NOTE IMDb
5,2/10
161
MA NOTE
Ajouter une intrigue dans votre langueShy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.Shy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.Shy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.
- Réalisation
- Scénario
- Casting principal
Dorothy Abbott
- Showgirl
- (non crédité)
Fred Aldrich
- Victoria Driver
- (non crédité)
Leon Alton
- College Inn Patron
- (non crédité)
Ginger Anderson
- Townswoman
- (non crédité)
Brooks Benedict
- College Inn Patron
- (non crédité)
Frank W. Bering
- Hotel Clerk
- (non crédité)
Barbara Carroll
- Showgirl
- (non crédité)
Dick Cherney
- Waiter
- (non crédité)
Ken Christy
- Police Sergeant
- (non crédité)
Avis à la une
At best, this old fashioned, country mouse versus city slickers story is amusing and disarmingly cute. At worst, it occasionally becomes dull. There are several things that make the movie possibly worth watching.
First, there's Alan Young. He's kind of a low rent Danny Kay with a gentle boyish style of acting reminiscent of Harry Langdon. He became a big star with the talking horse comedy series "Mr. Ed" in the early 60's. This movie shows that Young is talented and entertaining even without a talking horse. As far as I can tell, this was his only starring movie. Its too bad. He has a lovely and unique quality that should have led to a much bigger career. He makes every scene he's in amusing and interesting to watch.
Second, there's Robert Merrill. He became famous as a great Metropolitan Opera singer. This was his only straight starring acting role. He is actually quite natural and funny. Again we have an actor who shows a lot of screen presence. Unfortunately, the Hollywood studios didn't agree. He went back to the opera stage permanently after this film failed at the box office.
Third, we have Dinah Shore. She was famous as a singer and successful as a television talk show host later in the 1960's and 70's. This seems to be her only real staring movie role. She comes off as a low rent Doris Day. Unlike Merrill or Young, its hard to see her really being a movie star, she has a dull but pleasantly folksy personality, perhaps best suited to second banana roles. She probably made a good decision to stick with the singing.
This is a sweet movie which I think kids 8-12 would really enjoy. It should probably be seen in conjunction with the 1940 and 1959 versions of "Li'l Abner." Some of the humor matches up.
I won't argue that it is a lost masterpiece, but it is a generally pleasant little musical 75% of the time. If you want to be put into a mild and nostalgic mood, give it a try.
First, there's Alan Young. He's kind of a low rent Danny Kay with a gentle boyish style of acting reminiscent of Harry Langdon. He became a big star with the talking horse comedy series "Mr. Ed" in the early 60's. This movie shows that Young is talented and entertaining even without a talking horse. As far as I can tell, this was his only starring movie. Its too bad. He has a lovely and unique quality that should have led to a much bigger career. He makes every scene he's in amusing and interesting to watch.
Second, there's Robert Merrill. He became famous as a great Metropolitan Opera singer. This was his only straight starring acting role. He is actually quite natural and funny. Again we have an actor who shows a lot of screen presence. Unfortunately, the Hollywood studios didn't agree. He went back to the opera stage permanently after this film failed at the box office.
Third, we have Dinah Shore. She was famous as a singer and successful as a television talk show host later in the 1960's and 70's. This seems to be her only real staring movie role. She comes off as a low rent Doris Day. Unlike Merrill or Young, its hard to see her really being a movie star, she has a dull but pleasantly folksy personality, perhaps best suited to second banana roles. She probably made a good decision to stick with the singing.
This is a sweet movie which I think kids 8-12 would really enjoy. It should probably be seen in conjunction with the 1940 and 1959 versions of "Li'l Abner." Some of the humor matches up.
I won't argue that it is a lost masterpiece, but it is a generally pleasant little musical 75% of the time. If you want to be put into a mild and nostalgic mood, give it a try.
This is a wonderful show with an outstanding cast. The movie is based on the play Aaron Slick From Punkin Crick, a delightful play. When I was in Jr. High School we put this play on in our church and I played the part of Aaron Slick. So.i was quite naturally drawn to this title on Netflix.
This was the time period when musicals were popular but somehow this movie missed the mainstream even with such a power house lineup that included Robert Merrill, Dinah Shore and Edy Williams. One cannot go wrong by spending time with this movie. It is a great family movie! So grab the kids pop some corn and snuggle up and enjoy some fine entertainment. I had a blast as a kid participating in the play as Aaron Slick.
This was the time period when musicals were popular but somehow this movie missed the mainstream even with such a power house lineup that included Robert Merrill, Dinah Shore and Edy Williams. One cannot go wrong by spending time with this movie. It is a great family movie! So grab the kids pop some corn and snuggle up and enjoy some fine entertainment. I had a blast as a kid participating in the play as Aaron Slick.
It's not that ALAN YOUNG and DINAH SHORE don't try to bring some life to a lifeless, uninspired script co-authored by Claude Binyon, who directed this mess. Considering what they have to work with, they sometimes rise to the occasion and produce a few chuckles. And as the villains of the piece, ROBERT MERRILL and ADELE JERGENS contribute somewhat to what few laughs there are.
Shore is a country bumpkin lass who longs for the big city and is taken in by on-the-lam gangsters (Merrill and Jergens) who are really after the $20,000 worth of savings. Young is the equally country hick neighbor enamored by Shore and willing to go to the extreme to extricate her from the clutches of the villains.
It has a L'IL ABNER flavor to the sets and costumes but the score is rather commonplace and no help in bringing any entertainment value to the ponderous farce.
It's films like this that probably put a hex on DINAH SHORE's stab at a film career. Wisely, she was content to enjoy her TV stardom.
Shore is a country bumpkin lass who longs for the big city and is taken in by on-the-lam gangsters (Merrill and Jergens) who are really after the $20,000 worth of savings. Young is the equally country hick neighbor enamored by Shore and willing to go to the extreme to extricate her from the clutches of the villains.
It has a L'IL ABNER flavor to the sets and costumes but the score is rather commonplace and no help in bringing any entertainment value to the ponderous farce.
It's films like this that probably put a hex on DINAH SHORE's stab at a film career. Wisely, she was content to enjoy her TV stardom.
May not be one of the greats...but I would have thought it well-known enough that some over-45 IMDb contributor would have compiled a review by now.
Alan Young makes a pleasant enough Aaron Slick, a likeable hayseed you would expect to see in GREEN ACRES. After Josie (a young Dinah Shore) is tricked into selling her farm she gets herself mixed up with the Mob until homespun Crick comes to her rescue. Very much a product of 50's American provincial theater.
Few laughs, a few songs..nothing much to remember five minutes after its finished. Hasn't stood the test of time either and is dated as all hell now.
Alan Young makes a pleasant enough Aaron Slick, a likeable hayseed you would expect to see in GREEN ACRES. After Josie (a young Dinah Shore) is tricked into selling her farm she gets herself mixed up with the Mob until homespun Crick comes to her rescue. Very much a product of 50's American provincial theater.
Few laughs, a few songs..nothing much to remember five minutes after its finished. Hasn't stood the test of time either and is dated as all hell now.
Marshmallow Moon(or Aaron Slick from Punkin Crick) is an okay film, but after a few days it is not much more than that. There are a fair number of things to redeem it. The costumes, sets and photography are striking enough, and while not particularly memorable the music especially Marshmallow Moon is quite pleasant. The film is decently directed too, but the main attraction is the cast. Alan Young, Dinah Shore, Adele Jurgens and especially Robert Merrill(yes the very same Robert Merrill the baritone) give it their all and their efforts are commendable. However, the film is rather ponderously paced, complete with a hokey story, predictable set-ups and scenes comedy wise and a disjointed script. So overall, a decent watch but rather forgettable. 5/10 Bethany Cox
Le saviez-vous
- AnecdotesRobert Merrill broke his contract with the Metropolitan Opera in order to make this film.
- Citations
Bill Merridew: It's not my fault that we gotta lay low. I didn't know those lots we sold were at the bottom of Lake Michigan.
Gladys: [scornfully] You go into partnership with a man named "Sleeve-Card Harry" and you don't suspect anything's crooked?
- ConnexionsReferenced in The Dinah Shore Show: Épisode #1.11 (1952)
- Bandes originalesChores
Written by Jay Livingston and Ray Evans
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Aaron Slick from Punkin Crick
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 35min(95 min)
- Rapport de forme
- 1.37 : 1
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