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Bowery to Bagdad

  • 1954
  • Approved
  • 1h 4min
NOTE IMDb
6,2/10
432
MA NOTE
Eric Blore, Leo Gorcey, Huntz Hall, Joan Shawlee, and Jean Willes in Bowery to Bagdad (1954)
ComédieFamille

Ajouter une intrigue dans votre langueThe boys find a lamp that has strange magic powers.The boys find a lamp that has strange magic powers.The boys find a lamp that has strange magic powers.

  • Réalisation
    • Edward Bernds
  • Scénario
    • Elwood Ullman
    • Edward Bernds
  • Casting principal
    • Leo Gorcey
    • Huntz Hall
    • Bernard Gorcey
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    432
    MA NOTE
    • Réalisation
      • Edward Bernds
    • Scénario
      • Elwood Ullman
      • Edward Bernds
    • Casting principal
      • Leo Gorcey
      • Huntz Hall
      • Bernard Gorcey
    • 15avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos2

    Voir l'affiche
    Voir l'affiche

    Rôles principaux16

    Modifier
    Leo Gorcey
    Leo Gorcey
    • Terence Aloysius 'Slip' Mahoney
    Huntz Hall
    Huntz Hall
    • Horace Debussy 'Sach' Jones
    Bernard Gorcey
    Bernard Gorcey
    • Louie Dumbrowsky
    Joan Shawlee
    Joan Shawlee
    • Velma 'Cindy Lou' Calhoun
    Eric Blore
    Eric Blore
    • Genie of the Lamp
    Jean Willes
    Jean Willes
    • Claire Culpepper
    Robert Bice
    Robert Bice
    • Duke Dolan
    Dick Wessel
    Dick Wessel
    • Gus
    • (as Richard Wessel)
    Michael Ross
    Michael Ross
    • Tiny
    Rayford Barnes
    Rayford Barnes
    • Canarsie
    Rick Vallin
    Rick Vallin
    • Selim
    Paul Marion
    Paul Marion
    • Abdul
    David Gorcey
    David Gorcey
    • Chuck
    • (as David Condon)
    Benny Bartlett
    Benny Bartlett
    • Butch
    • (as Bennie Bartlett)
    Leon Burbank
    • Kid
    • (non crédité)
    Charles Lung
    • Caliph
    • (non crédité)
    • Réalisation
      • Edward Bernds
    • Scénario
      • Elwood Ullman
      • Edward Bernds
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    6,2432
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    10

    Avis à la une

    5SnoopyStyle

    expected better

    In ancient Bagdad, Aladdin's lamp goes missing and the ruler orders an exhaustive search. Generation after generation, his men continue the search. In modern New York City, Sach buys the magic lamp from a pawn shop. Gangsters are threatening Louie so that he would sell the shop. Sach releases the Genie and is granted wishes. The gangsters intend to steal it.

    The concept should be funnier. I expected wackier wishes being granted. It's all a little disappointing. I'm not saying that The Bowery Boys is high concept comedy. I do wish that this is smarter with a fun premise. I also never like comedies which resort to gun fire. The last wish is probably the only good one.
    6wes-connors

    Bagdad on the Hudson

    In a New York City hock-shop, Huntz Hall (as Sach Jones) purchases the legendary "Aladdin's Lamp", which had been missing from Bagdad. He brings it to "Sweet Shop" owner Bernard Gorcey (as Louie Dumbrowsky) as a gift. While polishing the lamp, Mr. Hall discovers its magic powers. Hall's first wish is for six malted milkshakes; although, lamp slave Eric Blore (as the Genie) suggests gold, diamonds, and dancing girls. Upon meeting Leo Gorcey (as Slip Mahoney), Mr. Blore must serve two masters. But, before "The Bowery Boys" can wish up a million dollars, criminal elements conspire to steal the magic lamp…

    Once again, "The Bowery Boys" fight off the frequently evident (as recently as "Jungle Gents") law of diminishing returns. As usual, ageing "Boys" Gorcey and Hall make an unequal quartet, with David "Condon" Gorcey (as Chuck) and Benny "Bennie" Bartlett (as Butch) taking the way back seat. Still, the "Bowery to Bagdad" story moves well, and hits a few high marks. The "special effects" (Genie "magic" and a "ledge" sequence) are nicely staged, and add to the entertainment. Best of all is Blore's droll, boozy "Genie" - it's a swell career-ending role for the retiring Eric Blore.

    ****** Bowery to Bagdad (1/2/55) Edward Bernds ~ Huntz Hall, Leo Gorcey, Eric Blore
    5gridoon2025

    Mostly unimaginative handling of fantasy premise

    The title is misleading: about 95% of "Bowery to Bagdad" takes place in a New York penthouse, where people are running around knocking each other on the head. As you can gather from that description, this is not exactly the fantasy epic you might expect from a movie about a magic lamp and a centuries-old genie. There also seem to be no consistent rules for when the genie can appear - sometimes you have to rub the lamp, sometimes he appears at his own will. With that said, Eric Blore, with his dry delivery as the genie, is the best thing in the film. There are also some nice special effects. ** out of 4.
    Michael_Elliott

    Bowery Boys #36

    Bowery to Bagdad (1954)

    ** 1/2 (out of 4)

    Good ol' Sach (Huntz Hall) finds a weird looking lamp and when he rubs it a genii (Eric Blore) pops out. Sure enough he soon has mobsters after him trying to get their hands on the genii but Slip (Leo Gorcey) has plans on making them rich. BOWERY TO BAGDAD is pretty much what you'd expect from a Bowery Boys film as it contains a minor amount of laughs but what really keeps the film moving is its fast pacing from director Bernds. The film itself really isn't all that original as we get the tired formula of the boys discovering something that's going to make them rich and of course bad guys find out and come after them. It's amazing how many times this storyline has been transformed in the series but with this being number thirty-six I guess you have to expect some things repeating themselves. The story itself really isn't all that funny but we do get a few good moments including poor Sach using his wish to order up some milkshakes. Another funny gag finds a hat pulled down over his nose to where he can't see and he ends up walking out on a high ledge of a building. Both Hall and Gorcey are fine in their roles with both going well over the top in terms of energy. Bernard Gorcey doesn't get too many good scenes but the one where he gets drunk with the genii was pretty good. This turned out to be the final role for Blore and he too is pretty good as the genii. The lack of laughs don't hurt the film too much because the director keeps all the action happening quite fast and things move along very quickly. The 64-minutes goes by without any slow spots so that's always good in a "B" film like this.
    3planktonrules

    A lot of Bowery nonsense.

    Either you like The Bowery Boys or you don't....and this film clearly is for devoted fans. Its silly quotient is certainly higher than normal, that's for sure!

    When the film begins, Sach (Huntz Hall) has found a magic lamp and when he rubs it, out pops a very odd genie (Eric Blore). It offers to grant him any wish (not just three) but because Sach is an idiot, he offers to share it with Slip (Leo Gorcey). But then Slip gives him an odd order--the genie can only grant wishes if BOTH he Sach and Slip agree on it. This is interesting because soon two teams of crooks show up and try to take the lamp. But even when they get it, the genie is bound by Slip's command...he cannot do any wishes until both of the 'boys' (actually both were in their mid-late 30s) agree.

    Even for a Bowery Boys film, having a genie appearing and disappearing is highly unusual and rather dumb. Overall, the film does nothing to convert non-fans and might actually make a few fans think twice about their love for the Boys! Only okay...with lots of folks bonking each other on the heads, a goofy genie and nothing more.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Final film of Eric Blore. He had not made a picture since Propre à rien! (1950).
    • Citations

      Gus: [playing a butler] Your hat, sir.

      [removes Slip's hat]

      Terence Aloysius 'Slip' Mahoney: [grabs hat back] If it wasn't mine I wouldn't be wearin' it!

    • Connexions
      Followed by High Society (1955)

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    Détails

    Modifier
    • Date de sortie
      • 2 janvier 1955 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Lieux de tournage
      • Monogram/Allied Artists Studios - 1725 Fleming Street, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Allied Artists Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 4min(64 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.85 : 1

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