L'échappé de la chaise électrique

This is the story of Dynamo Dan, a sideshow worker who does a faked electrical act. Perhaps because of this he's the only survivor when a bus he's on slams into a high tension tower and all the passengers are killed by the electricity. Dan ends up working with Lionel Atwill a mad scientist trying to make electrified super humans.

Yes, its as corny as it sounds but then so are the Frankenstein films. Corny or no the film is a great way to spend an hour of your time on a rainy night.When most people think of the Universal horror films in the 1930's and 40's they tend to think of the Frankenstein/Dracula/Wolfman movies forgetting or unaware that Universal turned out a a number of very good second tier horror films at the same time. This is one of them.

Warning: do not confuse this with The Indestructible Man which has a similar plot line but which is not particularly well made.

8 out of 10 on a rainy night with the lights off and your best honey by your side.

MORD39 RATING: *** out of ****

This was Lon Chaney, Jr.'s first "monster" movie, from the same director who would later helm THE WOLF MAN, Chaney's most popular flick of all. MAN MADE MONSTER is highly entertaining and enjoyable. It contains all the elements of a good, solid horror film.

Lionel Atwill is at the top of his game as an insane doctor trying to create an army of electrically charged zombie-men. He finds the perfect subject in the sweet and gentle Chaney, a sideshow attraction famous for demonstrating his immunity to electricity.

Lon's performance echoes his acclaimed role of "Lenny" from 1939's OF MICE AND MEN. He comes off as a likeable but gullible lug. He was always best as an actor when conveying pathos or brutish strength.

The pace of the film is quick and easy, and the Universal music adds spice to an already competent thriller. It's a fun hour or so that fans of early horror films do not want to miss.

1941's "Man Made Monster" is noteworthy for a number of reasons, chiefly that this was the Universal feature debut for Lon Chaney Jr. (previously used only in a couple of serials). Having scored an acting triumph just twelve months earlier in "Of Mice and Men," the Chaney name had become a bankable one for a studio hoping to replace the departed Boris Karloff, Bela Lugosi never even considered. Intended to be a Karloff-Lugosi followup to "The Invisible Ray" (John P. Fulton's glowing effects retained from that film), Chaney plays the sympathetic role earmarked for Boris, but tailored more to Lon's strengths, while top billing was accorded to Lionel Atwill, essaying Lugosi's role, in what Forrest J. Ackerman astutely described as 'the maddest doctor of them all.' So frequently shunted aside in supporting parts thereafter, Atwill truly revels in some ace scenery chewing; in one scene, Lon asks about the now missing test rabbit: "oh, he worked yesterday!" It would be difficult to imagine Boris Karloff as an ordinary Joe performing electrical tricks for 'yokel shockers,' so completely does Chaney inhabit this good natured, unsuspecting dupe, Dan McCormick, having survived an accident that left all other passengers dead, now utilized as the perfect guinea pig for the power hungry experiments conducted by Atwill's Dr. Paul Rigas. This would be the last time Atwill enjoyed top billing in any Hollywood picture, and though he did future mad doctors in "The Mad Doctor of Market Street," "The Ghost of Frankenstein," and "Pardon My Sarong," he never again showed such a devious glint in his eyes. Perfectly cast are lovely Anne Nagel, female lead opposite Lugosi in "Black Friday," and dependable Samuel S. Hinds, always believable no matter what the dialogue. Still, after nearly a decade in Hollywood, mostly in bit parts, this must have been a revelation for Lon Chaney, who had done only "One Million B. C." and "North West Mounted Police" since his triumph as Lennie Small; apparently studios were still unsure of his overall talent. Luckily, Universal allowed him to broaden himself as their resident horror star during the prolific WW2 years, the busiest period of his career, and one where he made many lifelong friends. Included in Universal's popular SHOCK! package of classic horror films issued to television in the late 50s, "Man Made Monster" surprisingly appeared only four times on Pittsburgh's Chiller Theater- July 29 1967 (preceded by 1935's "Bride of Frankenstein"), Mar 17 1973 (followed by 1962's "The Horrible Dr. Hichcock"), July 27 1974 (preceded by 1965's "Women of the Prehistoric Planet"), and Jan 21 1978 (following 1955's "Invasion of the Body Snatchers").

Man Made Monster is directed by George Waggner and stars Lionel Atwill, Lon Chaney Jr & Anne Nagel. It's adapted from an original story titled "The Electric Man" which is co-written by H.J. Essex, Sid Schwartz & Len Golos. It is notable for being the first horror venture for Chaney Jr who would make his signature horror movie "The Wolf Man" the same year. Plot sees Chaney as "Big Dan" McCormick, the sole survivor of an electric train wreck. That all the other passengers were killed by electrocution fascinates the sci-fi boffins, particularly diabolic Dr. Paul Rigas (Atwill), who coerces Dan into a series of tests. The outcome of which will spell disaster as Dan absorbs huge levels of electricity and becomes immune to it. Soon Dan will become the unstoppable Electric Man.

Universal's "Man Made Monster" has no pretence what so ever, it is what it is, a short sharp shock shocker that plugs itself into the mains and lights up the screen for the 1 hour running time. Which in the case of the excellent Chaney Jr is actually the case, as he is transformed into a hulking, walking light bulb head that garners sympathy in the way that Universal's other man made monster did. The photography (Elwood Bredell) is moody and atmospheric, Hans J. Salter's musical score delightfully oozes familiar Universal values, while Waggner and his team, when one considers the short running time, do very good work on the characterisations - with Atwill given full license to be bonkers - real bonkers...

It's all very conventional in the grand scheme of Universal horror. Monster elicits sympathy, a foxy lady in the mix (Nagel), mad scientist, dashing hero type (Frank Albertson) and here we even have the intelligent pet. There's some smarts in the writing as the makers observe capital punishment and note man messing with things he probably shouldn't be. But really just don't go too deep with it and enjoy a solid little chiller that's boosted by John Fulton's first rate special effects. 7/10

Big Dan McCormick survives a bus accident that is hit with electricity only to end up being the guinea pig for two scientists...one a good man who wants to investigate McCormick's immunity to electrical currents for the benefice of mankind and the other who wants to make McCormick the prototype of his super human electrical men army that only he is able to control. Lon Chaney, in his first horror film for Universal(Well, after all everybody else mentioned it so why not me?), does a good job doing another variation of Lenny from Of Mice and Men being the simple man who is tricked and coerced by the evil scientist. The evil guy is played with relish and finesse than none other than Lionel Atwill. Atwill plays the man with a degree of enlightened insanity. Lionel Atwill played evil scientists better than anyone else for my money. He enunciates his words with delicacy while all the time looking through those snake-like eyes. The special effects and direction in this one are pretty good and the film is very enjoyable.