Un coeur pris au piège

Henry Fonda and Barbara Stanwyck light up the delightful Preston Sturges comedy, "The Lady Eve." Stanwyck plays a dual role as a con artist who falls for a mark, Henry Fonda, on board a ship and then, angry with his rejection of her, reappears in his life later as a member of the British upper class - you got it, the Lady Eve.

Fonda is hilarious as a clueless child of privilege. Always the most subtle, internalized of actors, his facial expressions are priceless, as is his slapstick.

The funniest scene takes place on a train when, as the train races along the tracks, Eve recounts her various love affairs while Fonda becomes more and more flummoxed.

Betty Grable got a lot of publicity for her legs, but Stanwyck's were the best, shown to great advantage here, as is the rest of her gorgeous figure. She's fantastic in this and has great chemistry with Fonda.

Stanwyck always creates a whole character, and she does here as well (in fact, two of them) as a woman who is smart, independent, vulnerable in love, and conniving when angry.

A great comedy, not to be missed.

A second viewing of this after many years has confirmed it as truly one of the great comedies. I don't think Sturges was ever better (although I haven't seen all his films), and certainly he was never blessed with a better star pairing than Fonda and Stanwyck, plus his usual wonderful array of character comedians in the supporting roles. A double bill of Eve with "Hail the Conquering Hero" reveals that, while both still have their charms, Eve can still have a theatre rocking with laughter, while Hero leaves them a bit cold with its descent into Capra-cornish patriotism and mother love.

The Lady Eve has one of my favourite performances ever from Henry Fonda, showing that his grave sincerity could serve screwball comedy equally as well as Fordian moral uplift. He takes some of the funniest deadpan pratfalls this side of Buster Keaton.

And of course Stanwyck is a delight ... and Charles Coburn ... and Eugene Pallette ... and William Demarest ... and ... and ... ssshhh ... Eric Blore.

If you've never seen it, give yourself a treat

This is an interesting combination of talents and material that works very well, thanks most of all to Preston Sturges's ability to create a distinctive feel to his pictures. "The Lady Eve" has many of the elements familiar to screwball comedy, and yet it is something a little different, a little more than the oddball characters and comical plot developments.

Barbara Stanwyck has quite an interesting role that allows her at times to assume several different personas. She shows good versatility, and effectively brings out the different sides of her character's nature. Henry Fonda works better than you would expect in such a comic picture. He is wisely used as a straight man most of the time, and even his occasional stiffness actually fits the role.

Much of the supporting cast gets only limited opportunities, but they are generally good also, especially Charles Coburn, who is perfectly cast as Stanwyck's shifty father.

There are many amusing moments, yet often with a current of humanity underneath. Sturges and the cast keep the laughs coming while also making sure that you care about the characters.

Fast-talking, quick-thinking, altogether delightful comedy from Preston Sturges, who also adapted the screenplay from Monckton Hoffe's original story. An elderly cardsharp and his equally crooked daughter, traveling in style by cruise ship from South America, zero in on their next victim--a handsome but somewhat unsteady ale-heir--but the daughter mixes business with pleasure and ends up falling for the lug. Barbara Stanwyck, with her crafty stare and sexy smirk, surprisingly doesn't run roughshod over articulate Henry Fonda, and they make a winning combination. Sturges' script blends grown-up jokes and conversation with pratfalls while never losing the filmmaker's graceful touch and innate sophistication. The results are amusingly frisky, prickly and unpredictable. *** from ****

The Lady Eve is one of the most memorable comedies of the golden age, and today it stands as a highly entertaining movie that has a lot of enjoyably dated comedy. Particularly hilarious are the scenes in which Stanwyck spills her life story to Fonda as they swoosh under the train tunnel, and the scenes in which the food trays keep spilling on Fonda. The performances are great, and though it seems more like Stanwyck falls for Fonda out of pity more than love, the two work well together. And Barbara Stanwyck in that black, bare-midriff dress is one of the most breath-takingly beautiful images ever to appear on the screen.