Barbe-Noire le pirate

This is a lot of fun,but is not for those who insist on subtle acting.Newton has the time of his life as a drunken psychotic.He really does go over the top.The dialogue is rather good,all things being considered,and the plot is better than one might have expected.There are only 3 or 4 loose ends.Darnell,Andese,and Thatcher all do quite well with their roles,and the pirates are as grisly a crew of jackals as you could imagine.(Gilly,in particular,not only acts well,but is nicely creepy,besides.)The only major disappointment is bendix;this fine performer wasn't suited for costume dramas.A good picture for kids ages 12 and under,or for those with a broad sense of humor.

I am gratified that so many others have commented on Robert Newton's completely over-the-top performance in the title role. Unfortunately, it completely transcends the otherwise conventional Hollywood pirate movie that surrounds it. When he's on the screen, nothing else exists. Yes, it's ham-acting at its hammiest but it's virtuoso ham acting that hardly anyone could hope to match. He rolls his eyes, growls, orates...he simply takes over the movie and almost gives ham-acting a good name. The only performances of this kind that I can think of which come close to matching him are Orson Welles (in many things but especially in "Black Magic") and Ralph Richardson in "Things to Come."

The cast and crew must have had a ball making this flick, since it has so many funny bits in it.Just listen to this exchange between Robert Newton doing his never-equaled pirate character as Blackbeard, and the lovable lug Bill Bendix, of Life of Riley fame, as Worley, the dim-witted first mate. Blackbeard is pulling up a rope that the hero has used to climb into the Captain's cabin, and says, "I be fishin' for a rat!" Worley: "Why, are ya hungry?" Don't miss The Funeral at Sea ("For distance this time!") Watch Edward Maynard eye Linda Darnell's lavish expanse of bosom and say, "Never mind the measurements!"

And while you're thinking about the plot...how _did_ they ever get off that island?

This is not a movie of great measure. It's just a VERY good showcase for the ultimate pirate actor, Robert Newton, who fits the role so perfectly as to become THE pirate to be imitated in every pirate movie to follow. He is the centerpiece of this film, make no mistake about that. Every scene belongs to him and every word of dialogue he speaks is the learning base for future "pirates" of the silver screen.

Not a Newton fan? Steer clear, then Matey, because this movie is his and his alone. Not even the beautiful Linda Darnell can distract from him in any scene they share. He is an overpowering and magnetic force when he plays his pirate to perfection.

AWWWWWRRRRRRRRRR.

Being a big fan of the man I enjoyed this movie thoroughly. I find his acting to be natural and amusing. This is his niche and here he rules.

Hollywood turned out dozens of pirate adventures in its heyday, most, such as The Black Swan, The Spanish Main, Captain Kidd etc etc, were flat and routine swashbucklers that lacked the kind of acting presence, story, and edge that made MGM's 1934 version of Treasure Island, and Warner's Captain Blood from 1935 standards of the genre. The pirate movie throughout the 40's, much like the western, was in need of something fresh.

In 1950, Robert Newton made a stalwart impression as Long John Silver in the British remake of Treasure Island, released through Disney. Though the film was not nearly as good as the '34 MGM version, Newton managed to surpass the performance of Wallace Beery's Silver, which was no easy feat as Beery was exceptional in that role.

Coming off of that success, RKO paired Newton with hit and miss director Raoul Walsh to make Blackbeard the Pirate. Newton's performance in the title role was even better than his turn in Treasure Island - a definitive portrayal of the pirate captain that continues to predominate the genre. Not a single actor from Wallace Beery to Victor McLaglen to Charles Laughton to Peter Ustinov to Dustin Hoffman to even Geoffrey Rush and Johnny Depp have managed to usurp the pure overbearing sea scenery chewing double-dealing rapscallion that is Robert Newton as Blackbeard. His performance, as brutal as it is humorous, is a joy to behold, and elevates the film to a higher level.

The film itself is not as routine as one might expect either. There is a plot going on here (albeit not exactly an airtight one), and some fine supporting performances from William Bendix (always watchable), Linda Darnell, and Keith Andes, a mostly forgotten actor who apparently could do it all in show business from sing and dance to swordfight. His cutlass battles in Blackbeard are of Flynn/Rathbone quality, but actually remind one more of the kind of swordfighting seen in Lester's The Three Musketeers 20 years later. For a film made in 1952, there is a surprising amount of gore in this as well.

Not a great story, but a good one, and entertaining throughout. Everything you'd expect from a 50's adventure on the high seas is delivered here - action, romance, blood and treachery. One of the best pirate movies of all time.