La vipère

As the greedy, conniving Regina Giddons, Bette Davis gives a fascinating performance which ranks with her very finest. Tallulah Bankhead had her greatest stage success playing Regina on Broadway in 1939. Wyler wanted Davis to portray Regina with a more sympathetic "hot house" flavour, but Bette was adamant that the character was a witch in spades: the resulting performance is striking. Regina Giddons is a classic example of a character movie viewers love to hate. Carl Benton Reid is great as the equally greedy brother and Dan Duryea is fine as Leo the crumb. As Alexandra, Teresa Wright is almost annoyingly innocent in the beginning, but she wisens up considerably towards the end of the film: "Why, Alexandra, you have spirit after all. I used to think you were all sugar-water" says a frankly impressed Regina. As the alcoholic flibbertigibbet Birdie, Patricia Collinge is perfection personified: a truly memorable portrait brilliantly enacted. Herbert Marshall is fine as the tragically deceived Horace who shouldn't depend on his "lovely" wife to fetch his heart medicine for him. A magnificent example of a great play transferred to film, Wyler's guiding hand is patent throughout: they definitely don't make films like this anymore - no matter what the cost.

Superb playwright, Lillian Hellman (1905-84) wrote this screenplay for "The Little Foxes," saying that she "wrote her 'angry comedy' based on her own family's biannual dinner at which people drew lots for a diamond that had been left in her great-grandmother's estate." Hellman's first play for Samuel Goldwyn was "The Children's Hour." She was in lover with & influenced by author & screenplay writer, Dashiel Hammett. This later became a hit book, script & film based upon a 19th century case of two girls' school mistresses whose reputations were ruined when one of their pupils accused them of lesbianism. Hellman was not afraid to be controversial or write about the unspeakable truths of the day.

After a poor showing of Hellman's "Days to Come" in 1936, about labor struggles in an Ohio town, Hellman said she "was so scared {that she} wrote "Little Foxes, 1939, nine times." This is the script that made her reputation as a playwright famous. (Jane Fonda plays Lillian Hellman in the movie "Julia" a true story about her best friend, played by Vanessa Redgrave; Jason Robards plays Dashiel).

"The Little Foxes" is a vivid portrayal of sibling rivalry, Southern plantation slavery & most of all, greed in the Hubbard family of Alabama. The story takes place at the turn of the 19th-20th century, in the deep South of Alabama where the Hubbard siblings are involved in their own brand of a power-hungry uncivil war. Who better to play the reigning schemer Regina than Bette Davis, the Hubbard sibling who commands ownership of a cotton mill that exploits slaves while yielding millions of dollars on their bent backs? Davis gives another Oscar worthy performance, leading a near perfect cast through a major screen achievement that is a page in US history.

The DVD is almost 2 hours long & in black and white, with English, French & Spanish subtitles. The story is a bone chilling indictment of Alabaman slave plantation white corruption & greed.

No one should ever say that Lillian Hellman wasn't a controversial & highly political playwright! The film is not rated probably because anyone could watch it. Though I imagine it would bore little children since the play's basic themes are quite complex for adults.

I have been a fan of Bette Davis since I was a young child. Her riveting performance in this movie made me conscious of what a truly good actor can do. Regina (Bette) and her covetous brothers made the biblical passage "the love of money is the root of all evil" come to life.

The Little Foxes is an apt name. As animals Regina, Horace and Oscar not only would tear others to pieces to get what they want; they would eventually turn on each other to gain satisfaction.

The performance of Herbert Marshall made me immediately search for his other movies to view; I've not been disappointed. I am thankful his character was included to offset the viciousness of Regina and her brothers.

This film fully deserves its reputation as one of the most scorching dramas of greed and corruption ever placed on celluloid. A deceptively slow start soon draws into the machinations of the Hubbard clan whose brazen backstabbings and betrayals even today make our jaws drop. Davis' stunning portrayal of the supremely grasping Regina Giddens leads a stellar cast which does a superb job of delineating a finely drawn group of characters. Charles Dingle's deceptively warm smile masks the cooly intelligent deviousness of Ben Hubbard. Carl Reid's Oscar Hubbard is just as malicious but his inferior intelligence makes him yield to his brother's and sister's lead. Dan Duryea nicely portrays the imbecilic and immature Leo Hubbard, a characterization which borders on but never crosses over into comedy. Patricia Collinge breaks our hearts as the broken-spirited and alcoholic Birdie, Oscar's wife. Herbert Marshall's performance as the doomed Horace, Regina's husband, delineates the pain, anger, and sense of betrayal burning beneath his deathly illness. The star of the proceedings, however, is clearly Davis. Wyler's superb direction blends all these characters into a masterful whole.

Hellman's skill as a dramatist must be credited for much of this, but her Marxist inclinations clearly peep through the seams of the dialogue.

I'm glad I finally had a chance to see this undoubted classic. Thanks again to that great channel, American Movie Classics.

I always loved Lillian Hellman, way ahead of her time - she may have been controversial with powerful enemies and treacherous groupies but I'm always reminded of the stuff the lady was made of by going back to the letter she wrote to the House Of Un-American Activites that she wrote knowing that she was risking everything. She paid a heavy price but now we know who the real, patriotic Americans were - Lillian Hellman right up there - I saw The Little Foxes last night - first time in two decades - and I was enveloped in its relevance. Lillian Hellman herself wrote the screenplay based on her play about greed, the banquet of the 1 per cent and the blatant social injustice. Class, race and all the rest of it. As if that wasn't overwhelming enough, William Wyler and Bette Davis - what an brilliant combination - Davis was only 33 when she played Regina - Astonishing performance. This must be one of her very best, The film also has the extraordinary Patricia Collinge as Birdie and Teresa Wright. This is a film to visit and revisit for its historical relevance and cinematic brilliance