L'affaire de Trinidad

When one talks about Rita Hayworth and Glenn Ford as a screen team, one is primarily talking about Gilda. There first film, The Lady in Question had them as featured players, second was the classic Gilda, third was The Loves of Carmen with a horribly miscast Glenn Ford. It was after that one, that Rita Hayworth married Aly Khan and was off the screen for four years.

When she came back, Harry Cohn decided not to be too adventurous. Her last big success was Gilda with Glenn Ford, she got Glenn Ford. She was a singer stranded in the southern hemisphere in Gilda, she was again a singer stranded in Affair in Trinidad. Stepping into the George MacReady's shoes as villainous mastermind is suave and continental Alexander Scourby.

Rita's husband is murdered and the Trinidad police inspector Torin Thatcher knows full well Alexander Scourby is behind it. Scourby is your international man of mystery in the Sydney Greenstreet, Orson Welles tradition. Thatcher wants Rita to spy on Scourby and she agrees to find out exactly what he's up to.

In comes Glenn Ford into the picture as her late husband's brother. He wants some answers and nearly succeeds in wrecking the whole project. Good thing Rita's a quick thinking girl, a better thing is that Ford's a man of action, helps them both out in a pinch.

Come to think of it, though Alexander Scourby is a fine player, Orson Welles would have owned this part and even better if he had directed Affair in Trinidad. This is just the kind of story that someone like him could have made into a classic. What a film to remember with Rita with her most well known co-star and another ex-husband as well.

Harry Cohn probably would have shot anyone who brought him that idea, still it's interesting to speculate.

Though Affair in Trinidad got panned by critics it cleaned up at the box office with all of Rita's loyal fans wanting to see her again. It's still a treat for fans of the screen's greatest sex symbol.

In 1946, Columbia Pictures had a huge hit on its hands with "Gilda". Now, six years later, the studio has reunited its stars, Glenn Ford and Rita Hayworth, for a similar sort of film. However, despite the similarities of the plot, this one just doesn't measure up and is a mostly tepid film that could have used a much better script.

The film begins with the death of Rita's husband. Oddly, she never seemed all too broken up because of this and when the police ask her to 'dig around', she agrees to hang out with an unsavory friend who probably was responsible for the man's death (which was incorrectly ruled a suicide). Now think about it...the police asking her to walk into a dangerous place AND involve herself in an illegal search! However, the dead husband's brother (Ford) blunders in and mostly spends his time overacting--either screaming at Rita and blaming her for the death OR begging her pardon and apologizing for the outburst--followed by making out with her! Frankly, none of this made a lot of sense. And so, by the time the film was over, I was annoyed--annoyed because the romance made no sense at all (what was the motivation AND didn't Rita's husband just die!?). In addition, the whole thing came off as a bit talky and dull. A disappointment, that's for sure.

This highly entertaining movie was the return of Rita Hayworth to the screen after a brief flirtation with married life and screen retirement. For her comeback, to establish back with the graces of the movie buying public, she is teamed with Glenn Ford who starred with her in her biggest and most popular hit Gilda. This was no guarantee for box office magic because an even bigger budgeted movie "Carmen" starring the aforementioned tanked in 1948. But that was a unoperatic take on the famous opera story Carmen with a woefully miscast Glenn Ford in a Tyrone Power like role. Avoid that movie. But going back here to the mystery and intrigue of Gilda, this movie was a box office hit unlike the earlier comment mistakenly claimed and was one of the 23 biggest hits of its year. ( I don't know the exact rank). And Glenn Ford was wooed away from Columbia by MGM with a bigger paycheck and Hayworth stayed on at Columbia through the late fifties. The plot a mismash of Notorious and the earlier Gilda as Hayworth plays the temptress who is really an innocent who all men cannot resist. Her husband is murdered and his brother shows up to find things more fishy than they really are. One thing about Hayworth, she could hoof for sure and sell sex through dance and the two musical numbers are a delight. Forlorn shadows, dark passages, whispers in the dark follow as Vincent Sherman, a true craftsman, if not an auteur (I do not believe an auteur is superior to a craftsman. An auteur just has a regular theme in the movies he/she directs.) brings sharp direction and well-earned suspense to this fine movie. Catch it whenever it airs or better, just rent it.

In Port of Spain, Trinidad, the mediocre painter Neal Emery is found dead apparently after committing suicide. Inspector Smythe (Torin Thatcher) seeks out Neal's wife, the dancer Chris Emery (Rita Hayworth) that is the lead attraction of the Caribe night-club to tell her about the death of her husband. Soon Smythe finds that Neal actually was murdered and his prime suspect is Neal's friend, the wealthy Max Fabian (Alexander Scourby) and has eyes on Chris. Smythe asks Chris to spy Fabian to find an evidence to arrest him.

Meanwhile Neal's brother Steve Emery (Glenn Ford) unexpectedly arrives in Trinidad to visit his brother and learns that his brother had committed suicide, but he does not believe on the official statement. He stays at Chris house and decides to investigate the murder of his brother. Soon Chris and Steve fall in love with each other, but Chris cannot tell to him the reason why she continues to meet Fabian.

"Affair in Trinidad" is a film-noir with a not well developed story where Rita Hayworth steals the movie and makes it worthy. Glenn Ford's character is too nervous and shows no chemistry with Rita Hayworth. Actually there is nothing to explain why the offensive Steve and Chris falling in love with each other. The cinematography is magnificent and the plot is reasonable, but the rushed conclusion ruins this film-noir. My vote is seven.

Title (Brazil): "Uma Viúva em Trinidad" ("A Widow in Trinidad")

During the time that this 1952 film was being filmed, its star, Rita Hayworth was thinking of terminating her contract with Columbia Pictures. Why didn't she? It would've prevented her from making films like this. This film plays like an obvious attempt to repeat the big box office success of "Gilda", a 1946 Columbia Picture starring Hayworth as she is reteamed with her "Gilda" costar Glenn Ford. The farfetched plot has nightclub singer Hayworth and her brother-in-law (Ford) joining forces to track down her husband's murderer. In the box office results, the film was a disappointment and it eventually inspired longtime Columbia Pictures contract players Hayworth and Ford to pursue film careers as freelances.