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Ajouter une intrigue dans votre langueAn author writing a book on jealousy discovers his wife is an expert on the subject.An author writing a book on jealousy discovers his wife is an expert on the subject.An author writing a book on jealousy discovers his wife is an expert on the subject.
Gino Corrado
- Party Waiter
- (non crédité)
Cecil Cunningham
- Party Guest
- (non crédité)
Mark Daniels
- Student
- (non crédité)
Jay Eaton
- Party Guest
- (non crédité)
Julie Gibson
- Singer in Nightclub
- (non crédité)
Herschel Graham
- Nightclub Patron
- (non crédité)
Robert Homans
- Policeman in Subway Train
- (non crédité)
Max Linder
- Party Guest
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesDon Ameche's first film for MGM. He had made a screen test there in 1935 and was rejected, but was signed the following year by 20th Century-Fox.
- Citations
Nellie Woods: Sorry I'm not what you were expecting.
Elliott Morgan: What makes you think I'm expecting anybody?
Nellie Woods: What makes me think that dogs like liver?
Elliott Morgan: I don't get the analogy, but I expect it's very clever. It so happens that you're wrong; there's no one coming.
Nellie Woods: You're right. She's gone out with her husband.
Elliott Morgan: [feigning confusion] Uh... who has?
Nellie Woods: The liver.
- ConnexionsFeatures Le Magicien d'Oz (1939)
- Bandes originalesJealous
(uncredited)
Music by Jack Little
Lyrics by Dick Finch and Tommie Malie
Sung by Julie Gibson
Sung a cappella by Rosalind Russell
[Played as background music during the opening and end credits; played as background music often; performed by the nightclub singer]
Commentaire à la une
I agree with "Aeovox" below that this is an unusual film, and also an unsatisfactory one. I was drawn to it by the presence of Don Ameche and Rosalind Russell in the cast. I thought the whole premise of the film - the Dionysian wife's unhappiness with her Appolonian husband's refusal to recognize the emotional legitimacy of jealousy, and her subsequent attempts to make him jealous - was a bit tenuous, and it is executed in a rather - to me at least - incoherent way. The movie is far too talky, although that talk often is quite witty (and just as often seems implausible and pointless), and goes on far too long. The slapstick bits are weak. On the whole, despite the good efforts of Ameche and Russell, I found this a disappointment.
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Détails
- Durée1 heure 37 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was The Feminine Touch (1941) officially released in India in English?
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