Les joyeux pirates

Considering that Abbott and Costello had done "Meet The Invisible Man" the previous year, this film was a big comedown for them. But then again, considering that around the same period they also did "Comin' Round The Mountain" and "Lost In Alaska", maybe "Meet Captain Kidd" was par for the course. The saddest part here (apart maybe from all the singing that at times makes you feel as if you're watching a second-rate musical) is to observe how few verbal elements have remained in A&C's comedy; instead, their humor has been reduced to the lowbrow, unsophisticated slapstick of mugging, dumb misunderstandings, and people falling down or getting hit with shovels. But sometimes A&C's talent still comes through and the film can make you laugh in spite of yourself. Charles Laughton is loud, bombastic and takes a lot of bumps, to generally unfunny effect; Hillary Brooke is downright sexy as a female captain, and is without a doubt the brightest spot of this movie. (**)

An underwhelming later entry for the comedy team, this is of interest only because it's a color film which provides a chance to see Charles Laughton yucking it up as the title baddie. But there's very little meat to chew on while watching Bud and Lou act as hapless waiters sailing aboard the ship of the mean old Captain Kidd (Laughton). Of course there are many recycled older gags ... two of them include: Lou accidentally dropping a bar of soap into Kidd's soup and producing bubbles from everyone's mouthes (just how exhausted was that routine by this time?), and also Lou having a chance to rough Kidd up a bit while the pirate's hands are chained behind his back. (This latter bit was so much better performed when it was William Bendix as the recipient back in 1943's WHO DONE IT?). Hillary Brooke is on hand as a tough-acting blonde, easier on the eyes than a crew full of obnoxious men. ** out of ****

Charles Laughton did a badly edited biographical film of Captain Kidd in 1945 although his performance as the cockney captain with aspirations to class is memorable. We don't often get a second crack at roles when they don't become mega-hits, but Laughton got it and made the most of it.

Laughton got one here although he had to take on Abbott and Costello as co-stars. But I will say that the distinguished Mr. Laughton more than held his own with those two burlesque comics. Especially when you consider that his co-stars names were in the title of the film.

Of course it was fans of A&C who went to see the film, but you get your audiences from where they come. Check Laughton's deadpan face when he's doing the old handcuff gag where Costello thinks he's got Captain Kidd cuffed behind his back and helpless. They did the same routine on their television show with Gordon Jones as Mike the Cop and the results are just as hilarious.

Speaking of the television show, Hillary Brooke from the cast of their show is also on hand as Laughton's rival, Captain Bonnie. Fran Warren and Bill Shirley have a great pair of voices, too bad the songs that they got to sing in the film aren't worthy of them.

Abbott and Costello were on a downward slide of their careers, but this film does hearken back to their early days at Universal when they were grinding out a whole bunch of comedy gems.

But the thing that has always gotten me about this film is the way Charles Laughton just dove right in to the slapstick spirit of this movie. Costello was known for not getting along with several of his co-stars, many of them had less than kind things to say. But according to observers, Laughton got along just fine with the boys.

You can tell by the side splitting results.

I am an admirer of Charles Laughton,who I regard as the finest ever British screen actor.This is often viewed as the nadir of his movie career but it did seem to me he entered into the spirit of proceedings admirably,mugging energetically and taking pratfalls with the best of them Bud and Lou will satisfy their fans but win no new devotees in a movie slowed down by stultifyingly bad musical interludes and the colour is garish and ugly

Laughton,seemingly relishing the chance to play a variant on the pantomime villains he doubtless enjoyed watching in the theatre as a child,is the main reason to give this the time of day

I don't mind that the movie has no plot or that it's so noisy my 90-year old grandmother complained or that Charles Laughton thinks he's the one who should supply the laughs and not the menace. What I do mind is that A&C have so little to do. They manage a few bits, but these are crowded out by the chaotic knock-about. It's like someone said we don't have a script or any routines, so let's just run around, make noise, and maybe no one will notice. Maybe the best thing is the really great special effects. The masted ships and sea battle look like they come from an A-production, which they may have. But even the explosions on the sea-shore sets are well done. Too bad the rest of the movie doesn't rise to that level. And pity the poor regally composed Hillary Brooke who looks like she's missing all the mayhem, at the same time Laughton manages more mugs per minute than a race car generates RPM's. In my little book, this is one of the least of the 5 or 6 entries in the A&C Meets... series.