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Cinquième bureau

Titre original : International Lady
  • 1941
  • Tous publics
  • 1h 42min
NOTE IMDb
6,6/10
309
MA NOTE
Basil Rathbone, George Brent, and Ilona Massey in Cinquième bureau (1941)
CrimeDramaMysteryRomanceThrillerWar

Ajouter une intrigue dans votre langueThe film opens with a German air raid over the skies of London, and moves to the attempts of the F.B.I. and Scotland Yard investigators trying to circumvent the attempts of a sabotage ring d... Tout lireThe film opens with a German air raid over the skies of London, and moves to the attempts of the F.B.I. and Scotland Yard investigators trying to circumvent the attempts of a sabotage ring dedicated to impeding the flow of American airplanes and flying fortresses to Britain (on F... Tout lireThe film opens with a German air raid over the skies of London, and moves to the attempts of the F.B.I. and Scotland Yard investigators trying to circumvent the attempts of a sabotage ring dedicated to impeding the flow of American airplanes and flying fortresses to Britain (on FDR's Lend-Lease program since the United States was not yet at war with Germany and Italy.... Tout lire

  • Réalisation
    • Tim Whelan
  • Scénario
    • Howard Estabrook
    • E. Lloyd Sheldon
    • Jack DeWitt
  • Casting principal
    • George Brent
    • Ilona Massey
    • Basil Rathbone
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    309
    MA NOTE
    • Réalisation
      • Tim Whelan
    • Scénario
      • Howard Estabrook
      • E. Lloyd Sheldon
      • Jack DeWitt
    • Casting principal
      • George Brent
      • Ilona Massey
      • Basil Rathbone
    • 10avis d'utilisateurs
    • 3avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos11

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    Rôles principaux57

    Modifier
    George Brent
    George Brent
    • Tim Hanley
    Ilona Massey
    Ilona Massey
    • Carla Nillson
    Basil Rathbone
    Basil Rathbone
    • Reggie Oliver
    Gene Lockhart
    Gene Lockhart
    • Sidney Grenner
    George Zucco
    George Zucco
    • Webster
    Francis Pierlot
    Francis Pierlot
    • Dr. Rowan
    Martin Kosleck
    Martin Kosleck
    • Brunner
    Charles D. Brown
    • Tetlow
    Marjorie Gateson
    Marjorie Gateson
    • Mrs. Grenner
    Leyland Hodgson
    Leyland Hodgson
    • Moulton
    Clayton Moore
    Clayton Moore
    • Sewell
    Gordon De Main
    Gordon De Main
    • Denby
    • (as Gordon DeMain)
    Frederick Worlock
    Frederick Worlock
    • Sir Henry
    • (as Frederic Worlock)
    Bobby Barber
    Bobby Barber
    • Taxi Driver
    • (non crédité)
    Trevor Bardette
    Trevor Bardette
    • Krell, the Chemist
    • (non crédité)
    Lynton Brent
    Lynton Brent
    • Agent
    • (non crédité)
    Ralph Brooks
    • Party Guest
    • (non crédité)
    Frances Carson
    Frances Carson
    • Undetermined Secondary Role
    • (non crédité)
    • Réalisation
      • Tim Whelan
    • Scénario
      • Howard Estabrook
      • E. Lloyd Sheldon
      • Jack DeWitt
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

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    Avis à la une

    6AAdaSC

    Beware of the opera

    American George Brent (Hanley) and Englishman Basil Rathbone (Oliver) are on the trail of Nazi spy Ilona Massey (Carla). Massey is a classical music performer who gives instructions during her performances through the phrasing of her music. It's a code that Brent and Rathbone need to help to crack as every time Massey gives a performance, the Nazis score a successful military strike on the Allied Forces aircraft capacity.

    There is no mystery in this film as it is clear from the beginning that Massey is a baddie. This does not matter, though, as the film is fast-moving and keeps you watching. In fact, there may be a few sequences too many. The cast are good and it seems like a pilot film for a series starring Brent and Rathbone as they solve a different mystery together each week. It would have been a good idea as they have a chemistry that works between them. Massey reminded me slightly of Marlene Dietrich and her low-pitched voice is slightly freaky. I'm surprised that she didn't sound a bit more freakish when she sang.

    Unfortunately, the copy I watched was poorly taped off the TV and had serious sound interference throughout the whole film. Overall, the film entertains while it runs its course but there's nothing too special going on.
    9lora64

    Suspicion, intrigue and a touch of romance in film prior to WW2 years

    What a pleasant surprise to accidentally tune in to this movie on late night television, a film totally unknown to me.

    Ilona Massey is the sophisticated spy, Carla Nillson, in this suspenseful drama who succeeds in subtle deceptions throughout by camouflaging her real identity behind her singing engagements and exquisite good looks, a beauty that ordinarily puts her beyond suspicion. But it doesn't last. George Brent (as Tim Hanley) and Basil Rathbone (as Reggie Oliver) are federal agents who become alerted to her actions and pursue the trail of her activities.

    She displays a beautiful singing voice in a few instances. It's quite ingenious of her as a spy to pass on messages of important information through her singing in a foreign language for radio broadcast during an evening soirée. Her sheet music subsequently comes under considerable scrutiny, something about sabotage, etc. and is painstakingly dissected to break the code. And so the story unfolds. Eventually she is suspected of serious incriminating activity and must face the consequences.

    Ah, to be blonde and beautiful! I remember as a youngster seeing her in a comedy film where she was walking on an elevated fence wall with the wind blowing her evening gown seductively. I always thought of her as surrounded in mystery, such are the memories of a young mind.

    George Brent as always plays the suave romantic lead, attentive and caring. And leave it to Basil Rathbone to get caught up in the intrigue firsthand! It's nice to see a youngish Gene Lockhart, here as Sidney Grenner, involved in the plotting and scheming.

    The story does hold one's attention to the end, wondering how it will be resolved. All in all, a very good early movie prior to the onset of the war films that followed. Well worth watching.

    I can only wonder why they don't have this available on video. It would be great to have it in one's collection.
    8talltchr

    Serendipity

    I stumbled onto this movie on YouTube and was pleasantly surprised. At heart, it's a buddy flick with George Brent and Basil Rathbone double teaming George Zucco and Gene Lockhart. It's nice to see Rathbone in a light role; I wish he'd done more comedy. Remember him killing it in "The Court Jester?" George Brent was never exciting and I wonder at his success. But Ilona Massey made up for Brent's lack of appeal. The musical secret code is an ingenious plot device that affords us a couple of songs. There's also some nifty animation to demonstrate the code breaking. One final visual treat: we get to see the Lone Ranger without his mask. The young and very beefy Clayton Moore makes several entrances. Look fast!
    8SimonJack

    Nazi espionage film set in England and the U.S.

    This independent 1941 film has a sizable cast of known actors of the day. It's one of just a few films Hollywood made about Nazi espionage in the Americas. This flm is fictional, but German espionage was very real in the U. S. and Canada.

    "International Lady" was released in the U. S. and the UK in mid-October of 1941. The U. S. would enter the war in less than two months, after the Japanese bomb Pearl Harbor. But U. S. involvement before that was extensive. It provided weapons and material for Great Britain and Russia. The U. S. supplies were crucial to the Allied war effort. They knew it, and Nazi Germany knew it. That's why German espionage worked feverishly to try to disrupt the American supply lines.

    Within days after the U. S. entered the war, 33 members of the Duquesne spy ring were sentenced to death. It was organized in the late 1930s, and many of its members had civil service and government jobs. It was the largest Nazi spy ring broken up in the U. S.

    This film doesn't directly name the Nazis or Germany as the enemy. The plot centers on British and American cooperation in routing a spy ring. But it also has some music, romance and comedy. The latter is in a friendly tete-a-tete between two Allied agents. Tim Hanley is an FBI agent and Reggis Oliver is from Scotland Yard. George Brent plays Hanley and Basil Rathbone plays Oliver.

    Before WW II, U. S. intelligence work was done by the FBI and special offices of the Army and Navy. The British had its intelligence agencies - MI 6 and the Special Operations Executive (SOE). The American CIA didn't come into existence until after the war. It took over the Office of Strategic Services (OSS), which had been set up in June 1942. So, before the U. S. entered the war, Scotland Yard and the FBI likely would have been the respective agencies of the two countries to coordinte efforts to uncover German espionage.

    Ilona Massey plays Carla Nillson, a famous Norwegian singer who also was a German agent. This seems odd because Norway and its people were mosty opposed to the Nazis who had invaded ther country. Instead, Massey might have been cast as a Hungarian or Austrian singer. She was born in Hungary, and began her singing career in those countries.

    Massey never achieved stardom in Hollywood, but she was a very good actress. She also had a beautiful soprano singing voice. This film has just two short scenes of her singing. She sang and starred in two Hollywood musicals that she made with Nelson Eddy. She is probably best known for those musical films - "Balalaika" of 1939, and "Northwest Outpost" of 1947.

    Other prominent actors of the day in this film are Gene Lockhart, George Zucco, Frederick Worlock, Charles Brown and Clayton Moore (who played the Lone Ranger).

    Before WW II, spying was something more mythical than real to an American public. But, within a few years after the end of the war, the scandals of widespread Soviet Union espionage surfaced in the U. S., Canada, and Great Britain.

    The light-hearted relationship between the Brent and Rathbone characters works well for this film. It's an interesting and entertaining spy thriller with doses of light comedy, romance and some pleasant music.

    A favorite line in the film is when the FBI chief is talking to an Army colonel on the phone. He says, "But that's taking a big chance." The colonel replies, "What do you think armies do?" And, when Reggis Oliver visits the FBI office with Tim Hanley, the Brit is greeted by an overly exaggerated dose of American slang of the period. FBI trainee, Bud (unlisted), says, "Scotland Yard, gee. That sorta sends me wacky. Oh, the brain said PDQ. Better breeze in." Reggis Oliver, to Tim Hanley, "He talks in code, doesn't he?"
    5planktonrules

    A film intended to convince audiences of the rightness of the US friendship with Britain.

    This film is set during the time when the British were in WWII and the United States was not officially in the war. However, the US was aiding the British with the Lend Lease program...where the US rented surplus and not so surplus planes, ships and other war supplies.

    The film is a spy yarn involving an American FBI agent (George Brent) and a British equivalent (Basil Rathbone). Both are investigating a Norwegian opera singer, as she seems to have some connection with a German sabotage program...and they've been destroying airplanes and ships from the US bound for the UK.

    This film would have played well in Britain, and SOME Americans also would have enjoyed it because more and more Americans were of the opinion that the country would soon be pulled into the war. I say SOME because in the US, until the Japanese bombed Pearl Harbor, quite a few Americans were pro-German. However, by 1941, Hollywood was no longer worried about alienating the pro-Germans or folks interested in neutrality...and more and more films were casting the Germans as the bad guys.

    So is this film any good? Well, Brent and Rathbone was good...as you would expect. As for Ilona Massey who plays the Norwegian, she was not so wonderful...and I'll say no more about that. As far as the story goes, it's almost competently written and interesting...though having Rathbone in disguise as a waiter at the dinner party was pretty dumb. Folks at the party (both friends and foes) surely would recognize him in his flimsy getup. Also, the evil opera singer's actions through the course of the story simply make no sense at all...none. But again, the good outweighs the bad and overall it's a decent film.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      'George Brent' to refers to Basil Rathbone as "Sherlock" about half way through the movie. Rathbone had already made a couple of Sherlock Holmes movies and was scheduled to make several more.
    • Citations

      Carla Nillson: [reacting to his advances] You Americans are just as bad as the Irish!

      Tim Hanley: Well, a lot of us *are* Irish!

    • Crédits fous
      The opening credits rise up from the bottom of the screen and from a distance, at about a 30-degree angle from the vertical.
    • Connexions
      Referenced in Let's Go to the Movies (1949)

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    Détails

    Modifier
    • Date de sortie
      • 19 avril 1947 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Portugais
      • Allemand
      • Anglais
    • Aussi connu sous le nom de
      • International Lady
    • Société de production
      • Edward Small Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 42 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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