Ajouter une intrigue dans votre langueThe boys find a lamp that has strange magic powers.The boys find a lamp that has strange magic powers.The boys find a lamp that has strange magic powers.
- Réalisation
- Scénario
- Casting principal
Dick Wessel
- Gus
- (as Richard Wessel)
David Gorcey
- Chuck
- (as David Condon)
Benny Bartlett
- Butch
- (as Bennie Bartlett)
Leon Burbank
- Kid
- (non crédité)
Charles Lung
- Caliph
- (non crédité)
Avis à la une
The title is misleading: about 95% of "Bowery to Bagdad" takes place in a New York penthouse, where people are running around knocking each other on the head. As you can gather from that description, this is not exactly the fantasy epic you might expect from a movie about a magic lamp and a centuries-old genie. There also seem to be no consistent rules for when the genie can appear - sometimes you have to rub the lamp, sometimes he appears at his own will. With that said, Eric Blore, with his dry delivery as the genie, is the best thing in the film. There are also some nice special effects. ** out of 4.
In ancient Bagdad, Aladdin's lamp goes missing and the ruler orders an exhaustive search. Generation after generation, his men continue the search. In modern New York City, Sach buys the magic lamp from a pawn shop. Gangsters are threatening Louie so that he would sell the shop. Sach releases the Genie and is granted wishes. The gangsters intend to steal it.
The concept should be funnier. I expected wackier wishes being granted. It's all a little disappointing. I'm not saying that The Bowery Boys is high concept comedy. I do wish that this is smarter with a fun premise. I also never like comedies which resort to gun fire. The last wish is probably the only good one.
The concept should be funnier. I expected wackier wishes being granted. It's all a little disappointing. I'm not saying that The Bowery Boys is high concept comedy. I do wish that this is smarter with a fun premise. I also never like comedies which resort to gun fire. The last wish is probably the only good one.
The fabled lamp of Aladdin with a pixie like genie has turned up in of all places, the Bowery, New York City. And who acquires the lamp? Here's a hint, it wasn't Mayor Wagner.
Bowery To Bagdad finds Leo Gorcey and Huntz Hall with joint ownership of the lamp and they seal the partnership so much so that genie Eric Blore can't do anything unless they both agree. Huntz Hall being the simple soul he is wants five malteds, but Gorcey has higher ambitions, but just can't get it done.
Not that the Bowery Boys are the only ones who want the lamp. A gangster with molls Joan Shawlee and Jean Willes played by Robert Bice has gotten wind of it. And a couple of Arab looking characters are in the hunt as well. Blore kind of likes the boys, but they've tangled things up pretty good.
Bowery To Bagdad doesn't have quite the ring of Kaiser Wilhelm's fabled project of the Berlin to Bagdad railroad, but I assure you this one is a much funnier journey.
Bowery To Bagdad finds Leo Gorcey and Huntz Hall with joint ownership of the lamp and they seal the partnership so much so that genie Eric Blore can't do anything unless they both agree. Huntz Hall being the simple soul he is wants five malteds, but Gorcey has higher ambitions, but just can't get it done.
Not that the Bowery Boys are the only ones who want the lamp. A gangster with molls Joan Shawlee and Jean Willes played by Robert Bice has gotten wind of it. And a couple of Arab looking characters are in the hunt as well. Blore kind of likes the boys, but they've tangled things up pretty good.
Bowery To Bagdad doesn't have quite the ring of Kaiser Wilhelm's fabled project of the Berlin to Bagdad railroad, but I assure you this one is a much funnier journey.
Still watching the Bowery Boys these days, and they're still fun. BOWERY TO BAGDAD has to be one of their more kooky episodes, only because as the series progressed, particularly in the 1950s, the plots became more insane and Huntz Hall was unleashed to do whatever he wanted to do!
Credit veteran comedy writer and director Edward Bernds, whose name may be familiar because he directed scores of Three Stooges shorts. There was a marked difference between the Bowery Boys films of the 1940s and the 1950s. Originally, the films had a comedy/drama slant, but by the next decade, all that went by the wayside with the Bowery Boys more comic book characters and with a sci fi or supernatural theme, case in point here. They conjure up a magical genie.
The series also had many notable character actors and Eric Blore, in his last film role, was well cast and probably well paid for his funny portrayal of a genie, who also gets drunk. Gorcey's father, Bernard, who played Louie, worked well with Blore; they both chewed up the scenery in one super scene.
But it's Leo Gorcey and Huntz Hall who set off the fireworks with a host of one liners and crazy situations. Thankfully, Warner Brothers acquired the rights to these comedies and first sold part of the series on vhs, but now all episodes come in dvd box sets and in mint condition, with no edits. So, yes, still crazy after all these years. We love them.
Credit veteran comedy writer and director Edward Bernds, whose name may be familiar because he directed scores of Three Stooges shorts. There was a marked difference between the Bowery Boys films of the 1940s and the 1950s. Originally, the films had a comedy/drama slant, but by the next decade, all that went by the wayside with the Bowery Boys more comic book characters and with a sci fi or supernatural theme, case in point here. They conjure up a magical genie.
The series also had many notable character actors and Eric Blore, in his last film role, was well cast and probably well paid for his funny portrayal of a genie, who also gets drunk. Gorcey's father, Bernard, who played Louie, worked well with Blore; they both chewed up the scenery in one super scene.
But it's Leo Gorcey and Huntz Hall who set off the fireworks with a host of one liners and crazy situations. Thankfully, Warner Brothers acquired the rights to these comedies and first sold part of the series on vhs, but now all episodes come in dvd box sets and in mint condition, with no edits. So, yes, still crazy after all these years. We love them.
Slip and Sach get their hands on a magic lamp with a genie (Eric Blore) inside. It's the thirty-sixth entry in the series and, while it's far from the best, it is enjoyable enough thanks in large part to the inimitable Eric Blore in his final film. Leo Gorcey and Huntz Hall mostly go through the motions but they do have some amusing moments. Of course, Bernard Gorcey is funny as Louie. The rest of the gang is, as usual, background furniture. Although David Gorcey manages to get a few lines this time, so good for him. The supporting cast is what keeps the movie afloat. There's Robert Bice, Dick Wessell, and Michael Ross as three gangsters who want the lamp for themselves. Joan Shawlee plays a sexy moll and handles herself quite well with the comedy, including a couple of fun scenes bantering with Hall. Pretty much all of the movie's highlights involve Blore, a wonderful comic actor who played in over eighty films in his twenty plus years in Hollywood.
Le saviez-vous
- AnecdotesFinal film of Eric Blore. He had not made a picture since Propre à rien! (1950).
- Citations
Gus: [playing a butler] Your hat, sir.
[removes Slip's hat]
Terence Aloysius 'Slip' Mahoney: [grabs hat back] If it wasn't mine I wouldn't be wearin' it!
- ConnexionsFollowed by High Society (1955)
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Détails
- Durée
- 1h 4min(64 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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