Ajouter une intrigue dans votre langueFort Marcy's commandant has a dilemma when 3 outlaws, who killed a few Navajo for their horses, request protection from the vengeful Indians.Fort Marcy's commandant has a dilemma when 3 outlaws, who killed a few Navajo for their horses, request protection from the vengeful Indians.Fort Marcy's commandant has a dilemma when 3 outlaws, who killed a few Navajo for their horses, request protection from the vengeful Indians.
- Réalisation
- Scénario
- Casting principal
Jimmy Ames
- Poker Player
- (non crédité)
Sherry Anne Atkins
- Child
- (non crédité)
Emile Avery
- Trooper
- (non crédité)
Lew Bedell
- Trooper 'Hardsaddle' Harry
- (non crédité)
Sid Brokaw
- Musician
- (non crédité)
Dorinda Clifton
- Woman at Dance
- (non crédité)
Earl Colbert
- Musician
- (non crédité)
Eugene Englund
- Musician
- (non crédité)
Robin Fletcher
- Nancy Dempster
- (non crédité)
Joanne Franklin
- Child
- (non crédité)
Gene François
- Child
- (non crédité)
Avis à la une
I have always loved this movie from my childhood watching it on Saturday morning. Have not seen it in years and now must make sure i catch AMC when it airs. To me the coolest thing about this movie was the catchy song. I can still remember it to this day "All that you can hear are the hoof beats on the ground as the Redskins ride along Slaughter Trail." not PC for sure but this was 1951 and the star was booted because he was "tabbed" a commie lover. Wow how non-PC can you get. would love to see it again and again again. I was hoping this was not one of those lost films destroyed by time and am glad to see TNT still willing to show it.
No need to recap the cavalry vs. indians plot. The 70-minutes may be okay for kids, but otherwise the movie's a hash. I'm not sure what the producers were aiming for, but the results are to a conventional Western what goulash is to steak and potatoes. The battle scenes, which should be the high point, appear staged for cartoonish effect. Every shot brings down an "Injun", while the blue coats crack jokes. But never mind since the Navajo chief forgives all by film's merciful end. Then there's the incessant top-of-the-lungs music that blends with events about as well as gravy on nuts. The movie's most interesting part is guessing where the next stock footage will come from as the Indians attack over what appears three southwestern states. I'm just sorry such capable performers as Donlevy, Grey, and Young got caught up in the nonsense. Then too the script does the cavalry few favors, the poker game portraying the rank and file as near idiots. Still, it's good to know that even a 300-pound specimen like Andy Devine has a place as a first-sergeant. Anyhow, kids might enjoy the silly humor and cartoonish violence, but first, parents have to get past that dubious title.
Leonard Maltin must have delicate ears. He called 1951's "Slaughter Trail" soundtrack "indescribably awful." Something "indescribably awful" to hear is a Siamese cat giving birth. The soundtrack is like the Sons of the Pioneers with below-par lyrics, with an occasional zinger mixed in.
This is a sublimely stupid Western, where the "Indians" wear obvious wigs, the makeup people painted their chests but forgot their backs, the soldiers throw up their arms and fall and die before the sound effects tell the viewer they've been hit, the leading lady smooches with a highwayman and her very obvious lipstick is on his face and yet nobody comments on it. When asked if anyone was killed during a robbery, Andy Devine says "just the stagecoach driver. No one important"(!?)
Another line that seems to indicate the film was meant as a satire (or maybe just poorly written). Devine asks if an Indian had been hit. Soldier: "No, but he won't be riding a horse for a longgg time." I'd pass on this one. The western genre was big in the 50's because so many social issues could be discussed in the context of the old west rather than cause controversy by discussing them in a modern setting. But then there was always a film just trying to make a buck off the popularity of the genre. This is one of those films.
This is a sublimely stupid Western, where the "Indians" wear obvious wigs, the makeup people painted their chests but forgot their backs, the soldiers throw up their arms and fall and die before the sound effects tell the viewer they've been hit, the leading lady smooches with a highwayman and her very obvious lipstick is on his face and yet nobody comments on it. When asked if anyone was killed during a robbery, Andy Devine says "just the stagecoach driver. No one important"(!?)
Another line that seems to indicate the film was meant as a satire (or maybe just poorly written). Devine asks if an Indian had been hit. Soldier: "No, but he won't be riding a horse for a longgg time." I'd pass on this one. The western genre was big in the 50's because so many social issues could be discussed in the context of the old west rather than cause controversy by discussing them in a modern setting. But then there was always a film just trying to make a buck off the popularity of the genre. This is one of those films.
There are some good things to say about "Slaughter Trail." For instance, seeing Brian Donlevy and Gig Young in an oater IS different. But the annoying song that runs throughout, seems to have been written by a third-grader. There is much use of stock footage for the Indian wars, and the plot is predictable and pedestrian. This one is very easy to pass up.
After robing a stage coach. Three bandits shoot some Indians for their horses and from their actions. The Indians of that area break a peace treaty and go on a war path, until they get there hands on those three men. Capt. Dempster learns of the breakdown in relationship with the Indians and tries to convince the Indian Chief that those men would be brought to white-man's justice, but they want to hand out their own justice.
What makes this one stick out from the textbook examples of cheaply done Hollywood westerns is the filming device of using a rumbling ballad to link the film's generically straight-forward narrative together. It's an unique novelty and was worked in accordingly, but I did find it to get rather distractingly tiring. In all "Slaughter Trail" is an earnestly tempestuous and rugged western outing. The story's outline might have been done to death, but its still in certain patches it manages to provide a breath of fresh air to the project. A causal flowing script kicks up snappy dialogues and hammers in some amusing comical elements too. Irving Allen's zippy direction never lets the pacing get bogged down and provides some scope on its location photography. Cinecolor gives the film a suitably penetrating colour scheme and the musical score stays lively throughout. While, the final battle sequence is an excitingly well done display. The performances are pretty solid and reasonably likable from the main players. Brian Donlevy is unshakably stout as the part of Capt. Dempster. Virginia Grey is delightfully strong in her role as Lorabelle Larkin. Andy Devine is having a good time. While Gig Young and Terry Gilkyson churn out good performances too.
I thought it was a curiously decent b-grade effort, but couldn't help but get that feeling. I probably would've got something more out of it when I was that kid who loved to watch cowboys and Indians. Not easy to come by, but worth a look for fans of the genre.
What makes this one stick out from the textbook examples of cheaply done Hollywood westerns is the filming device of using a rumbling ballad to link the film's generically straight-forward narrative together. It's an unique novelty and was worked in accordingly, but I did find it to get rather distractingly tiring. In all "Slaughter Trail" is an earnestly tempestuous and rugged western outing. The story's outline might have been done to death, but its still in certain patches it manages to provide a breath of fresh air to the project. A causal flowing script kicks up snappy dialogues and hammers in some amusing comical elements too. Irving Allen's zippy direction never lets the pacing get bogged down and provides some scope on its location photography. Cinecolor gives the film a suitably penetrating colour scheme and the musical score stays lively throughout. While, the final battle sequence is an excitingly well done display. The performances are pretty solid and reasonably likable from the main players. Brian Donlevy is unshakably stout as the part of Capt. Dempster. Virginia Grey is delightfully strong in her role as Lorabelle Larkin. Andy Devine is having a good time. While Gig Young and Terry Gilkyson churn out good performances too.
I thought it was a curiously decent b-grade effort, but couldn't help but get that feeling. I probably would've got something more out of it when I was that kid who loved to watch cowboys and Indians. Not easy to come by, but worth a look for fans of the genre.
Le saviez-vous
- AnecdotesAccording to Turner Home Entertainment, the film's original negative was lost and since the original Cinecolor could not be adequately reproduced, the VHS edition was in black and white. However, whenever it is broadcast on TCM, it is telecast in acceptably good Cinecolor, apparently from an original 35mm print.
- GaffesWhen Ike Vaughn (Gig Young) flees the fort with young Nancy Dempster, he runs and jumps on his horse and rides out of the fort through the open gate, supposedly holding Nancy all the time with his left arm. But the action is rather violent, and from the way he holds Nancy, you can only see her back. But her arms and legs flop around like a rag doll, which is clearly a prop and not the real girl.
- Citations
Woman Dancer: You know, I can look into your eyes and see you have led a gay, romantic life. If I'm not too personal, what do you do for a living?
Rufus Black: I sell coffins!
- Bandes originalesThe Girl in the Wood
By Terry Gilkyson and Neal Stuart
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El sendero de la muerte
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 18min(78 min)
- Rapport de forme
- 1.37 : 1
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