Le justicier de la sierra

Panhandle, B western for Allied Artists stars Rod Cameron as a fugitive in Mexico who when he finds out that his brother has been killed in the Panhandle area of Texas right on the Oklahoma line comes north to settle accounts. The bad guy here is Reed Hadley who is the town boss where the brother was a crusading newspaperman.

Cameron has two women vying for him as well, Cathy Downs and Anne Gwynne. Both aid him at crucial times in his quest.

Hadley is one slick article however and he's got a lot of gunslingers on his payroll. One of them is future producer/director Blake Edwards who plays a punk gunfighter working for Hadley. Edwards also co-wrote Panhandle

Another reviewer compared Cameron's character to some of Clint Eastwood's heroes. I certainly haven't seen that kind of speed with a gun outside of such Eastwood classics like High Plains Drifter. Edwards and Cameron seem to be decades ahead of their time.

This is a B western, but it's pretty grim stuff, not at all like a Gene Autry or Roy Rogers Republic western. No real production values and Rod's speed is a bit unreal, but the film is nicely acted and not for the Saturday matinée crowd.

Panhandle is directed by Leslie Selander and written by John C. Champion and Blake Edwards. It stars Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne, Blake Edwards, Dick Crockett and Rory Mallinson. Music is by Rex Dunn and cinematography by Harry Neumann.

John Sands (Cameron) has to return to his gunfighter ways when news reaches him that his brother has been murdered...

Filmed in Sepiatone and a little more serious than many other 1940's Westerns, Panhandle is a satisfying experience for genre enthusiasts. Formula is rife as we would come to know it in Oaters, though, as picture ticks off the check list: badman turned good who is forced to turn bad again for revenge, romance tingling in the air, quick draw shoot-outs, punch-up, weasel villain and his hired cronies, poker games with the inevitable cheat called out and the "hooray" finale. All of which is nicely directed and performed by the cast. The location scenery doesn't get much chance to shine through, and in truth the Sepiatone does little to improve the picture, but this is easily recommended to the Western faithful. 7/10

Blake Edwards is best known for writing and/or producing and/or directing Pink Panther movies and "Victor/Victoria" but he also has 32 acting credits, most in uncredited parts.

But in "Panhandle," he plays a slimy, neurotic gunsel who simply itches for a chance at the hero, played by Rod Cameron.

Edwards is just one of the superior actors who play the bad guys, led by that marvelous and well-rounded Reed Hadley, possessor of one of the greatest voices in show biz history. And who also played heroes, from Zorros to Public Defender.

There is an astonishing cast in "Panhandle." I mean, when Trevor Bardette, Lee "Lasses" White, Neal Hart, and Herman Hack are all uncredited atmosphere, you know there is a great bunch who are credited.

There are two leading ladies: Cathy Downs, lovely and well cast, and Anne Gwynne, adorable and feisty.

Blake Edwards and John C. Champion are credited as co-writers and they have produced a top-quality script, with one flaw: Veteran gun-slingers would immediately re-load after firing, even if they had a second, or third, pistol. Our hero didn't.

It's a common error, and probably most people wouldn't notice since it is so common. Otherwise, the writers and director Lesley Selander did a good job of paying attention to details.

For one thing, when someone asked directions, he said "thank you," and there were other, similar touches making this look and feel realistic.

Finally, Rod Cameron: He was another varied and talented actor. He doesn't get the credit he deserves. He played this part, though, beautifully, always showing just the right emotion or attitude appropriate to the situation.

He had a long career and even late in life got called on for TV parts, so he did get some credit within the industry, and he certainly has many fans among us Western aficionados.

I highly recommend "Panhandle," and there is an excellent copy at YouTube, with, interestingly, the credits in Spanish.

"Panhandle" is a B-western from Allied Artists...the same company formerly known as Monogram Pictures. I am not sure of the name change and assume it was simply because Monogram had a pretty poor reputation and the name change would possibly evoke more positive imagery to the consumer. However, despite this, "Panhandle" was actually a pretty good film...better than I expected.

John Sands (Rod Cameron) was a feared gunman long ago. However, he tired of the life and retired to a small border town. But this quiet life is interrupted when he learns that his brother was murdered in another town. And, when he arrives in the town, he realizes NOTHING is done without the local boss' permission. In other words, Matt Garson (Reed Hadley) is clearly behind his brother's murder. But since he's the boss, he has lots of men to go through and John will sure have a difficult time getting to him.

Apart from one woman who is inexplicably nasty towards a poor Mexican guy, the acting was very good and the villain easy to hate. I also thought Cameron and the fight scenes were done very well. I have no major complaints about the story and it held my interest throughout.

I know nothing about Director Leslie Selander, but in PANHANDLE he gets a catchy film going on a constantly calm note, until the final deluge and shootout.

He is most calmly helped by the rather laid back and softly singing Rod Cameron, one of the tallest male actors to appear in B Westerns and this time out to avenge his brother's murder. Two beautiful females in Cathy Downs and Anne Gwynne do not hurt one bit.

Reed Hadley plays the master villain Garson rather convincingly, down to thinking that he is the sharpest knife in town and claiming that he makes no mistakes. Of course, such overconfidence seldom bodes well for one's safety, as Garson finds to his cost.

Cinematography in PANHANDLE is rather curious: it features some gorgeous sights as John Sands escapes a trio of killers early on, then it gets rather dark inside the villain's saloon, and finally it is shot in near complete blackness and under a deluge of rain. Sadly the quality of photography decreases as the screen gets darker and darker.

All right script by Blake Edwards (of later Pink Panther fame) and Champion.