Cottage à louer

Watching Cottage To Let one can hope that Leslie Banks learns a valuable lesson. That no matter how much privacy he craves in his work during war time other considerations like security prevail. Of course being kidnapped by the Nazis might be a learning experience.

That's what happens here in Cottage To Let, a wartime British film taken from a stage play by actor/writer Frederick Kerr. Banks lives with wife and daughter at a Scottish estate with the usual gang of servants, a young evacuee from the London blitz George Coe and he has his one assistant Michael Wilding for his scientific research which is now directed toward inventing a new 100% accurate bomb sight for the RAF. And from the RAF he has a downed flier from the Battle Of Britain, Flight Lieutenant John Mills.

Other than Banks and Coe, absolutely no one is who they seem to be. Some are spies, some are security, the trick is to figure out which is which and I guarantee you won't be 100% right. Even Coe who says that his hero is Sherlock Holmes "the smartest man whoever lived" doesn't get it right though his suspicions do lead to the unmasking of who is who.

Even though Cottage To Let is dated and fixed in the time of wartime UK it still is quite enjoyable with some really good performances.

An enjoyable piece of British wartime entertainment, probably to be appreciated more now than by audiences at the time, (who would have found it very 'stagey' and lacking in action, I suspect). The plot is nothing in particular and its stage origins are all too apparent in the set locations, which cover the cottage of the title acting as a lodging house, home for evacuated children from London and a military hospital (????) whilst, up at 'the Big House', there is a 'top-secret' research laboratory, (which you know is 'top secret' as one of the (numerous) doors has a sliding panel in it),(but which actually seems to have more people entering and leaving it in the course of the film than the lounge of the 'Dog and Duck'), country gentry residence and garden fête venue. The real strength of the film, though, is its very strong cast. Leslie Banks is quite watchable on as the lead and John Mills is his usual, (for the period), photogenic, brylcreemed RAF fighter pilot hero, (or IS he?), who delivers in the usual sound manner. George Cole makes his first film appearance as one of two Cockney scamps evacuated to the 'cottage', (although the other one disappears from view entirely after the first five minutes!), and one can already see him mentally in a mini-sheepskin coat and with a cigarillo in hand as he begins his apprenticeship for greater glories to come in his career. Alastair Sim is, as usual, extremely good value for money and always watchable. The REAL star, though, I thought, was Jeanne De Casalis as the dotty 'Lady of the Manor', showing marvellous comic timing, interacting with all the rest of the cast flawlessly, (catch her expression when the little girl who has just handed her a bouquet of flowers at the opening of the fête wants it back!), and having me in stitches with her spoonerisms, ("Are you the lad with the manor? I'm sorry, I meant the man with the ladder?"), and, above all, her speech opening the fête; ("In the words of our dear Prime Minister, never was so much owed by so few to so many"). Somehow, one just cannot see film-makers of the time doing the same to speeches of their leader in the Kremlin! I shall certainly watch out for any other films starring this lady.

Two bad-guy Nazi guards with guns return to the entry room of a mill where Banks, Cole and the Scotland Yard detective/butler are being held in the inner room. Check. It's all over for these two Nazi agents. The handwriting is on the mill wall. Militia is outside, surrounding them, shooting through the windows. The baddies' gun ammunition is likely low, as they've been shooting a lot. I didn't notice they brought extra rounds. Check.

Problem solving is no longer necessary for our hostage three. They clearly heard the rescuing ruckus. All they have to do is bide their time and enjoy their rescue. They don't have to bother to fulfill any escape plan.

But no, here comes their superfluous special effect. A large, heavy millstone is lever-ready to come crashing through the door connecting the inner room to the mill entry. Only it's narrower than about a third of a man's body, and quite unlikely to remain upright for more than a foot length of travel if levered and pushed. Makes you wonder how this point was staged in the play format this film was based on.

Now if you were a Nazi/bad guy, would you stand around huddled next to your pal in perfect line with the approaching stone, or would you have good enough reflexes to just hop aside? A second or two of warning is all you'd need to get out of the way, as the stone improbably lumbers along its slow, inexplicably upright gravitational path. The baddies stare at it and get in line for the impact.

Well this film still gets 9 stars from me out of 10, mainly for the entertaining interplay between comedy and intrigue, and for the excellent cast and script, and overall sweetness, despite credulity-bending here and there. Enjoyable movie for a rainy afternoon.

A very brisk, lightly entertaining wartime thriller with quite an exciting ensemble cast, the film is however burdened down by a strange, ill-explained plot, which borders both on being contrived and confusing. The characters are also rather run-of-the-mill, but they do interact quite well together. The picture has some interesting ideas, some neat mirror work, and it is generally amusing stuff. Overall nothing too special or highly memorable, but it has enough mystery elements and thriller elements worked into it that it is able to provide adequate entertainment, even if it is not a perfect watch as such.

A clever boy evacuee (played by a very young but ever cunning George Cole) from London arrives in a Scottish village to stay in the house of the Barringtons, she a socialite, he a British scientist developing a bomb.

Be warned: there are quick twists and surprises in this cloak and dagger spy thriller!

It also carries far more action than I would expect in an Anthony Asquith-directed flick. Photography is competent in spite of war-prompted shortages and restrictions. Despite the good humor and likeable characters, the exciting script reminds us all of how suspicious everyone was - and had to be - of everybody else at that time.

Good acting from Cole, Sim and Mills. Carla Lehmann is gorgeous.

Riveting war adventure - definitely worth watching!