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IMDbPro

The Get-Away

  • 1941
  • Approved
  • 1h 29min
NOTE IMDb
6,2/10
295
MA NOTE
Donna Reed, Dan Dailey, and Robert Sterling in The Get-Away (1941)
CriminalitéDrameMystèreRomance

Ajouter une intrigue dans votre langueA G-man is sent to prison to befriend a suspected robbery ringleader and then helps him break out to gain his confidence.A G-man is sent to prison to befriend a suspected robbery ringleader and then helps him break out to gain his confidence.A G-man is sent to prison to befriend a suspected robbery ringleader and then helps him break out to gain his confidence.

  • Réalisation
    • Edward Buzzell
    • Richard Rosson
  • Scénario
    • Wells Root
    • W.R. Burnett
    • J. Walter Ruben
  • Casting principal
    • Robert Sterling
    • Charles Winninger
    • Donna Reed
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    295
    MA NOTE
    • Réalisation
      • Edward Buzzell
      • Richard Rosson
    • Scénario
      • Wells Root
      • W.R. Burnett
      • J. Walter Ruben
    • Casting principal
      • Robert Sterling
      • Charles Winninger
      • Donna Reed
    • 14avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux66

    Modifier
    Robert Sterling
    Robert Sterling
    • Jeff Crane
    Charles Winninger
    Charles Winninger
    • Dr. Josiah Glass
    Donna Reed
    Donna Reed
    • Maria Theresa O'Reilly
    Henry O'Neill
    Henry O'Neill
    • Warden Alcott
    Dan Dailey
    Dan Dailey
    • Sonny Black
    • (as Dan Dailey Jr.)
    Donald Douglas
    Donald Douglas
    • Jim Duff
    • (as Don Douglas)
    Ernest Whitman
    Ernest Whitman
    • 'Moose'
    Grant Withers
    Grant Withers
    • Parker
    Chester Gan
    Chester Gan
    • Sam
    Charles Wagenheim
    Charles Wagenheim
    • Hutch
    Guy Kingsford
    • George
    Matty Fain
    Matty Fain
    • Bryan
    Fred Aldrich
    Fred Aldrich
    • Dance Hall Bounder
    • (non crédité)
    Barbara Bedford
    Barbara Bedford
    • Dr. Glass' Maid
    • (non crédité)
    Clara Blandick
    Clara Blandick
    • Mrs. Higgins
    • (non crédité)
    Veda Ann Borg
    Veda Ann Borg
    • Black's Blonde Dance Hall Pickup
    • (non crédité)
    Wade Boteler
    Wade Boteler
    • Prison Yard Captain
    • (non crédité)
    Ed Brady
    Ed Brady
    • Farmer on First Bus
    • (non crédité)
    • Réalisation
      • Edward Buzzell
      • Richard Rosson
    • Scénario
      • Wells Root
      • W.R. Burnett
      • J. Walter Ruben
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs14

    6,2295
    1
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    10

    Avis à la une

    5dougandwin

    An Action Filler In

    Not a bad little film in many ways when you consider when it was made by MGM - clearly as the opener in a Double Feature Bill. The cast is surprisingly good with perhaps Dan Dailey as the standout, and playing the brother of Donna Reed and never able to go straight despite all her efforts. Robert Sterling goes over the top in his early scenes, but settles down as the story progresses. Charles Winninger as the drunken Doctor has some fine and not-so-fine moments in a major role, and it was great to see one of the good old B-players in Veda Ann Borg. The shoot-out near the end was ideal for a programmer and would have left audiences in those days in a good frame of mind for the Main Attraction
    6imdb-549-854781

    Almost a shot-for-shot remake of "Public Hero #1" (1935)

    Anyone else realize that this is almost a shot-for-shot remake of "Public Hero #1" staring Jean Arthur and Chester Morris (1935)? With Lionel Barrymore playing the doctor and Joseph Calleia playing Sonny.

    It also appears the same screenplay was used for both pictures as the writing credits overlap. Different directors though

    Public Hero #1 (1935) : Directed by J. Walter Ruben. Writing credits: J. Walter Ruben story, Wells Root story, Wells Root screenplay

    The Get-Away (1941) : Directed by Edward Buzzell , Richard Rosson (uncredited). Writing credits: W.R. Burnett screenplay, Wells Root screenplay, Wells Root story, J. Walter Ruben story

    Having seen both pictures, I think the 1935 Jean Arthur/Chester Morris effort is the better of the two. Anyone who likes "The Get-Away' should checkout "Public Hero #1".
    6AAdaSC

    Not what I call a getaway

    Robert Sterling (Jeff) is a loud-mouthed, brash prisoner who gets the treatment that he deserves whilst staying in prison. He engineers an escape with Dan Dailey (Dinkie) who is part of an organized gang that the police have been trying to smash for a while. However, Sterling isn't who he seems to be and he is put into a difficult situation with the arrival of Donna Reed (Maria). She is looking for her brother - guess who - yep, it's psycho-man Dailey - and she finds out the truth about her brother and Sterling. During all of this, the police have only one mission - to stop Dailey's gang.

    This is an entertaining fast-paced film with the best performances coming from Dailey and Reed. Sterling is way over-the-top at the beginning of the film and quite annoying. Similarly, Charles Winninger is annoying as he provides needless comedy as a drunk doctor. The film never drags and so must be given credit although the love affair between Reed and Sterling is somewhat unconvincing, especially at the end of the film when she would HATE him. As it is, we get some cuddly stuff.

    The ending is quite tense as we follow Dailey into a dancehall and we realize that his time is up. It's obviously influenced by Dillinger's last moments as he was staked out and then shot down as he left a cinema. They even give Dailey a dolly-bird escort as he leaves the venue, just as Dillinger left with his dolly-bird, although in Dillinger's case she was implicated in his betrayal. Nothing of that sort here but we do get a shoot-out.
    5utgard14

    Donna Reed's First Movie

    Pretty much a shot-for-shot remake of Public Hero #1. Because of this and the fact that it's more polished than the earlier film, this one's not as good. It's watchable but ultimately forgettable. The only thing noteworthy about it is that it's the film debut of Donna Reed. She's beautiful and the best part of the movie. Dan Dailey and Robert Sterling are bland. Charles Winninger and Henry O'Neill are enjoyable in supporting roles. If you haven't seen the original, you're likely to enjoy this one far more. I would caution you against reading too much about either film because there's a twist in the plot that is best left unspoiled. Chances are you've already been spoiled since all plot summaries, including TCM's, give it away. Still, I've left the plot out of my review just in case.
    6bkoganbing

    Shrewd and paranoid

    Viewers will recognize The Getaway as a remake of another MGM B picture, Public Hero #1. But another film along similar lines was so much better, that being White Heat.

    Still there's no shame in being associated with being with this solid B action film. Robert Sterling plays a youthful FBI agent who goes undercover in prison to arrange an escape for mobster Dan Dailey who heads the infamous River Gang the FBI wants to nail. Sterling is to infiltrate and find the gang's hideout.

    Dailey has the Cody Jarrett role here and while he's not nuts with a mother complex like James Cagney was, he's got some issues. But he's also shrewd and paranoid which is always a deadly combination. Dailey steals this film.

    The Getaway was also the film debut of Donna Reed who plays Dan Dailey's sister who unlike Cody Jarrett's mother is seriously trying to reform him. Sterling takes a liking to here. There's also Charles Winninger a doctor with a thirst problem who I wouldn't let near me with a scalpel. Winninger has an interesting way of collecting his fees.

    Good action film with a nice climactic shootout.

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      A remake of "Public Hero Number1" (1935) with Chester Morris as the G-Man, Jean Arthur as the criminal's sister, Lionel Barrymore as the drunken gang doctor and Joseph Calleia as the criminal.
    • Connexions
      Features Big House (1930)

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    Détails

    Modifier
    • Date de sortie
      • 13 juin 1941 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Enemy Within
    • Lieux de tournage
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis
    • Société de production
      • Metro-Goldwyn-Mayer (MGM)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 29min(89 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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