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Tout peut arriver

Titre original : Anything Can Happen
  • 1952
  • Tous publics
  • 1h 47min
NOTE IMDb
6,3/10
175
MA NOTE
José Ferrer, Kim Hunter, and Kurt Kasznar in Tout peut arriver (1952)
ComedyRomance

Ajouter une intrigue dans votre langueGiorgi, a man of character, emigrates from Georgia, U.S.S.R. to the U.S. He and other Georgian immigrants there support one another while struggling to find work and become U.S. citizens. Gi... Tout lireGiorgi, a man of character, emigrates from Georgia, U.S.S.R. to the U.S. He and other Georgian immigrants there support one another while struggling to find work and become U.S. citizens. Giorgi falls for a cute reporter interested in his case.Giorgi, a man of character, emigrates from Georgia, U.S.S.R. to the U.S. He and other Georgian immigrants there support one another while struggling to find work and become U.S. citizens. Giorgi falls for a cute reporter interested in his case.

  • Réalisation
    • George Seaton
  • Scénario
    • George Seaton
    • George Oppenheimer
    • George Papashvily
  • Casting principal
    • José Ferrer
    • Kim Hunter
    • Kurt Kasznar
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    175
    MA NOTE
    • Réalisation
      • George Seaton
    • Scénario
      • George Seaton
      • George Oppenheimer
      • George Papashvily
    • Casting principal
      • José Ferrer
      • Kim Hunter
      • Kurt Kasznar
    • 8avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires au total

    Photos2

    Voir l'affiche
    Voir l'affiche

    Rôles principaux78

    Modifier
    José Ferrer
    José Ferrer
    • Giorgi Papashvily
    Kim Hunter
    Kim Hunter
    • Helen Watson
    Kurt Kasznar
    Kurt Kasznar
    • Nuri Bey
    Eugenie Leontovich
    Eugenie Leontovich
    • Anna Godiedze
    Oskar Karlweis
    Oskar Karlweis
    • Uncle Besso
    Oscar Beregi Sr.
    Oscar Beregi Sr.
    • Uncle John
    • (as Oscar Beregi)
    Mikhail Rasumny
    Mikhail Rasumny
    • Tariel Godiedze
    Nick Dennis
    Nick Dennis
    • Chancho
    Gloria Marlowe
    • Luba Godiedze
    Otto Waldis
    Otto Waldis
    • Sandro
    George Voskovec
    George Voskovec
    • Pavli
    Alexander Danaroff
    • Eliko Tomavily
    Natasha Lytess
    • Madame Greshiani
    Eddie Laughton
    • Clerk
    • (scènes coupées)
    E.G. Marshall
    E.G. Marshall
    • Immigration Officer
    • (scènes coupées)
    John Miljan
    John Miljan
    • Indian
    • (scènes coupées)
    Somar Alberg
    • Clerk
    • (non crédité)
    Jack Albertson
    Jack Albertson
    • Flower Vendor
    • (non crédité)
    • Réalisation
      • George Seaton
    • Scénario
      • George Seaton
      • George Oppenheimer
      • George Papashvily
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs8

    6,3175
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    Avis à la une

    8bellino-angelo2014

    Sweet comedy that is also very autobiographical and dramatic

    Before I go to the review I have to confess that I heard about this movie for the first time in 2016 thanks to a still from this movie posted on a movie website. When I found this movie a while ago I was curious since it looked like a comedy, but as the movie progressed it releaved to be a drama based on an autobiography. So I was pleasantly surprised when I saw it. Now I can go to the review.

    When the movie begins, Giorgi Papashvily (Josè Ferrer) arrives to the Us and arranges for various jobs on New York's lower East Side. He is helped by his traveling companion Nuri (Kurt Kasznar) who is more fluent in English. Since Giorgi never spoke a word of English even before arriving in the Us, he lives with some fellow Georgians and practises diction at home. After a mistake which makes him end in court, he is found innocent and befriends Helen Watson (Kim Hunter), a cute-looking journalist who was assigned to his case. What follows are some scenes of immigrants' life-styles, some encounters between Giorgi and Helen and some discussions with her relatives, and as you might expect, true love will find its way.

    The performances are nice by the leads (Ferrer, Kasznar and Hunter) and the supporting actors are all funny sidekicks that add a lot to the comedic pacing of the movie. It's also one of those movies about immigrants that doesn't insult immigrants themselves, so it's not that offensive. And I have to admit that is a rather forgotten movie despite it stars freshly Academy Award winners Josè Ferrer (who won in 1950 for CYRANO DE BERGERAC) and Kim Hunter (who won in 1952 for A STREETCAR NAMED DESIRE).

    I highly recommend this ''dramedy'' and, if you are in the right mindset, you'll like it very much.
    7HotToastyRag

    Adorable immigrant story

    The great José Ferrer showed audiences his comical side in the bittersweet Anything Can Happen. He plays a Georgian immigrant, and he's just adorable. The opening scene shows Joe's boat pulling into Ellis Island, and as he gazes at the Statue of Liberty, he practices a basic English phrase. "How...are..." (he sneaks another peek at the guidebook) "...you?" he asks the statue before tipping his hat. It's so cute! Kurt Kazner helps him get through immigration and shows him the ropes in America, from helping him learn English to getting him started in business.

    He soon meets Kim Hunter, a sweet girl with an interest in local, international folk songs. Joe sings a bit for her, and before he knows it, they're developing a friendship and including each other in meals and get-togethers. Joe's falling in love with her, but in Kim's mind, he's just a dear friend. However, in America, anything can happen.

    Although this movie is a cute comedy with a sweet little romance thrown in, there is some drama thrown in there. For one, the love story is unrequited, and for another, the path to American citizenship is fraught with obstacles. It's not an easy journey for Joe, but he's determined and works hard even when he gets pushed two steps backwards.

    Kurt has a very funny lesson to teach Joe one day when they're discussing the dough in their bakery. Joe pronounces it the right way, but Kurt corrects him: "When meat is hard to eat, is called 'tuff'. How you spell? ... When ocean's up and down, is called 'ruff'. How you spell? ... And flour and yeast is spelled D-O-U-G-H. So, is 'duff'." It's an adorable explanation that makes total sense to non-native English speakers. And when native English speakers really think about it, they'll realize how difficult their language is for others to learn. I'd recommend this movie for those who find immigration movies endearing, or if you've just watched 1952's Moulin Rouge and want to see Joe's versatility.
    8SimonJack

    A wonderful, warm and humorous immigration story from the 20th century

    Set in the mid-20th century, "Anything Can Happen" is a wonderful story about immigrants to the U.S. from the Soviet Union. It's based on a 1945 book of the same title by George and Helen Papashvily. But, George's immigration actually occurred in the early 1920s. Papashvily had served in the Russian Army during World War I and then fought against the invading Red Army in his native Georgia. He then fled the Soviet Union and stayed two years in Turkey before emigrating to the States.

    Papashvily became a renowned sculptor and, with his wife, he wrote half a dozen books. This is a story, with facts and fiction, about his coming to the United States, meeting Helen, and then marrying her. It's a good picture of a common aspect of the populating of America with immigrants, where relatives and friends would tend to immigrate at different times but live in the same cities and neighborhoods.

    Unlike many stories of immigration that show dire hardships, this one looks with humor, warmth and sentimentality at one man's story, with many friends and his meeting and marrying his wife. The film won a Golden Globe in 1953 as the best film promoting international understanding. All of the cast are very good. Jose Ferrer and others in roles as Georgians have accents that make the story and characters seem all the more real.

    When Ferrer's Giorgi (George) Papashvily and Kurt Kasznar's Nuri Bey arrive in New York, they first stay at the Hotel New Cosmopolitan. A sign in the hotel lobby describes it as a "Residence of Discriminating World Travelers." Another sign warns residents that there is "Positively No Cooking in Rooms - a lunch counter is in the lobby for your convenience." And, at an immigration center, a school advertisement sign greeted new arrivals - one that many ancestors of most American today must have seen at one time. It reads, all in capital letters, "THE ONLY WAY TO LEARN ENGLISH IS TO SPEAK ENGLISH AND ONLY ENGLISH."

    Nuri Bey is very funny teaching Giorgi the opposite pronunciations of the letters V and W from the Georgian language to English. The sentence he has Georgi continue repeating is, "I wish I were a witch with violet velvet works." A very hilarious scene is Nuri Bey telling Giorgi that bread dough is pronounced "duff." He gives examples of tough meat (pronounced "tuff") and the rough seas. It's a riot.

    This is a wonderful film, perhaps a little slow at times for modern audiences, but with a warmly humorous and down to earth story about immigrants settling in America in the early to mid-20th century.

    Here are some favorite lines.

    Nuri Bey, "Georgi, there is one rule for Georgians, Turks, Armenians, when learning English. Whenever you think you should say V, say W. When you think it should be W, say V. That way it can' go wrong."

    Giorgi Papashvily, "Nuri Bey, where you learn to cook?" Nuri Bey, "In Turkish army."

    Nuri Bey, "You haven't got a dozen eggplants?" Helen Watson shakes her head, holding back a smile. Nuri, "Should always have eggplant. Important, like salt and pepper."

    Giorgi Papashvily, "No man who has cooked for army is gonna cook for me - unless I am in army."

    Nuri Bey, "All right, we'll make dalma instead. You have grape leaves?" Helen shakes her head. Nuri Bey, "No grapes?" Helen, "I know it's careless of me, but, no."

    Nuri Bey, "No garlic? Cannot have meal without garlic. It's like fire without flame."

    Giorgi Papashvily, "And Nuri Bey." Nuri Bey, "Yes." Giorgi, "Will you do me one more favor, please?" Nuri, "Of course." Giorgi, "Start tomorrow, don't do me no more favor."

    Nuri Bey, "In USA, what's everyone doing all the time, huh? Eating. If not eating, chewing gum to fool themselves they are eating. So, we go in business making gum."

    Giorgi Papashvily, " I see also here Greek, and Georgian, Syrian, and sitting in the same room and eating the same food is even Turk and Armenian. And I say to myself, if in USA, such a thing can happen, then here, anything can happen."

    Uncle John, when two Native Americans come on horses with ropes to pull their car out of the mud, "You must treat them with great respect. They are first citizens of USA."

    Anna, "They're going to kill us." Tariel, "Don't be afraid, Anna. Don't be afraid. I will not let them touch you. I have a knife. Before I die, I kill you and Luba."

    Uncle John, "We've decided you should engage yourself to Helen quick, tonight." Giorgi, "Uncle John, I would like very much to engage myself, but I think is too fast." Nuri Bey, "Giorgi, in USA everything is fast. Lady and gentleman meet on Saturday, date on Sunday, marry Monday."

    Giorgi Papashvily, writing to Helen, "Yesterday Uncle John does not like his job so he quit and decide to go to California. I come with him. Also coming Anna, Luba, Tariel, Chancho."

    Nuri Bey, "Here is address. By the time you get there, duff will be ready in package waiting for you." Giorgi Papashvily, "Duff?" Nuri Bey, "Is flour and yeast for khinkali." Giorgi, "Thought it was called 'doe.'" Nuri, "Is pronounced 'duff'." Giorgi, "Uncle John say 'doe.'" Nuri, "Giorgi, I know he's great friend of yours. But Uncle John don't speak English so good. Better you learn from me - is 'duff.' Show you why. When meat is hard to eat is called 'tuff.' How you spell?" Giorgi, "T-O-U-G-H". Nuri, "Right! When ocean's up and down, is called 'ruff.' How you spell?" Giorgi, "R-O-U-G-H." Nuri, "Right. And flour and yeast for khinkali is spelled D-O-U-G-H. So, is 'duff.'" Giorgi, "Duff!" Nuri, ":...Ah, is amazing how easy language for me."
    7planktonrules

    A bit broad...but most enjoyable.

    "Anything Can Happen" is a cute story that is about a group of immigrants from the country of Georgia and, in particular, it focuses on Giorgi Papashvily (José Ferrer). The story begins with Giorgi arriving in the USA in New York, like so many other immigrants. He has made a Turkish friend along the way (Kurt Kasznar) but he's anxious to meet up with 'Uncle' John...a family friend who has hasn't seen in many, many years. He cannot locate him for some time but later, when he does, he finds he's pretty much adopted by Uncle John's household. To them, ANY Georgian is family! An, at first, the family wants to find Giorgi a nice Georgian wife. But when they learn that he's smitten with an American (Kim Hunter), they go into matchmaking mode!

    This is a nice slice of life film...much like "My Big Fat Greek Wedding", though with a bit less emphasis on romance. It's very sweet and enjoyable (I particularly like the citizenship portion at the end) and is a nice look at what the immigrant experience was like back in the day. My only complaint, and it certainly does NOT ruin the film is that, at times, the characters are a tiny bit broad and silly. A big more restraint would have made for a better overall film...though it's still well worth seeing. Plus, any film with Ferrer (with the exception of "Dune") is well worth your time!
    8sharptongue

    Delightful

    Charming warm tale about the quirky relationship between an immigrant and an all-american folk music fan.

    It is initially hard to accept Jose Ferrer playing a Slav, but this becomes less of a concern pretty soon. The characterizations are sincere, and the story takes several unpredictable turns, confirming the intention of the title. The story does suffer under the burden of American triumphalism, though this is only a minor detail.

    This is no tale of grand passion. The heroine complains that, though she likes the hero and he adores her, it isn't much more than that. "He doesn't give me a chill up my spine", she moans. Her aging and ill grandmother retorts "You can get that from a cold shower".

    The grandmother has the standout part among the supporting cast. Which is really saying something, as it is a ripper bunch of great actors, who paint a lovely tableau of mad Georgian (former USSR, not American South) community life. The grandmother stands out mainly because she is given all the best lines, such as the one above.

    There is warmth between the two leads. Not too much. Just the right amount, to fit in with the moral of the film ("settling for second best can always turn out well").

    I particularly liked the handling of the immigrants adjusting to their new life, and their attempts to deal with the quirks of the English language are handled with warmth and empathy while still being very funny.

    Overall, a nice and highly enjoyable film.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Mary Jackson's debut.
    • Citations

      Giorgi Papashvily: No man who has cooked for army is gonna cook for me - unless I am in army.

    • Connexions
      Featured in The Statue of Liberty (1985)
    • Bandes originales
      Love Laughs at Kings
      (uncredited)

      Music by Victor Young

      Georgian Lyrics by Wladimir Babishwili

      English Lyrics by Jay Livingston and Ray Evans

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    FAQ1

    • Is this title available on VHS or DVD?

    Détails

    Modifier
    • Date de sortie
      • 26 août 1953 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Anything Can Happen
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Perlberg-Seaton Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 47 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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