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IMDbPro

Meet Boston Blackie

  • 1941
  • Approved
  • 1h
NOTE IMDb
6,6/10
739
MA NOTE
Rochelle Hudson and Chester Morris in Meet Boston Blackie (1941)
ComédieCriminalitéDrame

Ajouter une intrigue dans votre langueWhen a murder occurs on an ocean liner docked in New York, the trail leads to Coney Island and a spy ring.When a murder occurs on an ocean liner docked in New York, the trail leads to Coney Island and a spy ring.When a murder occurs on an ocean liner docked in New York, the trail leads to Coney Island and a spy ring.

  • Réalisation
    • Robert Florey
  • Scénario
    • Jay Dratler
    • Jack Boyle
  • Casting principal
    • Chester Morris
    • Rochelle Hudson
    • Richard Lane
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    739
    MA NOTE
    • Réalisation
      • Robert Florey
    • Scénario
      • Jay Dratler
      • Jack Boyle
    • Casting principal
      • Chester Morris
      • Rochelle Hudson
      • Richard Lane
    • 26avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos8

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    + 2
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    Rôles principaux34

    Modifier
    Chester Morris
    Chester Morris
    • Boston Blackie
    Rochelle Hudson
    Rochelle Hudson
    • Cecelia Bradley
    Richard Lane
    Richard Lane
    • Inspector Faraday
    Charles Wagenheim
    Charles Wagenheim
    • The Runt
    Constance Worth
    Constance Worth
    • Marilyn Howard
    Jack O'Malley
    • Monk
    George Magrill
    George Magrill
    • Georgie
    James Seay
    James Seay
    • Mechanical Man
    • (as Michael Rand)
    Harry Anderson
    • Dart Game Barker
    • (non crédité)
    Sam Bernard
    Sam Bernard
    • Telescope Man
    • (non crédité)
    James Blaine
    James Blaine
    • Police Captain
    • (non crédité)
    Harry Bowen
    Harry Bowen
    • Hot Dog Vendor
    • (non confirmé)
    • (non crédité)
    Stanley Brown
    Stanley Brown
    • Max - Police Lab Technician
    • (non crédité)
    Eddie Fetherston
    • Freak Show Barker
    • (non crédité)
    Budd Fine
    • Police Officer
    • (non crédité)
    Richard Fiske
    Richard Fiske
    • Police Officer
    • (non crédité)
    Byron Foulger
    Byron Foulger
    • Blind Man
    • (non crédité)
    Jack Gardner
    • Tunnel of Horror Barker
    • (non confirmé)
    • (non crédité)
    • Réalisation
      • Robert Florey
    • Scénario
      • Jay Dratler
      • Jack Boyle
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs26

    6,6739
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    Avis à la une

    7utgard14

    "Enemy to those who make him an enemy, friend to those who have no friend."

    Returning to America from Europe via ocean liner, notorious jewel thief Boston Blackie (Chester Morris) gets mixed up with a murder, a spy ring, and someone called The Mechanical Man. The first of Columbia's Boston Blackie series of B detective movies. I say detective because, despite Blackie being a jewel thief, he spends every movie solving crimes and helping people out. Usually he's the one accused of the crime and in order to prove his innocence, he must figure out the real culprits. Richard Lane plays Inspector Faraday, the cop forever on Blackie's trail who likes him despite their being on opposite sides of the law. Charles Wagenheim plays Blackie's sidekick Runt. George E. Stone would play the role later and was much better-suited for the part than Wagenheim. Rochelle Hudson and Constance Worth provide the pretty in this first film. The Blackie series always had lovely actresses. Fun start to a great series.
    csteidler

    Wit to spare

    When Boston Blackie leaves a room, he likes to leave a witty note for Inspector Faraday—written in soap in large letters across a mirror. I have to admit—ever since seeing this movie, I've been looking for an opportunity to leave somebody a soap-on-mirror note. That Blackie is indeed an irresistible character, a sharp wit who leaves a clean but clever mark.

    Chester Morris is excellent in that title role—fast moving, confident, a magician and a sleuth. And possibly a jewel thief…though in this film we never really know that for sure.

    Richard Lane is also strong as the police inspector who is Blackie's dedicated stalker, friendly rival or both. Blackie always outwits the inspector but never makes him look stupid; Inspector Faraday vows to catch Blackie and lock him up but never resorts to dirty tricks and is not grudging in his respect for Blackie's nerve, expertise and luck.

    Rochelle Hudson is very good as Cecilia Bradley, properly impressed by this man Boston Blackie who essentially hijacks her car but does it in a very dashing manner. Hudson is just right, actually—romantically interested, yes, but still plenty sharp enough to follow events and lend assistance as needed. Her smart and attractive performance hits just the right notes.

    Good script, excellent pace, just the right amount of humor…oh, and all the standard amusement park elements, including a Mechanical Man who figures snugly into the plot. A top notch series opener all the way!
    7whpratt1

    Train trip to Valley Stream, L.I., NY

    Always like Chester Morris, (Boston Blackie) who made sixteen (16) of these films and also was Boston Blackie on the radio during the 1940's. In this film Boston Blackie takes a cruise and winds up with a corpse in his stateroom and finds himself being arrested many times by Inspector Farraday (RIchard Lane) and also handcuffed over and over again. In one scene Boston Blackie takes the driver's seat of an auto owned by Rochelle Hudson, (Cecelia Bradly) who is very attractive and proceeds to drive the car onto a train traveling to Valley Stream, Long Island, New York. In the next scene he winds up in Coney Island in Brooklyn, N.Y. where he gets involved with a spy ring with Inspector Farraday always trying to arrest poor Boston Blackie who was an ex-con for being a safe cracker years ago. These Boston Blackie films were usually shown as a double features in the movie houses on Saturday nights during the 1940's. Enjoy
    7AlsExGal

    Chester Morris makes this series worth watching

    I actually like some of the later Boston Blackie films better than this one, but it is a good enough opener to the series. Chester Morris usually played a hard-boiled tough guy whether he was portraying an actual criminal or just a remorseless cheating husband as he was in "The Divorcée". As Blackie he shows a good bit of finesse and range - he admits he was a thief, and apparently one that has never really been caught, but now he's going straight. He's tough when he has to be, he's a friend when he can be, a ladie's man when he gets the opportunity, and honest if possible. He is even trusted by Inspector Faraday, his nemesis, to not run away if he promises that.

    This opener to the series has a patriotic theme, with Blackie's chivalry on board an ocean liner leading to the infiltration of a nest of spies. Made shortly before the beginning of World War II, a conflict that most people saw coming, movies with patriotism and spies were common up to two years before Pearl Harbor. I didn't find the story or Blackie's romantic lead particularly interesting, but I love watching Chester Morris at work here. Plus the other characters are fun too.

    In particular, Charles Wagenheim as "the runt" manages to be Blackie's trusty if not very helpful associate who is reliable comic relief without becoming whiny or annoying. Inspector Farraday is no Keystone Cop, but I would think after the first half dozen times Blackie solves the crime, gift wraps the criminals, and hand delivers them to the precinct door, Farraday might begin to believe Blackie had changed.

    Highly recommended as an entertaining vehicle for an underrated actor - Chester Morris.
    8Mike-764

    Movie Audience, Boston Blackie.... Boston Blackie, Movie Audience

    Blackie arrives back in the US (via steamer) only to find himself in trouble with the law again when he finds a corpse, Martin Vestrick, in his stateroom. Blackie trails Marilyn Howard, who was seen with Vestrick by Blackie and Runt on the ship, to Coney Island where a group of spies meet at the freak show exhibit. Marilyn is later killed when she goes on the Tunnel of Horrors ride with Blackie, and the same killers go after our hero. Blackie forces a ride with Cecelia Bradley, an innocent bystander, and the two manage to elude the killers. Inspector Faraday, in the meantime, goes after Blackie for the murder of Marilyn, while Blackie, Cecelia, and the Runt try to unravel the spy activities at the amusement park. Nice opening to this 14 film series, with Chester Morris providing the jovial attitude seen in his other movies and beneficial to the character (also nice to see some of Morris' magic tricks as well). Rochelle Hudson was very beautiful here and lent fine support. I was impressed with Florey's direction and Planer's camera-work giving us some interesting perspectives and camera angles. My beef with this film was that there was little action with the villains in the movie, seeing the case from Blackie's perspective. Next film in the series: Confessions of Boston Blackie. Rating, 8.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was the first in a series of Boston Blackie films starring Chester Morris and was sufficiently popular to spawn 13 more hour-long pictures released by Columbia from 1941 to 1949. Most of the films in the series worked on a twelve day schedule.
    • Gaffes
      At 42.58 Farraday and a uniformed officer arrive at Blackie's apartment building, with Blackie right behind them. At 48.26 the officer is looking out a window to the street with Blackie driving off, but the police car is gone.
    • Citations

      Cecelia Bradley: Who are you, or who do you think you are ?

      Horatio 'Boston Blackie' Black: At the moment, I'm a fugitive from an autopsy.

    • Connexions
      Followed by Confessions of Boston Blackie (1941)
    • Bandes originales
      Santa Lucia
      (uncredited)

      Traditional Italian folksong

      Played as backround music at the amusement park

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    Détails

    Modifier
    • Date de sortie
      • 20 février 1941 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Rasto nas Trevas
    • Lieux de tournage
      • Coney Island, Brooklyn, Ville de New York, New York, États-Unis
    • Société de production
      • Columbia Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h(60 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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