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Le docteur Delaney et sa femme, Lola s'occupent énormément de Marie, leur jeune locataire. Le docteur s'inquiète de voir Tuck courtiser Marie, puisque celle-ci est déjà fiancée...Le docteur Delaney et sa femme, Lola s'occupent énormément de Marie, leur jeune locataire. Le docteur s'inquiète de voir Tuck courtiser Marie, puisque celle-ci est déjà fiancée...Le docteur Delaney et sa femme, Lola s'occupent énormément de Marie, leur jeune locataire. Le docteur s'inquiète de voir Tuck courtiser Marie, puisque celle-ci est déjà fiancée...
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 7 victoires et 8 nominations au total
Robert Fuller
- Extra
- (non crédité)
Ned Glass
- Man at AA Meeting
- (non crédité)
William Haade
- Hospital Intern
- (non crédité)
Virginia Hall
- Blonde in Diner
- (non crédité)
Anthony Jochim
- Mr. Cruthers
- (non crédité)
Peter Leeds
- Milkman
- (non crédité)
Kitty McHugh
- Pearl Stinson - AA Member
- (non crédité)
Paul McVey
- Postman
- (non crédité)
Beverly Mook
- Judy Coffman
- (non crédité)
Virginia Mullen
- Henrietta Colby - AA Member
- (non crédité)
Avis à la une
William Inge's play transfers nicely to the big screen, with perfectly cast leads Shirley Booth and Burt Lancaster.
A middle aged, childless couple struggles with the husband's periodic alcoholic "episodes". When they rent out a room in their house to a young college girl, the audience learns a lot about the couple just by observing their reactions to "the young people". "Doc" Delaney exhibits fatherly, protective feelings toward the young woman, expressing disgust when she brings a young man to her room. A regular at AA meetings, he eventually "gets sick" again. Determined never to give up, his devoted wife Lola stands by her man. The ending leaves us hopeful that all will turn out well.
There are many beautiful moments in this film, assuring a lover of tearjerkers a full pay-off! Shirley Booth deserved her 1953 Oscar for her portrayal of Lola Delaney. Oh, and don't look for little Sheba, she won't be back.
A middle aged, childless couple struggles with the husband's periodic alcoholic "episodes". When they rent out a room in their house to a young college girl, the audience learns a lot about the couple just by observing their reactions to "the young people". "Doc" Delaney exhibits fatherly, protective feelings toward the young woman, expressing disgust when she brings a young man to her room. A regular at AA meetings, he eventually "gets sick" again. Determined never to give up, his devoted wife Lola stands by her man. The ending leaves us hopeful that all will turn out well.
There are many beautiful moments in this film, assuring a lover of tearjerkers a full pay-off! Shirley Booth deserved her 1953 Oscar for her portrayal of Lola Delaney. Oh, and don't look for little Sheba, she won't be back.
An acting triumph for both Shirley Booth and Burt Lancaster. This film will stay with you for a long time. Booth won a well deserved Oscar for this performance and it is well worth the time to view it. This is not a happy film obviously to look at but if you appreciate great acting as much as I do, you will really enjoy Come Back Little Sheba.
10Boyo-2
Shirley Booth is so convincing in this movie that it makes me think she was wasted in cinema because she was never given an opportunity to display her magnificent talent. She is completely heartbreaking in the movie and deservedly won the Oscar, over such heavyweights as Bette Davis and Joan Crawford. Burt Lancaster is great also but its Shirley's show all the way and she does not disappoint.
Shirley Booth was 54 when she won the Academy Award as Best Actress for her performance as Lola in the screen version of William Inge's "Come Back, Little Sheba". It was also her screen debut in a role that had previously won her a Tony on the stage and, quite frankly, she was magnificent. It launched her on a short-lived movie career and a slightly longer career on television. It's a fine film, well directed by Daniel Mann and adapted by Ketti Frings and it has three other good performances from Burt Lancaster as the alcoholic Doc, Terry Moore as the young lodger who, unwittingly, is the cause of Doc's hitting the bottle again and Richard Jaeckel as the athletic stud Moore is dallying with. Admittedly Lancaster, who at 39 was 15 years younger than Booth, isn't really right for his role, (he was too young for starters), but he handles it very effectively. Nevertheless, this is Booth's show. If she had never done anything else on screen she would still have earned her place in the pantheon of great performances.
This film is as powerful as when I first saw it as a teenager. One would think that after 50 years, the material would seem dated. But in fact, a lot of what was said then, seems even more relevant today. Inge is unfortunately a very underrated writer. He seemed to respond to things on a much more emotional level than many of his contemporaries and this is why his material has not lost interest. His plays never seem to go to an intellectual level. He wrote about what he knew and didn't try to be something he wasn't. Are there really Blanche DuBois and Willie Lomans today? Just listening to those plays, as wonderful as they might be, is something we can no longer relate to. But there will always be Lola Delaneys. Everyone knows a few of them. The film was obviously made on a very tight budget and we are lucky for that. Imagine how it would have been had they cast Rosiland Russell and Jimmy Stewart. Though Burt Lancaster was miscast, the simple fact that he was a great actor, means his performance comes off amazingly well. And what more can be said about Booth, except the extreme regret we who never saw her in the play onstage must feel. The power of that performance is beyond description. Anyone who likes this movie should try to get hold of the new recording of the musical version. It was obviously written by people with tremendous love and respect for Inge's work.
Le saviez-vous
- AnecdotesShirley Booth's movie debut.
- GaffesWhen Doc takes the bottle from the kitchen cabinet, inexplicably there is no knob on the left hand door. When Lola opens the cabinet to check on the bottle, the knob is there and she uses it to open the same door.
- Citations
Doc Delaney: Alcoholics are mostly disappointed men.
Lola Delaney: Sure, I know.
[pause]
Lola Delaney: You was never disappointed, were you, Doc?
- ConnexionsFeatured in Film Review: Burt Lancaster (1968)
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- How long is Come Back, Little Sheba?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Come Back, Little Sheba
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 39min(99 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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