Blondie Goes Latin

This is the eighth in the Blondie movie series. In this one, the Bumsteads go on a cruise to South America with Mr. Dithers-mainly so the boss can rest. There's also a funny scene involving the mailman, the cab driver, shaving cream, and running. And another when-after it's established Dagwood has to come home to take care of business-the others think they're seeing him on the boat and, oh, watch the movie if you want to find out. Anyway, the whole thing is an excuse to showcase musical numbers of Kirby Grant, Ruth Terry, Tito Guizar, with Arthur Lake displaying his drum skills, Penny Singleton her singing and dancing prowess, and even the boy playing Baby Dumpling (Larry Simms) warbling a little with Janet Burston who was also doing that in the M-G-M-produced-only Our Gang comedies during this time. In summary, Blondie Goes Latin was one of the most enjoyable of the series! P.S. By this time, Ms. Singleton had fallen in love and eventually married producer Robert Sparks so she might have influenced this change of pace! And the person credited with writing the original story is Quinn Martin-presumably the same one eventually responsible for producing "The Fugitive", "Cannon", "The Streets of San Francisco", and "Barnaby Jones".

BLONDIE GOES Latin (Columbia, 1941), directed by Frank R. Strayer, is the eighth entry to the highly popular film series based on the comic strip characters created by Chic Young, and a welcome change of pace from the usual domestic comedy at both home and the office to a shipboard musical. On top of that, it showcases Penny Singleton as Blondie, and Arthur Lake as her husband, Dagwood, in displaying their musical talents without stepping out of character, especially Singleton, who is in fine voice here. Let's not forget that Singleton sang in some early screen musicals (such as the 1930 version of "Good News" for MGM) when she was a young brunette named Dorothy McNulty.

The plot centers on Mr. Dithers (Jonathan Hale), Dagwood's boss, who invites the Bumstead family to accompany him on a cruise to South America for some rest and relaxation. However, before the boat leaves, Dithers receives a telegram to return to the office to meet with a very important client to cover an important business deal. Not wanting to postpone his long awaited vacation, Dithers assigns Dagwood to substitute for him to arrive at the office the following Monday and take care of the business contract deal himself. Reluctantly, Dagwood agrees, having his family remain in the company of Dithers so not to have their vacation spoiled. As Dagwood tries to leave the boat, he gets himself tangled up with a band of musicians trying to get on board. After helping them with their instruments by carrying the drums to the dance hall dining area, Dagwood finds that the boat has already left and is miles away from the port. Feeling he has fumbled again, Dagwood explains his predicament to band vocalist, Lovey Nelson (Ruth Terry), who assists him from being noticed by coming up with the idea of having Dag dress in drag masquerading as a lady drummer.

Set sail now for further misadventures and complications of Dagwood Bumstead, highlighted by some singing and dancing, with music and lyrics by Robert Wright and Chet Forrest. Songs featured include: "You Don't Play the Drum, All You Do is Beat It" (sung by band/ drum playing by Arthur Lake); "I Hate Music Lessons" (sung by Janet Burston and Larry Simms. This little number features Burston's doll on top of the piano with movable eyes as the children sing); "Querida" (sung by Tito Guizar and Penny Singleton); "Cry on My Shoulder" (sung by Penny Singleton); "Brazilian Cotillion" and "Pan American Time." Aside from watching Baby Dumpling (Simms) doing his own vocalizing and dancing as any 7-year-old can do, the Bumstead pooch, Daisy, is a howl standing on "her" hind legs doing a few steps along with another dog "herself."

Also seen in the supporting cast are Kirby Grant as Hal Trent, along with the Kirby Grant Orchestra; Eddie Acuff as The Taxi Driver; Joseph King as the ship's captain; Harry Barris as one of the band musicians; along with series regulars, Danny Mummert as Alvin Fuddow, and Irving Bacon as Mr. Cromp, the neighborhood postman, in smaller roles.

In spite of this being a second feature, then commonly known as a "B" movie, BLONDIE GOES Latin looks more like an "A" film, with glossy sets, along with some South American rhythm to go along, making this segment resemble that of the current trend of 20th Century-Fox Latino musicals, but in this situation, minus Technicolor, Cesar Romero and Carmen Miranda. The comedy situations presented are occasionally juvenile, which is expected in the "Blondie" series. On and all, this one ranks one of the most enjoyable outings in the series, and highly recommended for family viewing.

BLONDIE GOES Latin which had played on the American Movie Classics cable channel from 1996 to 2002, especially on Sunday mornings, can be found either on video or DVD package. (**1/2)

This is a musical entry in the Blondie franchise of which there are quite a few from the 1930's thru 1950. This was a popular comic strip turned live action. Both our leads...Blondie and Dagwood participate in the musical numbers, Blondie sings and dances while Dagwood plays the drums.

In this episode Dagwood's boss is taking a Latin cruise to rest and he takes Dagwood and his family with him...except at the last minute Dagwood has to stay in order to take care of some business...but he never makes it off the ship and gets accidentally mistaken for a band member...and the band needs him as a drummer to fulfill their contract. This ends up creating some high jinx as Dagwood tries to avoid his boss, while reassuring Blondie that he is ok.

With some beautiful Latin preludes and musical numbers.

A fun Blondie with music and Latin flair, definitely worth watching. Very Family friendly.

What a musical delight ! I just saw this on the Movies! Cable Chanel, and waited with baited breath to see the credits at the end to find out who these great singing performers were.... I assumed Penny Singleton's singing voice was dubbed by what they used to call a "studio singer", like Marni Nixon...and also, Ruth Terry who I've only known as an actress in the Westerns, never heard she was a singer....but alas, no credits were shown at the end, so I came here in hopes that some of the Reviews would give this info.....and I find out, that both ladies did their own singing! WOW ! Penny has a magnificent operatic voice, and Ruth reminded me very much of Judy Garland! And Arthur Lake is a virtuoso on the drums! Does it get any better? Yes.....because, as usual, the movie was stolen by Baby Dumpling and DAISY! I think Macauley Culkin would have had a run for his money if Larry Simms had shown up for the Home Alone audition....and that DAISY ! DOUBLE WOW ! He would be a winner on " America's Got Talent " for sure !

The plot is really silly, but with all that talent & cuteness, who cares ??

Blondie Goes Latin is the episode in the series where we are reminded that pert Penny Singlton got her start in musical comedy. She gets to sing and dance, and very well at that. Plot wise, this entry is standard for the amusing series which ran for 12 years and 28 episodes and made a fortune for Columbia in the process. The series was filmed mostly on Columbia's backlot, which means that if you watch the films, you will see the street and house sets from almost all the 1950s-60s Screen Gems TV shows such as Hazel, The Donna Reed Show, I Dream of Jeannie and Father Knows Best, who used the same house set for it's residence as the Blondie films. The songs employed here are quite melodic and hummable, and actress Ruth Terry (who is still living at this writing) gets a featured part and gets to sing "Don't Cry On My Shoulder" to boot. This tuneful nonsense has a big, patriotic finale which was standard procedure during the time just prior to WW2. I got this film on DVD as part of a 10 film set of Blondie films for $5.00 some years ago at Walmart. I'm not sure if it is still in print, but the quality is pretty good and it is enjoyable to have the first ten films in the series for such a low cost. These are the TV prints which cut off the original opening and closing credits, but add their own King Features credits with a theme song familiar to viewers who watched these films on TV during the 1960s. As such, these films almost play like the first Screen Gems sitcom, with continuity between films that is rare for any film series. To pad out the running time to something uniform on the shorter entries of the series, a scene from the middle of some of the films plays before the opening credits. You can fast forward over them if you don't care to see them. This seems like a review for the Blondie DVD set, yet the musical elements in Blondie Goes Latin makes that entry unique and a treat for musical fans.