Big Jim McLain

While the brainwashed elite criticize this story of how Communism threatened the security of America in the 1950s, any unbiased viewer will understand a piece of history that has since been revised.

This movie was made while the liberal elite defended their liberalism by making a straw man of Senator McCarthy. John Wayne understood the real threat of Communism and their spies in America. Making this movie was unpopular then, nevertheless now; Wayne was a brave patriot who should be commended for doing the principled thing, however unpopular.

The liberal politicians and the media has waged war on the fight against communism for 40 years. That repeated mantra of group thinking has obscured the real attitudes of that era. This movie is valuable for the independent minded; it shows a history and culture that Hollywood wants to deny and ignore in the same way the Klan wants to deny and ignore the Holocaust.

It is not Wayne's best film. It is probably the least seen. However, a student of history or a student of Wayne's character should view the movie.

Y'know the old joke, told after Reagan was elected, that "One of every three Hollywood conservatives gets elected President"? (The joke being, of course, that there was only 3 conservatives in Hollywood)...well...

Not Wayne's greatest, or even a great, movie. But still, in these days if Political Correctness being hammered down our respective throats, it's nostalgia to know it used to be vice versa.

Darn, I miss the 1950s.

While Big Jim McLain will hardly rank with the greatest of John Wayne's films, it expresses the conflict between loyal American citizens and law enforcement officials and the threat posed by Soviet agents. Only since the release of some of the USSR archives can we see how real the threat was although rarely as simplistic as the film shows it. Big Jim McLain needs to be viewed in the context of its times just as other US wartime action films reflect the tenor of our role in World War II and how people saw the enemy of that day.

An American political thriller; A story about two federal agents who are assigned the task of breaking up a ring of Communist Party troublemakers in Hawaii. This film has a propaganda tone, dealing with subject matter such as House Un-American Activities Committee investigations (the HUAC was created in 1938 to investigate alleged disloyalty and subversive activities on the part of private citizens, public employees, and those organisations suspected of having Communist ties), a major news item in late 1940s America. The script portrayed communists as inadequate, pseudo-intellectuals, error-prone gangsters, and agents of the Kremlin, and it declared that incidents in the film were based on the files of the HUAC Committee, without questioning the power that was used to jail people for contempt of court or its damaging effects on the careers of many artists it summoned. This melodramatic movie uses comic relief as well as mystery and a love story set against a travelogue of locations in Hawaii. Its subject matter was timely but crude, failing to be even-handed in its telling of a fictionalised spy story. Its depictions of anti-communists blurred the line of intent between serious documentary-drama and arousing and entertainment fact-based fiction. John Wayne gave his character potency, but his snarling attitude seemed misplaced, and some of the other characters introduced muddled the story. The story was about the American government rooting out communist influence in the United States post-war, but it was an inaccurate portrayal of that time and was playing to the hysteria of the time in attempting to educate the public.

With the benefit of hindsight it's very easy to criticise this movie, but I think it is foolish to completely dismiss it. Forgetting the fact that its script is laughable, plot thin, acting wooden and appreciation of communism astoundingly pathetic, this film is a historical gem which allows one an insight into the right wing U.S paranoia prevalent in the 1950's cold war era.

In 50 years time from now I expect the future generation will find some of our contemporary Hollywood films just as risible. We are all but a product of our time.