L'affaire Cicéron

Supposedly based on a true story, a valet uses his position at British embassy to steal WWII secrets to sell to the Germans.

What a superbly tight script that stays on the compelling track the whole time. We watch lowly valet Diello (Mason) use nothing but wits and guts to outmaneuver both the British and the Germans. He's not a sympathetic lead character, always unusual for a Hollywood production (TCF). But you can't help admiring his ability to outwit the professionals, even if he is completely self-centered.

I get the feeling Diello sees himself as a natural born aristocrat denied that position by the fortunes of birth. So, by golly, he's going to use those talents to get the wealth and position he deserves, but which European society has denied him.

Mason is simply superb in a tailor-made part. He projects both the icy intelligence and curt politeness that the role requires. I sweated a bucket load when the cleaning lady rummages around the closet, while Diello photographs embassy secrets. If she finds the power switch, he's toast. Great scene.

Note too, how there're no obvious good guys-bad guys, also unusual for a WWII drama. The British are slightly favored, but at least the Germans aren't caricatured. It's more like one opportunist (Diello) is exploiting both sides impartially, and they're both after him.

Then too, what guy wouldn't lose his head over the delectable Darrieux, even a guy as calculating as Diello. All of which makes the ending one of the most ironically satisfying in movie annals. I'm betting this was one of the best films to come out of that spare movie year of 1952. So if you haven't seen it, do.

This forgotten film brilliantly directed by Joseph L. Mankiewicz is one of the best spy films we have seen in recent memory. The film holds the viewer in suspense up the last frame. Mr. Mankiewicz was working on the fine screen play written by Michael Wilson, based on a real incident told by L. C. Moyzisch, a German officer who is a key player in the story.

The film opens in Ankara, Turkey's capital during WWII. The place is swarming with spies and intrigues. We are taken to a reception where we encounter Countess Anna, a beautiful woman of uncertain age, who is living below her means in the country. Anna asks for monetary help to a German officer, who she has met before. At this point, we meet Diello, a valet to the English ambassador to Turkey. Diello has a proposal for Moyzisch, a German connected to the embassy. He proposes a deal where he will cooperate in spying for the Germans in exchange of heavy amounts of money.

Since Diello needs a front, Countess Anna, becomes the a desirable object for this man's plans in how to conduct the business. Thus the impoverished countess agrees to the plan. Countess Anna becomes a hostess who gathers in her new elegant surroundings the cream of the diplomatic society. The countess goes along with the scheme, but at the same time, she deeply resents the idea of having Diello, a man that is not from her circle and background, be treated as her equal.

The film works because what we see is what really happened. This being a real story, is not something that came out of some writer's imagination. On the contrary, we are completely astounded in the way this Diello was able to fool his superiors at the embassy. We watch as Diello goes about the business of spying right at the ambassador's office without being caught.

There are two ironic twists to the story that come as complete surprises to us. In a way, because one is not expecting, the first one is the betrayal to Diello by the heartless countess, and the second one is at the conclusion of the film. This last one is something that keeps us laughing along with Diello and in turn to the woman who double crossed him.

James Mason, is excellent as Diello. Mr. Mason was an actor that always delivered. In his English films, as well as some of his Hollywood movies, this actor projected such a powerful figure. His method of working always amazes because his performances always build up to unexpected results. The film belongs to Mr. Mason, who is terrific and charismatic.

Danielle Darrieux, one of the best French film actresses of all times, makes a delightful appearance as Countess Anna. She transforms herself from a the woman trying to eke out a living to the sophisticated lady of a society she felt comfortable with because she was born into it.

The supporting roles are quite good. The surprise was Herbert Berghof, one of the most famous acting teachers of all times making a rare appearance.

"5 Fingers" has a great black and white cinematography by Norman Brodine who captures some of those Turkish locales in all their splendor. The film score by Bernard Herrmann adds another dimension to the film. Thanks to Mr. Mankiewicz, this is a film that will please his admirers.

During the late 1940s and into the 1950s, Joseph Mankiewicz was probably the most successful man in Hollywood--directing and writing such amazing films as "A Letter to Three Wives", "All About Eve" and "House of Strangers". However, by the time he made "Five Fingers", Mankiewicz was at the end of his contract with Twentieth Century- Fox--and it sure was an excellent farewell.

This movie is based on real events, though a few changes were made for cinematic purposes. James Mason plays a valet in the British embassy in Turkey during WWII and he's a completely trusted but totally amoral man. To earn money for his retirement, the guy approaches the Nazis and offers to sell them secrets.

What is most interesting about this movie is that you see just how stupid the Nazis and the Brits. Despite repeatedly giving them excellent information, again and again the Nazis didn't trust it and didn't take advantage of it. As for the Brits, you wouldn't think that they'd let an Albanian valet to have such access to secrets! Still, it's a very fascinating story--one that is well made and well worth your time.

I'd never heard of this film when I tuned in to the History channel of all places, hoping for a diversion. I was immediately caught up in this suspenseful and well-acted TRUE STORY of how and why the Nazis obtained advance knowledge of the D-Day invasion, but made no use of it. Some of the most implausible aspects of this fictionalized account - the delicious surprise twist at the end - are TRUE! One of my film guides informed me that "5 Fingers" won the '53 Golden Globe for its excellent screenplay. The highlights of the witty script include the interplay of James Mason, as the suave valet I couldn't help rooting for, and Danielle Darrieux, as the penniless yet glamourously seductive Countess Staviska. The acting of these two is top-notch; the supporting cast is consistently strong, and the Turkish location shooting gives it body. And the direction, by Joseph Mankiewicz is solid. This is a film about which you will ask, as I did: "Why Haven't I Heard of THIS one Before!?!"

Up till recently I had never seen 5 Fingers, for some reason it is rarely shown on television. But in watching it I knew why Alfred Hitchcock had cast James Mason as villainous Philip Van Damm in North By Northwest. His role as Diello in 5 Fingers, the Albanian spy for profit, is apparently what Hitchcock saw before casting his film.

The setting of this is Ankara, capital of neutral Turkey in World War II. Mason is the valet of the British ambassador there and an Albanian national. He's hit upon a scheme to enrich himself with a little espionage.

Mason hits the jackpot with the secret plans for Overlord, the location and operation of the Allied invasion of Europe. He pulls off the caper of all time, but things go quite awry after that. Former employer Countess Danielle Darrieux does him wrong in a very big way.

Michael Rennie is fine as the intrepid British counter intelligence agent and the other outstanding performance is John Weingraf as Franz Von Papen the German Ambassador to Turkey at the time. He wasn't called the Fox for nothing.

If you enjoyed James Mason in that Hitchcock classic, you will not want to miss 5 Fingers.