La ronde des étoiles

Actress Ruth Roman's real-life philanthropic gesture to help entertain U.S. troops arriving from and leaving for Korea at an air base near San Francisco jump-started this all-star Warner Bros. salute to patriotism and song. Several celebrities make guest appearances while a love-hate romance develops between a budding starlet and a painfully green and skinny Air Force corporal (Ron Hagerthy, who looks like he should be delivering newspapers from his bicycle). Seems the corporal has fooled the actress into thinking he's off to battle when actually he's part of an airplane carrier crew, flying to and from Honolulu (one would think she'd be overjoyed he was relatively out of harm's way, but instead she acts just like most childish females in 1950s movies). Doris Day is around for the first 30 minutes, and her distinct laugh and plucky song numbers are most pleasant. Roman is also here, looking glamorous, while James Cagney pokes fun at his screen persona and Gordon MacRae sings in his handsome baritone. Jane Wyman sings, too, in a hospital bedside reprise following Doris Day's lead, causing one to wonder, "Did they run out of sets?" For undemanding viewers, an interesting flashback to another time and place. Still, the low-rent production and just-adequate technical aspects render "Starlift" strictly a second-biller. *1/2 from ****

Starlift is a pleasant and interesting throwback to those all star musical pictures that every studio was putting out during the World War II years. When you've got such stars as Gary Cooper, James Cagney, Doris Day, Gordon MacRae, and Randolph Scott, etc., in the film and with such people as the Gershwin Brothers, Cole Porter, Jule Styne and Sammy Cahn supplying the music, it's an easy to take film. And the plot isn't even in the way.

What plot there is involves two Air Force enlisted men, Dick Wesson and Ron Hagerthy, trying to meet Warner Brothers starlet Janice Rule using as a gimmick the fact that both come from Youngstown, Ohio and Hagerthy's father was Rule's dentist as well as half of the town's. The scheme works too well as Louella Parsons is soon putting them as an item in her column. Yes, Louella's in the film as well. She must have liked Warner Brothers or Jack Warner catered to her more than the other studio bosses because she also used this studio to publicize her Hollywood Hotel radio program back in the day.

But the rest of the plot also touched on the real life efforts of Ruth Roman also playing herself to get her studio and others to do shows at the Air Force bases for the servicemen and women going to Korea. Some of the names I've mentioned and others sing and perform in a show at Travis Air Force Base where a lot of this film was shot.

One specialty number was shot for the talents of Phil Harris who sing/narrates a ballad Look Out Stranger, I'm A Texas Ranger aided and assisted by Virginia Gibson, Frank Lovejoy and Gary Cooper. Yup, Cooper looked like he was having a great old time kidding his image.

This is the oldest of clichés when you say they don't make them like this any more, but they really don't because you don't have a studio system that has all this talent under contract. That's one thing about the demise of the old studio system we can mourn.

This one snuck under my radar after years of adoring Doris Day. Saw it yesterday. Glad I avoided it so long. I love the old "time capsule" type movies. Especially those designed to buoy morale during wartime. My favourite is "the human comedy". But this, oh my God. It's pretty corny. The two enlisted guys are an embarrassment. I wanted to punch them both. The musical numbers are so so. The budget didn't allow much beyond the salaries of the all star cast. All in all, the worst of its kind. Maybe Korea wasn't as important as WWII.

The only time this movie ever really comes to life is when Doris Day is on screen. Sadly, she disappears after about 30 minutes. Her musical numbers, " 'S Wonderful" and "You Ought to Be in Pictures" are the film's high points, and she delivers them as only she can. Day just lights up the screen and proves once more how underrated she is as a vocalist. She's also charming in her small scene visiting Jack Larson, who plays a hospital patient.

As for the rest of the movie, the script is even more dreadful than the one for "Hollywood Canteen," of which this bears a resemblance. Janice Rule and Rick Hagerthy have zero chemistry as the romantic leads. The "comedy" routines by Peter Marshall and Tommy Noonan, and Phil Harris, Dick Wesson and the others, are cornier than an Iowa field. Virginia Mayo's South Seas number and Patrice Wymore doing "Liza" helped relieve the tedium, but Doris Day is clearly the standout. If only she'd been in more of the movie, it would have been so much better.

Of course the plot is dreary and there's not enough singing and dancing. For me, there never is. As a movie, it rather sucks, but as a DVD it is just fine. Just go to the numbers with Doris, Gordon and the people you like to watch perform. The surprising highlight of the film is Janice Rule. She and Gene Nelson dance together in two numbers. This is the only time she got to dance in a movie. I knew she danced on Broadway in "The Happiest Girl In The World", but I didn't see it and THIS I can see. I'm glad that this is on DVD. I can watch Janice Rule dance anytime I want. She was wonderful.Patrice Wymore dances to and "sings" Gershwin's "Liza". Sounded like Bonnie Lou Willams. She seemed to be the voice double of every lovely non-singing lady at Warner Bros. when she wasn't recording with Gordon Jenkins. Virginia Mayo's number was quite good and I wish they would put "She's Working Her Way Through College" and "She's Back On Broadway" in a set with some other pictures that she did at that studio. Also, how about all three versions of "The Desert Song" and the three of "Showboat" ? I would buy all of these tomorrow. Hey, if you do, please include Ava's tracks.