Avis des utilisateurs

Caught in the Draft finds Bob Hope as an egotistical movie star who may be subject to the draft so he's going to do the unthinkable, get married and get a deferment. But you'd think the last person he'd try that with is a daughter from a military family. Yet Hope pursues Dorothy Lamour in his usual wolfish Hope way, but the net result is he winds up still single and actually enlisting in the army when a Sting like con game backfires on him.

But I will say Hope has loyal friends, his agent Lynne Overman and general factotum Eddie Bracken also enlist. To say they don't exactly have the makings of Audie Murphy is to put it mildly. Still what they won't do for a pal. I know I didn't have friends like that back in the day.

Caught in the Draft has the usual run of service comedy situations and Hope while not as hopeless a soldier as Lou Costello, still he gets his usual laughs. It's a dated film in the sense we haven't had a draft in this country for almost 40 years, but I still think audiences can appreciate it today.

Look for good supporting performances by Clarence Kolb as Lamour's father and Hope's commanding officer and Paul Hurst as the eternal tough training sergeant.

Bob Hope plays a cowardly movie star who is afraid of being drafted. So he concocts a scheme to marry pretty Dorothy Lamour, in hopes of avoiding the draft. But general's daughter Dorothy figures him out and is disgusted by his cowardice. Having actually fallen for her, he comes up with another scheme to pretend to join the army to impress her, but it backfires and he finds himself actually enlisted. You can pretty much guess what will happen next. Decent WW2 comedy with the usual likable performances of Hope and Lamour. Eddie Bracken plays Bob's sidekick. It's a pleasant time-passer but nothing exceptional. It's fun to see Hope and Lamour in a movie without Bing Crosby. I kept expecting Bing to pop up and steal Dorothy away, as Bob rarely got the girl in their movies together.

Bob Hope starred as cowardly movie star Don Bolton. When he reads that the government is going to increase the military draft age to include 21-to-35 year olds, he panics at the prospect of being conscripted. He comes up with the idea of getting married, which at the time removed him from draft eligibility, and so he woos army brat Antoinette (Dorothy Lamour). In his haste to get her to marry him, he inadvertently signs up for the Army anyway. He and his pals (Eddie Bracken and Lynne Overman), who join up as well, try to survive basic training.

This agreeable-though-not-groundbreaking comedy ended up being one of the biggest hits of 1941. Hope is fun as the weasly Bolton, and Eddie Bracken is fun as his young assistant. Dorothy Lamour is beautiful, and when her character is first spotted by Hope's, he remarks, "She looks like Dorothy Lamour with clothes on." She has a few lines that were directed at the audience as much as Hope's character about how the military needs soldiers even during peacetime, since no one knows how long that peace will last. The movie premiered about five months before the attack on Pearl Harbor.

I saw this movie 30 years or more ago and recall it being quite funny, and while it's not as funny as I remember it being, it's still an enjoyable romp with typical Bob Hope comedy.

It's also a movie that portrays a pretty accommodating military. This makes sense within the context of a wartime movie - they didn't want to scare anyone away from the army - but the way Hope casually wanders off base and does various shenanigans without ever getting locked up strains credulity.

As I watched this, I found myself wondering why Hope made so many movies with Dorothy Lamour. They don't have any discernible chemistry, although to be fair, Hope was such a non leading man that I'm not sure he ever had on screen chemistry with any woman. I feel like checking out some more Hope movies just to try and figure that out.

Movie star Bob Hope is sensitive to loud noises—when shooting a war movie scene he expects the director to stage the battle silently and then put in the shooting sounds later. And so talk of the impending military draft soon has Bob and his agents Eddie Bracken and Lynne Overton discussing…marriage? Yes—avoiding the draft seems highly desirable, and a marriage deferment seems a likely strategy.

Alas, having fallen for a colonel's daughter, a best-laid scheme to fake his enlistment goes awry and he finds himself a private after all. The bulk of the picture follows Hope's efforts to adapt to army life—and his continuing efforts to woo the girl he had originally hoped to marry as a means to deferment.

Dorothy Lamour is quite lovely as the object of Hope's attentions; she's easy to root for as she tries to balance her affection for Bob with her loyalty to her military father, who understandably thinks Hope is an idiot. Clarence Kolb is excellent as the colonel—crusty and acerbic, he nevertheless displays love and grudging patience as well. Eddie Bracken is super as always as the buddy; Lynne Overman is good, too, as the agent who never quite forgets that Hope's safety is his own livelihood.

There's plenty of typical Hope humor—"Of course I'm not a coward. I'm just allergic to bullets"—mixed in with doses of real patriotism from Dorothy: "How do you know? You can be scared and still be a hero. You know, some of the bravest men have been scared to death going over the top. But they kept on going."

It would be a rare Hope movie without at least one winking reference signaling to the audience that we all know it's just a movie; here it's his comment when first glimpsing Lamour through a window: "Mmm, that's a bundle. She looks like Dorothy Lamour with clothes on."

No, it's not as riotously funny as Buck Privates or as wisecrack-packed as My Favorite Brunette, but it's nevertheless a very pleasant and solid little picture.

This is the first pairing of Bob Hope and Dorothy Lamour without Bing Crosby. It is funny, but the comedy is better when Bing is part of the equation. The Army takes the place of Bing in this one, and the Army can be pretty funny at times. I like the gag that Hope cannot stand loud noises and is in the military. There were three great comedy teams during this time period; Laurel and Hardy (who were close to the end of the great run), Abbott and Costello (who were just beginning their great run) and Bob Hope and Bing Crosby with their wonderful road pictures). What made Bob Hope films at this time, different from the other two comedy teams was his dominance with one-liners; no one could match Hope with one-liners. The other two teams did better physical comedy, but the Hope films had better scripts and situations. Be sure to catch this one with the whole family for an hour of fun.

Back in the late 30s and early 40s, just about all the comedians and comedy teams made war films...and they were quite popular. Films like Abbott & Costello's "Buck Privates", Laurel & Hardy's "Great Guns" and Bob Hope's "Caught in the Draft" are just a few of the many films designed to encourage Americans to do the patriotic thing and enlist. And, with a few exceptions ("Great Guns"), the films were very enjoyable.

When "Caught in the Draft" begins, Don Bolton (Bob Hope) is a famous and very self-absorbed Hollywood star. He's also quite the coward. So when he learns that there is going to be a draft, he's worried he might be chosen and looks for a way out. And, his way out might be getting married. But his choice is odd...be wants to marry a woman who wants nothing to do with him AND is a colonel's daughter! Antoinette (Dorothy Lamour) sees right through Don and his schemes and instead of being honest, he just creates more and more complicated schemes...one which accidentally gets him to enlist in the Army...and guess who Don's commanding officer is? Along with Don are his lowly gofer (Eddie Bracken) and his agent (Lynne Overman--who is in his mid-50s!).

This film is very enjoyable...and perhaps more than "Buck Privates" because it does NOT have any singing! Clever and enjoyable from start to finish, though I wonder why at the end Eddie Bracken's character got a commendation? Watch the film and you'll understand what I mean.

Hope and lamour had already worked together on a couple projects, so they were already old pals. With war already brewing in europe, this was released still five months before the U. S. was pulled into war. And that's a twenty five year old song and dance man eddie bracken as bert. Don likes tony, and when he meets her father the colonel, just everything goes wrong. When he ends up in the army, it gets even worse. They try don in lots of different army jobs, but he always seems to screw it up. It's good, ol fashioned bob hope humor. One-liners and slapstick, with some story thrown in. Bing must have been busy when this was cast. It's a little more serious, since the war clouds were circling, and we were still deep deep in the film code. The colonel was played by clarence kolb... always the serious, dour older gentleman, complaining of something. He was great in "merrily we live" and "his girl friday". Caught in the draft is at least a double pun, directed by david butler. He and bob hope worked together numerous times. Story by harry tugend.

Not even Bob Hope, escorted by a raft of fine character actors, can save this poorly written attempt at wartime comedy, as his patented timing has little which which to work. The plot involves a Hollywood film star named Don Bolton (Hope), and his attempt to evade military service at the beginning of World War II, followed by his enlistment by mistake in a confused attempt to court a colonel's daughter (Dorothy Lamour). Bolton's agent, played by Lynne Overman, and his assistant, portrayed by Eddie Bracken, enlist with him and the three are involved in various escapades regarding training exercises, filmed in the Malibu, California, hills. Paramount budgeted handsomely for this effort, employing some of its top specialists, but direction by the usually reliable David Butler was flaccid, and this must be attributed to a missing comedic element in the scenario. A shift toward the end of the film to create an opportunity for heroism by Bolton is still-born with poor stunt work and camera action in evidence. Oddly, Lynne Overman is given the best lines and this veteran master of the sneer does very well by them. Dorothy Lamour looks lovely and acts nicely, as well, and it is ever a delight to see and hear Clarence Kolb, as her father, whose voice is unique on screen or radio, but there is little they can do to save this film, cursed as it is with an error in script assignment.

Although very well written, I think the previous review of this relatively early Bob Hope picture is a little harsh. Perhaps it is written from a professional viewpoint.

As an ordinary punter that happens to be a Bob Hope fan, there are more than enough good quips and comical situations here to keep me chuckling throughout.

I would class this as a picture that is simply meant to be enjoyed, rather than dissected and analysed in intimate detail. In fact, good "old-fashioned" entertainment that will provide more than a fair share of laughs on a winter's afternoon.

Caught in the Draft is directed by David Butler and written by Wilkie C. Mahoney and Harry Tugend. It stars Bob Hope, Dorothy Lamour, Lynne Overman, Eddie Bracken and Clarence Kolb. Music is by Victor Young and cinematography by Karl Struss.

It's an old saying, but comedy "is" very subjective, something that makes recommending or writing reviews about comedy films troublesome. Bob Hope movies are a mixed bunch, suffice to say that for every fan prepared to stand up and say that "such and such" is a great and funny Hope movie, another will say it's a lame effort. Caught in the Draft, to my Hope fan mind, is one of his best films. The "forces comedy" has many entries in the cinema drawer, from Bud and Lou to Martin & Lewis, and into the modern era with Stripes et al, it's a well farmed premise. Caught in the Draft, however, is up with the best of them.

Film finds Hope as Don Bolton, a movie star who is so cowardly he can't even stand loud noises. To dodge the draft, he plots to marry Dorothy Lamour's Antoinette 'Tony' Fairbanks, who happens to be a Colonel's daughter. But sure enough, Don and his two crony side-kicks enlist by mistake. Cue mishaps and chaos during basic training. Don's incentive is that if he by some miracle achieves the rank of Corporal, then the Colonel will let him stay on base and continue his relationship with Antoinette.

It was tailored as an ensemble piece, with Bracken etc slotted in alongside Hope as the big sell, but Hope, as his subsequent career bares out, didn't need help because he dominates the comedy and steals every scene he is in. And this in spite of Bracken, Overman and Kolb also doing fine work as well. The gag quota is high, visually and orally, a one liner or a brisk set piece is never far away, and Lamour continues to be the perfect lady foil for Hope's ebullient japery. Whether it's the cowardly comedy antics or fluke bravado, it's a film showcasing the best of Bob Hope and a character persona that served him so well over the years. If only for a tank sequence this deserves a chance to lift your blues, as it is, it's all good, even now, never mind in 1941! 8/10

I saw this movie when it was re-released as a supporting feature at a cinema here in Melbourne about 1951. Don't remember much about it, except the scene where the hero (Hope) loses control of a tank and runs it into the side of the colonel's Cadillac limo (it might have been a Chrysler) but the audience was appalled, as I was, because luxury cars like this were rarely seen here in those years. It wasn't faked either, as I recall. Can someone advise what the car was? I'm compiling a list of cars used in the movies. Apart from that I thought it was a quite passable comedy and I'm hoping it might come up on late-nite TV sometime as they have occasionally shown other Paramount movies of the era. TT.

CAUGHT IN THE DRAFT (Paramount, 1941), directed by David Butler, stars resident funny man, Bob Hope, in one of his most popular comedies of the 1940s. Borrowing the formula made famous with the timely theme of being caught in the draft made famous the same year by Bud Abbott and Lou Costello in BUCK PRIVATES (Universal), and later Stan Laurel and Oliver Hardy in GREAT GUNS (20th Century-Fox), rather than casting Hope opposite Bing Crosby, his partner from the then popular "Road" comedy series that started with ROAD TO SINGAPORE (1940), Hope gets to work with Dorothy Lamour, his frequent co-star of both the "Road" series and later comedies as THEY GOT ME COVERED (Samuel Goldwyn, 1943 and MY FAVORITE BRUNETTE (Paramount, 1947). While Hope gets the male support of Eddie Bracken and Lynne Overman, not becoming a trio of half-wits as "The Three Stooges," CAUGHT IN THE DRAFT is relatively Bob Hope's movie from start to finish.

The story opens in the movie studio where production for a war movie is being filmed starring Don Bolton (Bob Hope). Bolton's biggest fear is loud noises such as rifle shots used for the battle scenes, and being drafted. During production, Colonel Peter Fairbanks (Clarence Kolb), consultant for the war movie, comes to visit accompanied by his daughter, Antoinette, better known as Toni (Dorothy Lamour). Don's egotistical personality towards women turns off Toni, especially after he mistakes her father for one of the actors. When it is learned that Don may have to register in the Army, he is told the one way out is to get married, He selects Toni as his bride-to-be. When she realizes Don's real intention of marrying her, she leaves him. However, love conquers all as Don, who wants to marry Toni but still wants out of the draft, schemes to get both. Dan's plot for draft rejection fails, having him, along with his assistant, Bert (Eddie Bracken), and manager, Steve (Lynne Overman), to accompany him as privates for training camp and trying to prove themselves worthy under the tough leadership of Sergeant Burns (Paul Hurst). What next, Private Bolton? Co-starring Ferike Boro (Yetta); Phyllis Ruth (Margie); Edgar Dearing (The Recruiting Officer), Irving Bacon and Arthur Loft.

Regardless of some hits and misses in running gags during much of its 82 minutes, CAUGHT IN THE DRAFT is typically amusing. With Hope known for in-humor for his comedies, his one description for the Toni character is described as "looking like Dorothy Lamour with clothes on." The best scenes, however, take place during training camp, featuring Hope and his cohorts (Overman and Bracken) doing kitchen duty cleaning smelly fish or peeling potatoes, their involvement in a wild Army tank drive, parachute jumping, guard duty and mock battle training. What next, Private Bolton? Dorothy Lamour shows her enjoyment working opposite Hope as the serious-minded woman involved with his comedic shortcomings.

Once frequently shown on late night television during the 1960s and 1970s, CAUGHT IN THE DRAFT is nearly forgotten and overlooked today. Its availability on video cassette and DVD, along with cable television broadcasts as American Movie Classics (1994-1998) and Turner Classic Movies (TCM premiere: January 14, 2022), should assure rediscovery for younger viewers and how harmless old-style comedies such as this amused audiences at that time and how Bob Hope's popularity lasted for decades to come. What's next, Mr. Hope? (***1/2)