Charley's Aunt

This perennial chestnut by Brandon Thomas has been wowing audiences ever since it opened in London in 1882. Charley's Aunt has had numerous stage revivals and more screen versions than most people can remember. When Jack Benny took it on in 1941, nearly 60 years after the London opening, the movie turned into one of his biggest hits. Now, nearly 65 years since the movie opened, it remains one of the funniest, most good-natured and most antic farce comedies around.

Benny plays Babbs Babberley -- Lord Fancourt Babberley -- an aging student at Oxford in the year 1890. His two friends, Jack Chesney (James Ellison) and Charley Wyckham (Richard Hayden), are keen to marry, respectively, Kitty Verdun (Arleen Whelan) and Amy Spettigue (Anne Baxter). The girls are beautiful and sweet, and as shallow as tea saucers. But old skinflint Stephen Spettigue (Edmund Gwen), Kitty's ward and Amy's uncle, will have none of it. He will lose his income from Kitty's fortune when she marries. Then there is Jack's father, Sir Francis Chesney (Laird Cregar), who has inherited a title which has more debts attached than income. When the girls come to call on the two boys in their rooms at Oxford, it is essential that they have a chaperone. For reasons too complicated to explain, the chaperone, who was to be Charley's aunt, Donna Lucia (Kay Francis) from Brazil, has been delayed (but will shortly show up incognito). The boys blackmail their good friend Babbs to dress up as Donna Lucia and be the required chaperone. Ah, but then old Spettigue learns of Donna Lucia's wealth and decides to do some wooing of his own. Even Sir Francis, reluctantly conceding that an advantageous marriage would help the Chesney exchequer, decides to pursue Donna Lucia. And poor Babbs, now got up in a Victorian gown with corset, wig and fan, must fend them all off...over tea, in the garden, at dinner, by a garden pool, while trying to secretly smoke a cigar, while furtively trying to shave.

Will Jack win Kitty? Will Charley win Amy? Will old Spettigue receive a comeuppance? Most importantly, perhaps, will Babbs wind up marrying Sir Francis or the real Donna Lucia?

Benny plays Babbs with gusto and great timing, and spends most of his time in a dress. It's definitely a Jack Benny movie, but the play itself is so inherently ridiculous and funny, and so good-natured about every bit of stuffy Victorian manners and proper Victorian behavior, that it still works now as great light entertainment...just as the movie worked originally in 1941 and the play has worked for 125 years. I saw a regional production of Charley's Aunt some years ago; it really is a fast and funny farce, and depends heavily on the skill of the actor playing Charley's aunt. The movie, like the play, is funny and silly, and it does no harm.

In addition to Jack Benny, two actors stand out for me. Edmund Gwen as Spettigue provides a classic lesson in how to play farce; utterly serious with the kind of timing that comes from experience. For those who know of Gwen primarily as an avuncular and kindly old Santa Claus, his Spettigue should be a welcome relief. And then there is Laird Cregar, an immensely gifted actor. Cregar was only 25 when he played Jack Chesney's father. The actor who played his son was 31. Cregar was a big man -- 6'3" and 300 pounds -- who disliked the idea of being type-cast as a bad-guy; he longed to be a lead actor. He went on an unsupervised crash diet, quickly shed 100 pounds and shortly after, at 28, died of a heart attack. He made his first movie in 1940 and was dead four years later. He could be so vivid and accomplished on screen that critics still speculate on what he might have accomplished. The movies he was in may not all have been first-rate, but he tended to focus attention whenever he appeared. Two movies which were as good as his talent, in my opinion, are Heaven Can Wait (1943) and I Wake Up Screaming (1941). The Lodger (1944) also stands up well, as I remember it. And although Blood and Sand (1940) is something of a melodramatic stew-pot, Cregar stands out.

And perhaps one of these days the Frank Loesser estate, which I understand owns the rights, will release the 1952 movie Where's Charley?. The problem seems to be that the film, just as the stage production, is generally recognized as Ray Bolger's Where's Charley?, not Frank Loesser's Where's Charley?. Where's Charley was Frank Loesser's first Broadway show, produced in 1948. It featured career-defining performances for Ray Bolger as Charley Wyckham (who plays his own aunt) and Allyn Ann McLerie as Amy. There are some fine Loesser songs, including Once in Love with Amy and My Darling, My Darling. The movie may have its faults but it should be made available.

Jack Benny is "Charley's Aunt," in this 1941 film version of the famous play, one of several film re-creations that exist.

Benny plays Fancourt Babberly, a somewhat older student at a British university in the late 1800s who, through a series of complications, winds up playing Donna Lucia of Brazil, the aunt of another student, Charley, because Charley and his friend Jack need a chaperone in order to have the dates they've planned.

The late-arriving aunt is actually portrayed by the lovely Kay Francis, and wait until you catch the look on her face when she sees what's been impersonating her. As ridiculous looking as Fancourt looks in his drag attire, he manages to win the hearts of both the ward of one of the young women and the father of Jack Chesney, who pursue him relentlessly. Fancourt, meanwhile, finds the real Donna Lucia quite a strudel.

There's nothing like a man in drag for laughs, and when the man is Jack Benny, watch out! Benny, famous for his long takes, is delightful here, and what makes him even funnier is that every once in a while, he says one word or another with a British pronunciation in the middle of a sentence where he's using his typical American accent. It had to be on purpose.

The DVD of the film has a short publicity reel shown in theaters called "Three of a Kind," which has Benny in the 20th Century Fox commissary trying to explain his role to Tyrone Power and Randolph Scott as a bellhop asks his approval on a girdle, a dress and shoes. It's very good.

Jack Benny was a wonderful actor and comedian with a great, dry, sometimes exasperated delivery. He made audiences laugh for years. Thanks to the existence of his radio shows and movies, he's still doing it.

Since Brandon Thomas's play Charley's Aunt debuted on the London stage its popularity is unabated to this day. Somewhere in this world there's a stock company doing this material and some actor regaling his audience with the image of that cigar smoking matronly aunt in drag.

For an English play this 1941 version boasts a mixed cast of Americans and English players that 20th Century Fox assembled. Purists would surely object to this mixed cast. But Darryl Zanuck in casting Jack Benny in the lead had guaranteed box office with one of the most popular radio stars around.

James Ellison and Richard Haydn are trying to make time with a pair of young girls visiting Oxford played by Anne Baxter and Arleen Whelan. They kind of blackmail their roommate Jack Benny into donning the drag he will be using for one of the Oxford theater society plays into being Haydn's long lost aunt from Brazil.

Trouble is that the long lost aunt has at the same time turned up in the United Kingdom. Kay Francis for reasons of her own has decided to visit her nephew Richard Haydn at Oxford. After this the story becomes hilariously confusing as both Edmund Gwenn as Baxter's guardian and Laird Cregar as Ellison's father become quite taken with Benny in drag. Think of Joe E. Brown in Some Like It Hot.

Gwenn is an old miser who enjoys a rich income being the guardian of Baxter and her fortune. As for Cregar in real life he was three years younger than Ellison his son. But Cregar was a classically trained character actor could play a variety of parts. Back in the day Charles Laughton whose career Cregar's was starting to resemble said that the censor's could never censor the gleam in his eyes. Cregar had an exponential gleam in this and other parts. Sadly he would die within a few years.

Probably an English production would capture the entire essence of Charley's Aunt. But the British were never blessed to claim Jack Benny as one of their own.

I loved the movie, but like the subscribee above, I haven't seen it in 20 years or so. It's not available on video in any country and I've checked every specialty video line--- no-one has it. The good news is that I'm told someone saw a copy on ebay this week. It's not there now, but if there's one out there, there must be more. Check ebay through October. It's Jack's film best after "To Be or Not to Be" in my opinion and better than "Horn" or "George Washington Slept

Here" (3rd place?) Anyway, If I find one, I'll cheer

Once one accepts the archaically broad comedy conventions at play, this is a very funny film adaptation of the celebrated cross-dressing farce (Joshua Logan's contemporaneous stage version had starred Jose' Ferrer!). Legendary comedian Jack Benny stars as a British lord and longtime Oxford student(!) who is forced by his best friends (James Ellison and a debuting Richard Haydn) to pose as the latter's wealthy Brazilian aunt in order to act as chaperon when meeting their girlfriends. Initially, the uncle (Edmund Gwenn) of one of the girls (a thankless role for Anne Baxter) is contrary to their union but soon changes his tune when he realizes whom Haydn is related to; however, he has to contend with the amorous rivalry of Ellison's own penniless father (Laird Cregar – who, at 25, was younger than his on screen son but, nevertheless, convincingly plays a 51-year old roué)! The fine cast is rounded up by Kay Francis (quite lovely as Charley's real aunt), Reginald Owen (amusing as the hapless Dean) and Claud Allister (hilariously appearing at the start as one of two unperturbed gentlemen spectators at an accident-prone cricket match). Not everything works, alas: Gwenn's character arch from stern guardian to undignified fortune hunter is as hard to take as the bland romance between Baxter and Haydn but, ultimately, Jack Benny's frenzied comic antics triumph over such hurdles.

An interesting extra on the CHARLEY'S AUNT DVD is this fun promotional short which is very rare for films of its era. It finds star Jack Benny taking time off for lunch at the Fox studio mess hall, when he runs first into Tyrone Power and then Randolph Scott. Naturally, they all start talking about their current action-packed projects – with Power enthusiastic about his latest romantic flagwaver A YANK IN THE R.A.F. (1941) and Scott ditto about the Technicolored Western BELLE STARR (1941). However, Benny makes things up in an effort to avoid discussing his current gender-bending role…though he's not helped by the fact that, from time to time, a bellboy turns up with various parts of his feminine outfit seeking the star's approval! When he eventually confesses, it's Power and Scott's turn to sulk as they bemoan their typecasting as rugged action stars and admit to craving juicy parts such as Benny always gets; indeed, for the latter (and the audience's) benefit, they provide background detail about the "Charley's Aunt" play – including the fact that it's one of the most popular (and hilarious) pieces ever written.