passes the short running time.
Le saviez-vous
- AnecdotesFinal film of Sally Gray.
- GaffesAccording to a newspaper headline, Steve arrived in London on a Monday and disappeared before reaching customs. Steve spends that day looking for Michael, instead finding Joan and spending that night at her place. The next day, Tuesday, after meeting Joan's boss, they chase around town after Michael and end up in police custody. Later that night they are released and discover Michael's secret hideout and find a coded message about someone leaving the country Sunday at noon, which suddenly is only 9 hours away despite the previously established time line being that it is early Wednesday morning.
- Citations
Inspector Reid: What are they running down there? An immigration control or a game of hunt-the-alien?
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- How long is I'll Get You?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- I'll Get You
- Lieux de tournage
- Duchess of Bedford Walk, Kensington, Londres, Angleterre, Royaume-Uni(Steve and Joan escape from the police by car)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 18 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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