Divorce en musique

Robert Young, Ann Sothern, Eleanor Parker, Red Skelton, and Lionel Barrymore star in "Lady Be Good," a 1941 film about two married and then unmarried songwriters.

He (Young) writes the music, she (Sothern) writes the words, but once Dixie and Eddie Crane become successes, Eddie becomes a little taken with the Park Avenue set and Dixie, bored by the whole thing, suggests that they divorce. They do, but they soon find themselves working together again, and Eddie wants to re-marry Dixie.

Sothern sings beautifully, and Young has a pleasant voice as they croon their way through various songs. Sothern sings "You'll Never Know," and "The Last Time I Saw Paris," and Young duets with her in "Your Words and My Music" and "Lady Be Good." The film's real energy comes from Eleanor Parker, who is beautiful and does two terrific numbers, "Lady Be Good" with Buttons the dog, and "Fascinatin' Rhythm," choreographed by Busby Berkeley. Had this movie been better, you'd be seeing both her numbers in movie musical documentaries and film compilations today. They're terrific. The Berry Brothers are outstanding, and in the same section, do a phenomenal number.

Sothern is lovely and delightful as always, and Young is an affable leading man. I wish there had been more of a script for all this talent.

I found this musical with not many (or any) big production numbers until the end rather dull, despite the involvement of the great Busby Berkeley. It was a little odd to see Eleanor Powell shuffled off to a second-banana, gal-pal role, though she does eventually get her big dance number. MGM could load on the "more stars than there are in Heaven", couldn't they? Lionel Barrymore and Red Skelton have relatively minor roles in this one. I had to roll my eyes when Ann Sothern and Powell have just gotten back to their place straight from divorce court, and Robert Young calls, and they're like giddy teenagers. I mean, you just got divorced ten minutes ago and you're already trying to figure out how to win him back? Only in the movies ...

Eleanor Powell must be the greatest female dancer of all time. The camera movement and stage settings are unbelievable. TCM movies own some wonderful gems and Turner is a genius.

The quality of the print seems perfect. I saw only the ending and per the other comment I was blessed with a great trigger. The dance was long and interesting from the beginning. When EP started it was very subtle but nonetheless fascinating. Little clicks and hand motions lead me to believe she was just window candy but she progressed into an amazing routine with such complexity that you forget how intricate it was by virtue of the simple start. A camera change revels a new perspective that plays perfectly into the remaining steps. It's ends beautifully.

I have to give this film an eight simply because The Berry Brothers appeared in it (I love them - what incredible talent) which was pretty unusual for a 1940's "white" film, AND also because of the incredible, breathtaking, amazingly choreographed and executed dance sequences at the end of the film.

The film also has sublime bits throughout, such as the tap dances that includes Eleanor Powell tap-dancing with "Blackie," a captivating black and white terrier-mix dog, "Miss Deadpan" (Virginia O'Brien) who delivers her own style of comedic twists to the songs she sings in the film and, of course, Robert Young and Ann Sothern contribute their own charm to enrich the film.

TIVO the film and fast-forward to the song and dance numbers - they are worth the wait!

The fabulous tap dance and flash styling of the Berry Brothers is complimented by Eleanor Powell's beautiful tap and acrobatics. The Berry Brothers have never gotten the credit they deserved. Their artistry is something that has not been duplicated all these years later. From Tap Dance, Spins, Cane work to handsprings into splits, these men did it all! In this movie Eleanor Powell demonstrates she was one of the few women who genuinely deserved the solo spot in tap dancing. Musicals like this are sorely missed in today's entertainment. In the days this movie was produced, special effects, computer graphics couldn't take the place of talent. Truly a treasure of tap dance history. A must see for any tap enthusiast!!!