La Chose d'un autre monde

The Thing From Another World is one of the top ten science fiction movies of all time. The original version feeds on our paranoia of the times as well as the fears of the atomic age and invasion from outerspace. Remember Mr. Arnold first saw what was called flying saucers only a few short years earlier. The acting and storyline are tight and first rate. The claustraphobia from being confined inside the North Pole with an alien running amoke is done very well. The cast rounds out the movie quite well with great performances of all of the characters. Granted to soem the movie may seem dated and lack special effects of the remake, but the remake does not capture the times and the fear of the so called Reds that this does. The Thing From Another World has to rank in the top ten. As a kid I thought it was one of the better, not to mention more frightening science fiction movies, up there with War of the Worlds and The Day The World Stood Still. This stands up story wise. Not all science fiction needs to have effects on the order of Star Wars. Sometimes, like horror, it's what you don't see that can get to you. This is a timeless classic. IT has to be in the top ten sci-fi films of all time. If you don't rent it, buy it. You will love it!

Let me get my two (minor) complaints out of the way first: the attempt to get the UFO out of the ice felt rushed (as in the filmmakers wanted to get to the rest of the film) because I saw the result coming a mile away . . . it just felt soulless and obligatory. Second, the scientist Dr Carrington, rubbed up with the 'mad scientist in pursuit of knowledge risking everyone's life' cliché a bit too much for me . . . and I was trying to be forgiving since this was 50 years ago and far less cliché then.

All right, now . . . I have to say, I loved The Thing from Another World. I loved the dialogue in this movie. It's been a long long (Jesus Christ, a loooong) time since I had this much fun listening to exposition. Yes, exposition. The obligatory plot details that no one cares about that some poor sap spells out? Yes, that exposition! Thing from Another World actually gains momentum with its exposition whereas your typical film slows down and comes to a screeching halt for it.

Nyby spreads the exposition across about half a dozen characters, and they have real conversation with overlapping, quick fire, back and forth, dialogue, and in brief instances multiple conversations going at the same time. The result? Five minutes of exposition becomes one minute of exposition. Will the audience catch every single detail of their plan? No, but the audience doesn't need to either. Thank you Howard Hawks!

Lace this exposition with characterization, inside jokes amongst characters, hints at their history together, and friendly pranks, and The Thing from Another World not only knocks out exposition with one blow, but develops their characters simultaneously, yielding a wonderfully complex and realistic relationship between the characters and plot. No spot light and overdone Shakespearian aside with melodramatic boo-hoo backstory that brings elicits yawns and groans, no little nerd with all the answers getting to explain everything while everyone asks stupid questions--nope--the Thing from Another World is above that drivel.

Nyby and Hawks sold me on the characters from the get go, placing emphasis on how they introduce the characters and not so much in what their character backstory is. I salute the filmmakers for this decision, and in response was more than willing to suspend my disbelief for the sake of the film's needs.

Follow it up with well lit and well staged action sequences--the fire scene was perhaps one of the most beautiful and glorious moments caught by b/w photography--and the Thing from Another World delivers with all its 1950s charms. I'll take a film with narrow corridors and electrodes over all out war with CGI bugs/machines any day of the week.

One of a very few movies I would rate a 10. It's perfection was mostly due a Charles Ledera script based on the story "Who Goes There?" and the director talents of Christian Nyby and Howard Hawks. The cast was marvelous.

The opening scene of the reporter Scotty walking his way through blizzard like snow and below zero temperature to enter a warm and cozy officers club is special. The beautiful soft music of the late 40's plays as Mr. Scott warms up by the fireplace. We get introductions underway to the main characters, pilot Captain Henry and his flying mates. A page by the general for the Captain and we are off to join a group of scientists at the north pole to explore a mysterious plane crash.

Some of the scenes at the North poll station scared the pants off me when I first saw the movie. In between the scary stuff Captain Henry and a secretary Nikki added a few romantic moments, one scene with a band playing "A lovely way to spend an evening". It's a shame that the movie sound track had none of the soft music numbers that also played in the mess hall scenes.

A great ending had me "looking at the skies" for years after.

The movie starts out very promisingly, creating a great spooky atmosphere and avoiding possible cheap looking special effects of the spaceship crash. It knows where its true driving force lies; it's not in the silly looking "carrot" creature(that thankfully also doesn't get much screen time), it's in the dialogues and the relationships between characters. This reminds me of Rydley Scott's "Alien". Same concept, same result. Great atmosphere and a good sense for story telling make "The Thing From Another World" well worth the watch. 7/10

"The Thing from another world" is the pinnacle of 1950s horror movies. It is not one of those cheap exploitation pictures that cashed in on the publics fear of atomic energy, no, this film actually takes itself seriously and manages to scare the hell out of the audience in the process. So many future sci-fi/horror movies were influenced by this one, most notably the original "Alien". Gorgeous production design and great performances help to carry the story along, a story that concerns an isolated arctic base and the people there who have to deal with a very unwelcome visitor. Definitely holds your suspense throughout. The zenith of all horror movies to come out of the fifties