La vie commence pour André Hardy

Although I have enjoyed every Andy Hardy movie that I have seen, this is probably my favorite entry in the series. It is admittedly a departure from the usual light-hearted comedy of the Hardy movies, but in this case, it works.

In the film, Andy leaves his sheltered small-town life for the city of New York in order to decide whether he wants to go to college or directly join the professional ranks. Andy's dilemma hit home with me when I first saw this film a few years ago since it was a decision that I was facing myself. Many younger viewers will probably be able to relate to the issues and problems that Andy must deal with as he attempts to make the transition from carefree adolescence to adulthood.

Mickey Rooney gives a good performance as Andy Hardy, as does Judy Garland in the role of Betsey Booth. This picture is not as cheerful as most entries in the series, but the most melancholy aspect of this film is the fact that it is Garland's last appearance as Betsey. Betsey is one of the most entertaining characters in the series of movies, and it's unfortunate that she only appears in three of the films.

Overall, this is a very good, although different, entry into the Andy Hardy series of movies.

Betsy Booth (Judy Garland) is still obsessed with Andy Hardy (Mickey Rooney). The Judge advises college to study law but Andy wants to get a job in New York City. He heads off with Betsy by his side but he still treats her as a kid. In the city, he sets his sight on receptionist Jennitt Hicks. He befriends terribly troubled Jimmy Frobisher.

It's the 11th installment in the Hardy family franchise and the last one with Judy Garland. The franchise missed a golden opportunity to make Judy a permanent part of the family. With the way Andy treats Betsy, I fully support her getting a fresh start away from him. He really needs to evolve his feelings for her or set her free. I'm guessing that they would eventually get there but Judy is way too big at this point. The franchise needs to either transition to a duo or she can't waste her time.

I am trying to rack my brain if this is the first death in the series. It seems to be trying for some darker tones. The night with Jennitt really surprised me. It's very adult and out of place for the franchise. This seems to be a fork in the road for the series in more than one way.

Life Begins for Andy Hardy (1941)

*** (out of 4)

Eleventh film in the series is a pure delight as Andy (Mickey Rooney) decides to put off going to college even though Judge (Lewis Stone) feels that would be his best bet. Instead Andy travels to New York City to get a job and see what all life has to offer. He meets up with his old friend (Judy Garland) but quickly falls for a woman (Patricia Dane) who might not have his best interest in mind. I've read some critics who said this series handled dark subjects too lightly and perhaps that's true but that doesn't apply here. This film really shocked me at how mature it was and it even hit some rather dark subjects including suicide and what really makes a man. The movie has plenty of great laughs, some wonderful performances and an all around charm that makes this irresistible to fans of classic cinema. I'm still rather new to the series but the chemistry between Rooney and Stone is just marvelous and the two really come off as a real father and son. I'm not sure if it was just luck or if the two actors really did their homework but they are perfect together and really seem to know how to work off one another. This is certainly true during a brief scene at a table after Judge has come to visit Andy at work. The supporting cast is equally good and that includes Garland in her third and final appearance in the series. I've read she had four songs cut from the film but she doesn't have too much to work with except playing shoulder to Andy. Dane is the one who really surprised me because I thought she made for an excellent femme fatale years before that term would really take off. I think even those who aren't fans of the series would get a kick out of this one because it really does bring those "coming of age" issues up front and looks at them in a pretty serious manor. Even though there are laughs scattered throughout, for the most part the film is looked at in a serious way and this is a major plus.

The darkest of the Andy Hardy films, "Life Begins" is a startling departure from the usual small-town antics of young Hardy.

Andy decides to move to the big city rather than attend college. There, he discovers the harsh realities of finances, unemployment, and lack of a support system. But it's his choice to eschew the support of family and his friend Betsy (Judy Garland). He struggles, but sticks to his principles.

Judy Garland's part is smaller than originally intended, but she is splendid in her role. The real surprise of the film is Patricia Dane who plays Jennitt Hicks, an experienced woman of the city who helps him find a job. Miss Dane's striking presence on screen had me wondering why I was not familiar with her film work. A review of her bio revealed that her career was brief and controversial, and unfortunate.

The Andy Hardy films often discuss the concept of becoming a man. This film addresses the real meaning of manhood in direct and sophisticated ways. Though Andy retains his boyish charm, he certainly crosses a threshold in this film.

As with all the films in this series, there are morals to learn, but they are not as simplistic or obvious.

The film suffers from competing concepts that result in a schizophrenic story and unrealized potential, but the remaining elements are still interesting, especially those involving Miss Dane.

If one accepts the proposition that life really does begin a high school graduation than Life Begins For Andy Hardy in this film. This marked the third and last appearance of Judy Garland in the Andy Hardy series as Betsy Booth.

Mickey Rooney has just graduated high school and he's been offered a scholarship at Lewis Stone's old alma mater. But as he always is in these films, the Mick's at loose ends and he wants to go to New York to experience life. He and Polly Benedict have once again broken things off so Judy Garland does have a shot with him.

But Mickey's wanting to be independent and not sponge off Judy Garland's hospitality. He gets a room at a male single's hotel and actually meets the guy he inherits the room from, Ray McDonald a talented dancer. Mickey goes looking for a job and eventually does get hired as an office boy in a brokerage firm. That's through the intervention of Patricia Dane who figures he might be good for a fling.

With Polly Benedict in Carvel which you know will get going in the next film of the series, Betsy Booth in New York, and Patricia Dane leaving him with his tongue hanging out, Mickey Rooney is once again in romantic complications. Of course these are all typical for an Andy Hardy film.

What's not typical is someone dying in the film. Ray McDonald who was supposed to commit suicide because of his despondency at not finding work of his choosing had his death changed to heart failure. That was a bit freaky because Ray McDonald, a most talented dancer with his sister Grace died of just that at the age of 37 in the Fifties. Mickey dealing with that was definitely a growing up experience.

One thing I really did like was as McDonald and Rooney are discussing their lack of job prospects, Mickey starts thinking back to some of his high school friends who were working and he comes to the conclusion that these kids knew what they wanted at an early age and were career oriented which he wasn't. I know I wasn't when I was in school and that's something that is desirable, but it doesn't occur in a lot of us. Hopefully the kids in 1941 watching this film took note and it ain't a bad lesson for today.

Judy Garland had a bunch of songs written for the film and they all ended up on the cutting room floor. That's my big complaint with Life Begins For Andy Hardy. I'll bet the movie-going public was disappointed in 1941 when Judy did not offer a note.

In the Citadel Film Series Book, The Films Of Judy Garland L.B. Mayer said this was the best of the Andy Hardy series. It might have been better if Judy's songs had been left in, but it's a bit more serious than most of the Hardy series and holds up well.