Bwana le diable

Apparently this was the first "official" theatrical release in 3-D; without the glasses, pretty much the only eye-catching composition / depth of field comes at the very start, in the opening credits. Lots of uninteresting conversations serve as filler between the infrequent but reasonably well-done attack scenes - considering the era and the amount of blood that could (not) be shown (there is also some blatant use of stock footage). Second-billed Barbara Britton appears after half the movie is over but looks good, especially with sweat covering her neck. ** out of 4.

I saw it the first day of its first run release at the Chicago Theater in Chicago in 1952. 'Bwana Devil' was the brainchild of radio director, Arch Oboler. - best known for the radio (and early live TV series) 'Lights Out'. Oboler's brother-in-law was Milton Gunzburg. Gunzburg was, I believe, the optician who connected the use of Polaroid lenses to the making of stereoscopic films.

In 1952, television was stomping out movies and movie theaters the way rogue elephants could destroy villages. Hollywood was searching for any gimmick it could use to bring people back to the theaters. Cinerama, a cumbersome early widescreen process had come on the scene. It produced an 3-D like effect. That opened the door for Gunzberg and his brother-in-law. They called their process Naturalvision, raised some money to demonstrate the process, and produced 'Bwana Devil'.

While the story and production values took a back seat to the illusion of depth, the picture was a hit. It was quickly followed by 'House of Wax' and others. Most producers opted to exploit the stereoscopic effects rather than make good movies. 'House of Wax' was one of the rare exceptions. After about a year, audiences tired of the shoddy productions, and Naturalvision eventually disappeared. Into the void Fox introduced CinemaScope, a flat wide-screen process, and helped stem the sinking theater system.

I imagine seeing 'Bwana Devil' in flat projection would be painful. But for those of us who saw it with pristine prints, and quality projection, it was something to behold. Lions leaping off the screen into our laps was something few of us would forget.

It has taken another fifty years for 3-D to return. Today's producers seem not to be making the same mistake as those in the early fifties. I hope so. After all, 3-D is so much more fun than flat.

I will admit that "Bwana Devil" is not a great movie, but to compare this groundbreaking 3-D movie to "Plan 9 From Outer Space" is utterly ridiculous, as "Bwana Devil" is not bad--but it is slightly below average. The negatives are Robert Stack's overacting and forgetting his accent frequently as well as a few cheesy scenes (seeing a stuffed lion tossed on Nigel Bruce when he was supposedly being attacked was unintentionally funny). The HUGE plus is that this film was made mostly in Africa and looks so much better than the tons of schlocky African films of the 1930s-50s.

The story is a dramatization of a real story of a couple man-eating lions and the man who ultimately killed them. It's the same story you'll see in the newer and better "Ghost and the Darkness"--so my advice is see this film instead. But, if you don't, you'll essentially learn the same story...along with Stack's less than stellar performance. Not a bad film at all--just not one that will bowl you over, either.

This film is worth seeing since it is a classic in the sense of being the very first full length film released in the process of three demention. It was not very good in its acting or story plot, but can be a great movie quiz question from an historical standpoint. It should be seen in the 3 D process with polarized lenses.

Viewers: Hello. This movie does not show up on Cable very often. It reminds me of a much more recent movie, The Ghost and the Darkness. Similar plot...but has historical truth, of the two lions of "Ranchipour". The British colonel was building a bridge over the river, and some 150 workers were eaten by the two lions. He killed the lions. Those two lions , "taxidermied", are on display at the Chicago Field House,Chicago, IL.