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IMDbPro

Pourquoi croire à l'amour

Titre original : Aaron Slick from Punkin Crick
  • 1952
  • Approved
  • 1h 35min
NOTE IMDb
5,2/10
162
MA NOTE
Adele Jergens, Robert Merrill, Dinah Shore, and Alan Young in Pourquoi croire à l'amour (1952)
Aaron Slick From Punkin Crick: Chores, Chores, Chores
Lire clip2:50
Regarder Aaron Slick From Punkin Crick: Chores, Chores, Chores
1 Video
16 photos
ComédieDrameMusicalRomance

Ajouter une intrigue dans votre langueShy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.Shy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.Shy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.

  • Réalisation
    • Claude Binyon
  • Scénario
    • Claude Binyon
    • Walter Benjamin Hare
  • Casting principal
    • Alan Young
    • Dinah Shore
    • Robert Merrill
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,2/10
    162
    MA NOTE
    • Réalisation
      • Claude Binyon
    • Scénario
      • Claude Binyon
      • Walter Benjamin Hare
    • Casting principal
      • Alan Young
      • Dinah Shore
      • Robert Merrill
    • 11avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Aaron Slick From Punkin Crick: Chores, Chores, Chores
    Clip 2:50
    Aaron Slick From Punkin Crick: Chores, Chores, Chores

    Photos16

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    + 9
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    Rôles principaux95

    Modifier
    Alan Young
    Alan Young
    • Aaron Slick
    Dinah Shore
    Dinah Shore
    • Josie Berry
    Robert Merrill
    • Bill Merridew
    Adele Jergens
    Adele Jergens
    • Gladys
    Minerva Urecal
    Minerva Urecal
    • Mrs. Peabody
    Martha Stewart
    Martha Stewart
    • Soubrette
    Fritz Feld
    Fritz Feld
    • Headwaiter
    Veda Ann Borg
    Veda Ann Borg
    • Girl in Red
    Chick Chandler
    Chick Chandler
    • Pitchman
    Dorothy Abbott
    Dorothy Abbott
    • Showgirl
    • (non crédité)
    Fred Aldrich
    Fred Aldrich
    • Victoria Driver
    • (non crédité)
    Leon Alton
    Leon Alton
    • College Inn Patron
    • (non crédité)
    Ginger Anderson
    • Townswoman
    • (non crédité)
    Brooks Benedict
    Brooks Benedict
    • College Inn Patron
    • (non crédité)
    Frank W. Bering
    • Hotel Clerk
    • (non crédité)
    Barbara Carroll
    • Showgirl
    • (non crédité)
    Dick Cherney
    • Waiter
    • (non crédité)
    Ken Christy
    Ken Christy
    • Police Sergeant
    • (non crédité)
    • Réalisation
      • Claude Binyon
    • Scénario
      • Claude Binyon
      • Walter Benjamin Hare
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

    5,2162
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    Avis à la une

    7jayraskin

    Alan Young and Robert Merrill Make It Worth Watching

    At best, this old fashioned, country mouse versus city slickers story is amusing and disarmingly cute. At worst, it occasionally becomes dull. There are several things that make the movie possibly worth watching.

    First, there's Alan Young. He's kind of a low rent Danny Kay with a gentle boyish style of acting reminiscent of Harry Langdon. He became a big star with the talking horse comedy series "Mr. Ed" in the early 60's. This movie shows that Young is talented and entertaining even without a talking horse. As far as I can tell, this was his only starring movie. Its too bad. He has a lovely and unique quality that should have led to a much bigger career. He makes every scene he's in amusing and interesting to watch.

    Second, there's Robert Merrill. He became famous as a great Metropolitan Opera singer. This was his only straight starring acting role. He is actually quite natural and funny. Again we have an actor who shows a lot of screen presence. Unfortunately, the Hollywood studios didn't agree. He went back to the opera stage permanently after this film failed at the box office.

    Third, we have Dinah Shore. She was famous as a singer and successful as a television talk show host later in the 1960's and 70's. This seems to be her only real staring movie role. She comes off as a low rent Doris Day. Unlike Merrill or Young, its hard to see her really being a movie star, she has a dull but pleasantly folksy personality, perhaps best suited to second banana roles. She probably made a good decision to stick with the singing.

    This is a sweet movie which I think kids 8-12 would really enjoy. It should probably be seen in conjunction with the 1940 and 1959 versions of "Li'l Abner." Some of the humor matches up.

    I won't argue that it is a lost masterpiece, but it is a generally pleasant little musical 75% of the time. If you want to be put into a mild and nostalgic mood, give it a try.
    5bkoganbing

    A highly sophisticated drama

    I remember listening to one of Bing Crosby's old radio shows Dinah Shore was his guest and she was hawking this new film she did for Paramount, Aaron Slick From Punkin' Crick. Said Bing who opined that it sounds like one highly sophisticated piece of work.

    Maybe if the rather large score that Jay Livingston and Ray Evans had contained a memorable song the film might be better known.

    Alan Young plays the title role and he and Dinah Shore own adjoining farms in the bustling metropolis of Punkin' Crick. The two get involved with a pair of sharpies Robert Merrill and Adele Jergens and it's country versus city folk. Guess who wins.

    For the life of me why Robert Merrill signed for this film is beyond me. If he was going to do a film adaption of some Broadway musical I would understand. But none of this material is worthy of that voice.

    Aaron Slick From Punkin' Crick is mildly amusing. Alan Young comes out best.
    5jjnxn-1

    Silly nonsense

    I have to admit I watched this oddity out of curiosity because of Dinah Shore's oft repeated put-downs of it. Whenever her film career was brought up over the years on her television show Dinah would mockingly mention this film with a wry smile and a chuckle, it's easy to see why that would be her reaction.

    Maybe not the worst movie ever made but a dumb, flat footed concoction to be sure. If the horrible title wasn't enough of a warning, although the alternate title "Marshmallow Moon" isn't much better, the basic plot summary should warn off most people. Stereotypes abound and the musical numbers are mediocre but it has nice color photography and an amusing supporting performance by Minerva Urecal. As for the two leads, Dinah is almost idiotically naive and too chipper for words, Alan Young starts out as an annoying bumpkin but gets better as the film goes along. A forgettable enterprise best viewed, if at all, by those who enjoy campy foolishness.
    10exepellinglogin

    10/10

    The hillbilly Aaron Slick has been unsuccessfully wooing the young widow Josie Berry for many years. Josie is eager to take a trip in the big city. Bill Merridew and his "kissing cousin" Gladys hide in the trunk of a $20,000 obtained from an improper transaction. Relatively speaking, they held a touring tent show on Josie's farm. Merridew actually went into hiding, thinking that there was oil on the farm. Aaron knew that was not the case and tricked him into buying the farm for a large sum of money. Josie ran to Chicago with the money, and Meridou realized that he had been cheated and pursued him. Aaron arrived in time to prevent Josie from letting Meridou "invest" her money.
    uds3

    Ignored for all this time?

    May not be one of the greats...but I would have thought it well-known enough that some over-45 IMDb contributor would have compiled a review by now.

    Alan Young makes a pleasant enough Aaron Slick, a likeable hayseed you would expect to see in GREEN ACRES. After Josie (a young Dinah Shore) is tricked into selling her farm she gets herself mixed up with the Mob until homespun Crick comes to her rescue. Very much a product of 50's American provincial theater.

    Few laughs, a few songs..nothing much to remember five minutes after its finished. Hasn't stood the test of time either and is dated as all hell now.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Robert Merrill broke his contract with the Metropolitan Opera in order to make this film.
    • Citations

      Bill Merridew: It's not my fault that we gotta lay low. I didn't know those lots we sold were at the bottom of Lake Michigan.

      Gladys: [scornfully] You go into partnership with a man named "Sleeve-Card Harry" and you don't suspect anything's crooked?

    • Connexions
      Referenced in The Dinah Shore Show: Épisode #1.11 (1952)
    • Bandes originales
      Chores
      Written by Jay Livingston and Ray Evans

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    Détails

    Modifier
    • Date de sortie
      • 1 avril 1952 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Aaron Slick from Punkin Crick
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Perlberg-Seaton Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 35min(95 min)
    • Rapport de forme
      • 1.37 : 1

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