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Le docteur Delaney et sa femme, Lola s'occupent énormément de Marie, leur jeune locataire. Le docteur s'inquiète de voir Tuck courtiser Marie, puisque celle-ci est déjà fiancée...Le docteur Delaney et sa femme, Lola s'occupent énormément de Marie, leur jeune locataire. Le docteur s'inquiète de voir Tuck courtiser Marie, puisque celle-ci est déjà fiancée...Le docteur Delaney et sa femme, Lola s'occupent énormément de Marie, leur jeune locataire. Le docteur s'inquiète de voir Tuck courtiser Marie, puisque celle-ci est déjà fiancée...
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 7 victoires et 8 nominations au total
Robert Fuller
- Extra
- (non crédité)
Ned Glass
- Man at AA Meeting
- (non crédité)
William Haade
- Hospital Intern
- (non crédité)
Virginia Hall
- Blonde in Diner
- (non crédité)
Anthony Jochim
- Mr. Cruthers
- (non crédité)
Peter Leeds
- Milkman
- (non crédité)
Kitty McHugh
- Pearl Stinson - AA Member
- (non crédité)
Paul McVey
- Postman
- (non crédité)
Beverly Mook
- Judy Coffman
- (non crédité)
Virginia Mullen
- Henrietta Colby - AA Member
- (non crédité)
Avis à la une
This is an interesting study about the trials of people dealing with disappointment and alcoholism. Lost dreams have been Doc's excuse for turning to the bottle, and a lost little dog (Sheba) symbolizes his wife's search for herself.
The film based on the play is an early study of the pain of addiction. As Doc tells his wife, "Dreams are strange." There is redemption in the fact that Doc asks for forgiveness as his wife regains her sense of dignity.
Booth gives a very believable performance, and Lancaster is excellent playing a man far older than he was at the time. This is a touching, though simplistic, look at the dark side of human nature.
The film based on the play is an early study of the pain of addiction. As Doc tells his wife, "Dreams are strange." There is redemption in the fact that Doc asks for forgiveness as his wife regains her sense of dignity.
Booth gives a very believable performance, and Lancaster is excellent playing a man far older than he was at the time. This is a touching, though simplistic, look at the dark side of human nature.
Burt Lancaster, Shirley Booth, and Terry Moore shine in this very fine flick. In watching it, if you know anything at all about denial, projection, alcoholism, and Alcholics Anonymous, this is a wonderful telling of the psychological and spiritual truths behind the disease. Certain attitudes and comments, projected so well by both Booth and Lancaster, along with the innocent bystander Moore, are dead on. The activities of the men who come to deal with Lancaster while he is in his cups are straight out of the "Big Book". And the resultant coming to grips with the thing, a turn around in out look, are perfect examples of "progress, not perfection" and "having had a spiritual awakening". For the plot, the great acting ability, the talent both in front of and behind the camera, and, for me anyway, the psychology of the thing, it just doesn't get much better than this.
William Inge's play transfers nicely to the big screen, with perfectly cast leads Shirley Booth and Burt Lancaster.
A middle aged, childless couple struggles with the husband's periodic alcoholic "episodes". When they rent out a room in their house to a young college girl, the audience learns a lot about the couple just by observing their reactions to "the young people". "Doc" Delaney exhibits fatherly, protective feelings toward the young woman, expressing disgust when she brings a young man to her room. A regular at AA meetings, he eventually "gets sick" again. Determined never to give up, his devoted wife Lola stands by her man. The ending leaves us hopeful that all will turn out well.
There are many beautiful moments in this film, assuring a lover of tearjerkers a full pay-off! Shirley Booth deserved her 1953 Oscar for her portrayal of Lola Delaney. Oh, and don't look for little Sheba, she won't be back.
A middle aged, childless couple struggles with the husband's periodic alcoholic "episodes". When they rent out a room in their house to a young college girl, the audience learns a lot about the couple just by observing their reactions to "the young people". "Doc" Delaney exhibits fatherly, protective feelings toward the young woman, expressing disgust when she brings a young man to her room. A regular at AA meetings, he eventually "gets sick" again. Determined never to give up, his devoted wife Lola stands by her man. The ending leaves us hopeful that all will turn out well.
There are many beautiful moments in this film, assuring a lover of tearjerkers a full pay-off! Shirley Booth deserved her 1953 Oscar for her portrayal of Lola Delaney. Oh, and don't look for little Sheba, she won't be back.
Days of Wine and Roses and The Lost Weekend deal with the problem of those afflicted with Alcoholism. Both are fine films. This movie is better than those two and that's only part of the story in this picture. Shirley Booth gives a most certainly well deserved Academy Award winning performance as the wife of a recovering alcoholic husband. Burt Lancaster in a role he is not often remembered for is the husband. A once proud and respected person who falls by the wayside due to his drinking has picked himself up and is determined to start over again even though various demons still linger inside him. I first saw this motion picture on New Years eve back in the late 60's on NBC's Saturday Night at the Movies. During the week preceding the showing NBC advertised it with the clip of Lancaster going after Booth with a kitchen knife. My older sibling and I not really old enough to know about such things joked about the scene. When we watched the movie and it came to that part we were no longer joking. I didn't see it for many years until it aired on AMC. The film is as powerful today in its story and it's acting performances as when I first saw it and I'm certain when it was first released in 52. A must see.
Shirley Booth's performance in this movie is one of the best I've seen.From the moment she appears as Lola Delaney you know almost everything you need to know about her character.It's quite rare that I get moved to tears by a performance,but Shirley Booth managed that feat. She conveys all the emotions of a simple woman who's life didn't turn out the way she dreamed and her realization that the springtime of her life has long gone.Burt Lancaster might have been a bit young for the part of Doc Delaney,but I think he's really good and powerful and frightening in the drunk-scene.Terry Moore was a charming acquaintance for me.Her performance was quite assured and natural. Although this movie is more like a filmed play, I enjoyed it a lot.
Le saviez-vous
- AnecdotesShirley Booth's movie debut.
- GaffesWhen Doc takes the bottle from the kitchen cabinet, inexplicably there is no knob on the left hand door. When Lola opens the cabinet to check on the bottle, the knob is there and she uses it to open the same door.
- Citations
Doc Delaney: Alcoholics are mostly disappointed men.
Lola Delaney: Sure, I know.
[pause]
Lola Delaney: You was never disappointed, were you, Doc?
- ConnexionsFeatured in Film Review: Burt Lancaster (1968)
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- How long is Come Back, Little Sheba?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Come Back, Little Sheba
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 39 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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