Ajouter une intrigue dans votre langueA married reporter's assignments carry him all over the world, which gives him ample opportunity to put the moves on the local females. He's in Lisbon attempting his latest conquest, when he... Tout lireA married reporter's assignments carry him all over the world, which gives him ample opportunity to put the moves on the local females. He's in Lisbon attempting his latest conquest, when he gets word that his wife back home has found another man and is divorcing him. Panicking, ... Tout lireA married reporter's assignments carry him all over the world, which gives him ample opportunity to put the moves on the local females. He's in Lisbon attempting his latest conquest, when he gets word that his wife back home has found another man and is divorcing him. Panicking, he heads back to the US to try to patch things up, but the girl from Lisbon follows him, d... Tout lire
- Réalisation
- Scénario
- Casting principal
- Barmaid
- (scènes coupées)
Avis à la une
The film begins with Morgan learning that his wife's divorce is final and he connives to get her back--though she's now with Bellamy(!) of all people! So, he's off to get her...and pretty Rita Hayworth is following, as she wants him and is thrilled that he's now divorced. While all of this is reasonably enjoyable, I couldn't help thinking that I've seen similar films many times--and often the other films were a bit better. After all, while Moran and Oberon were fine, the likes of Cary Grant, Irene Dunne or Rosalind Russell simply were better. My advice is see "The Awful Truth", "His Girl Friday"
or "My Favorite Wife" instead. The plots are rather similar (and some even feature Bellamy as the sap) and are just better--better written, acted and directed.
The verdict--a good film but nothing especially new.
Meanwhile, his wife Sue has meet "Mr. Wright," literally, and she's about to divorce her husband. Lot of fluffy misunderstandings, misappointments and misdeals follow, as Richard tries to either make his wife jealous with Irene, or tries to foist Irene off on Owen Wright.
You have to watch it to find out what happens, but there is certainly a fair amount of screwball comedy along the way to finding out!
But the other woman here acts as an intelligent person and has a natural manner. Since it is Rita Hayworth herself, she is naturally beautiful. It suggests a script writers dilemma: other woman has to be less desirable than the female lead, but they have to be desirable enough for the male lead to be attracted by them. In this movie, Rita Hayworth is so much more appealing in every way than Merle Oberon that it renders the plot silly.
The racial stereotypes are prominent here, with Hattie MacDanial and Butter McQueen doing routines they could have done in their sleep. Had they had sharp,incisive funny lines, we might have had a guilty laugh or two from these offensive stereotypes. As they were simply stereotypes to laugh at, it is now only offensive.
His current amour is Malcolm (Hayworth), and he gives her the same story he's given all of them - his wife (Oberon) won't divorce him.
However, he receives a telegram stating that she has, and he panics. He rushes home to New York, with Malcolm right behind him, and tries to woo her back. She's planning to marry Mr. Wright (Bellamy), who is more than disturbed by the fact that she still seems interested in her husband.
This is a fairly trite comedy with some very funny slapstick and, of course, two of the screen's most beautiful women, Oberon and Hayworth.
This film was made just before Hayworth broke through into big stardom, and she's delicious. She has the best role in the film. It always amuses me to see her so vivacious and talkative on screen.
According to one of her biographers, when the kids from the old neighborhood saw her on screen for the first time, they were shocked at how much she was talking. She never talked as a young girl.
Though she didn't really like movie stardom, the screen was where she could let herself go and be someone else. Morgan is attractive and just right as the errant husband.
Bellamy is in his usual role as the man who doesn't get the girl, and he does beleaguered very well.
Oberon lends sophistication and class to the film. Someone commented here that she looked plump. I don't know what they're talking about.
This is a good movie to see for the stars. The story isn't much.
Le saviez-vous
- GaffesWhen Rickey goes into the hotel bathroom and closes the door, the key is on his side but yet he's locked in from the other side. When he leaves the bathroom, the key is back on the other side.
- Citations
Owen Wright: You certainly are intuitive.
Sue Mayberry: You certainly are transparent.
- ConnexionsFeatured in Of Black America: Black History: Lost, Stolen or Strayed (1968)
- Bandes originalesHungarian Dance No. 6
(1869) (uncredited)
Written by Johannes Brahms
Played by the orchestra at the Lisbon Cafe
Meilleurs choix
Détails
- Durée1 heure 28 minutes
- Couleur
- Rapport de forme
- 1.37 : 1