NOTE IMDb
7,2/10
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MA NOTE
Ajouter une intrigue dans votre langueWith his newspaper about to be sold, crusading editor Ed Hutcheson tries to complete an exposé on gangster Rienzi.With his newspaper about to be sold, crusading editor Ed Hutcheson tries to complete an exposé on gangster Rienzi.With his newspaper about to be sold, crusading editor Ed Hutcheson tries to complete an exposé on gangster Rienzi.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Joe De Santis
- Herman Schmidt
- (as Joseph De Santis)
Parley Baer
- Headwaiter
- (non crédité)
Bill Baldwin
- Man Asking for Ed Hutcheson
- (non crédité)
Willis Bouchey
- Henry
- (non crédité)
Lovyss Bradley
- Woman
- (non crédité)
John Brooks
- Reporter
- (non crédité)
Ralph Brooks
- Newspaperman
- (non crédité)
Avis à la une
Being the editor of a newspaper is intense, when the world outside your window don't make sense, where gangsters rule the roost, the owners easily seduced, an ex-wife who will not give you recompense. So we follow you around and watch you play, it's fair to say, that these are not ordinary days, always going toe to toe, they could be friends, they could be foes, but you ensure everyone, hears what you say. The performances are fine and competent, the emotion and the passion sufficient, not really sure the story's deep, there's not a lot of underneath, but it's 90 minutes that can be well spent.
Better than average newspaper drama from the Fifties. Seems to be a more or less forgotten Humphrey Bogart film, which is too bad. I couldn't find it on DVD anywhere, and watched it on a tape I made from cable ten or more years ago. The film has three intertwining plot arcs done very skillfully by screenwriter (and director) Richard Brooks. Martin Gabel plays the bad guy, a mobster who is suitably menacing, without overdoing it. Icon Ethel Barrymore puts in a fine turn as the newspaper heiress, and the lovely Kim Hunter shines as Bogey's ex-wife. Bogart is outstanding as the crusading newspaper editor, doing everything possible to save his paper, and bringing low the criminal element. Definitely worth seeing, if you can find it.
This film was released (as I remember) the same year as The African Queen. I have always liked it more than the latter film. Richard Brooks's prior experience working on a newspaper gives it a genuine idea of what that kind of work is like. The performances of Bogart and Barrymore are very good. I think it's one of her very best. This movie deserves to be seen and appreciated more.
The film opens with a businessman being questioned in a courtoom, similar to the House Un-American Committee This newspaper may be sold, right in the middle of the biggest news story of the year. Stars Bogart as the editor, and Ethel Barrymore as Mrs. Garrison, the owner. and Jim Backus (Mr. Howell, from Gilligan's Island) is in here. Bogart tries to convince Mrs. Garrison to keep the paper going, but its an uphill battle. Not a lot of votes on imdb for this one, so TCM must not show it very often. Touching scene, where the reporters all hold a memorial for the paper in the bar.... even more prescient today, when there are very few papers left, and those few are an endangered species. Some similarites to Citizen Kane, where the respectable paper can't compete with the yellow, sensational papers for circulation. Written and directed by Richard Brooks, who was married to Jean Simmons. Pretty good stuff. I had never seen this one before. It really strikes a nerve today, with the interwebs really killing off newspapers.
"It's not our job to prove he's guilty. We're not detectives and we're not in the crusading business." That line from Humphrey Bogart early in the film lets you know you're watching a movie about a bygone era in journalism. Or maybe that's just an idealized fantasy and reporters were never like that, because later in the film Bogart contradicts himself by instructing his reporters to "go below the belt" and "we're gonna convict him of every crime on the books." Feelings on journalistic philosophy aside, this is an exceptional crime drama about the goings-on at a newspaper that's going out of business. Before the doors are closed, editor Bogart and his reporters try to uncover the truth about a racketeer's criminal activities.
Bogart turns in one of his finest acting turns, with terrific support from Ethel Barrymore, Martin Gabel, Ed Begley, Kim Hunter, Warren Stevens, Jim Backus, and many more. The story moves along at a smooth pace and keeps your interest throughout. There's quite a bit of monologuing but the script is packed with punch and grit. It's one of the better films in writer & director Richard Brook's career. It's worth a look on its merits as a dramatic film, as well as the added historic value it has for those looking to examine the differences and similarities between how journalism was viewed yesterday versus today.
Bogart turns in one of his finest acting turns, with terrific support from Ethel Barrymore, Martin Gabel, Ed Begley, Kim Hunter, Warren Stevens, Jim Backus, and many more. The story moves along at a smooth pace and keeps your interest throughout. There's quite a bit of monologuing but the script is packed with punch and grit. It's one of the better films in writer & director Richard Brook's career. It's worth a look on its merits as a dramatic film, as well as the added historic value it has for those looking to examine the differences and similarities between how journalism was viewed yesterday versus today.
Le saviez-vous
- AnecdotesOriginally titled 'The Newspaper Story', location shooting took place both in the newsroom and the printing plant of The New York Daily News, with real pressmen playing themselves. This was augmented by an 'almost letter-perfect' reproduction of a newsroom on a Hollywood soundstage.
- GaffesAs Rienzi's car drives off after picking up Hutcheson, a large studio light is reflected against the side window of the car.
- Citations
[last lines]
Ed Hutcheson: That's the press, baby. The press! And there's nothing you can do about it. Nothing!
- ConnexionsFeatured in Las Vegas, un couple (1970)
- Bandes originalesJohn Brown's Body
(uncredited)
Traditional tune, lyrics attributed to various writers
Sung, with modified lyrics, by the staff in the bar and heard as a theme at other times.
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Détails
Box-office
- Montant brut mondial
- 5 228 $US
- Durée
- 1h 27min(87 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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