Vigil in the Night

Dedicated and conscientious nurse Anne Lee (Carole Lombard) and her younger sister Lucy (Anne Shirley) are both nurses at the same hospital. When a little boy dies due to Lucy's negligence, Anne takes the blame and is promptly fired. She manages to find work at another hospital, where she quickly earns the respect of her superiors and also finds love with a doctor (Brian Aherne). But she must endure many more problems, including an amorous hospital benefactor and a nurse from her previous post who knows all about why she was discharged.

Fine showcase for Lombard's dramatic talents, which are often overlooked because she was such a great comedienne. The cast backing her up helps keep this from descending into hokum, which it easily could have. Brian Aherne is great, as is beautiful Anne Shirley. Brenda Forbes lightens things up as a comic relief nurse. Early role for Peter Cushing. It's really an exceptional film. The kind we're probably too cynical to make anymore. Lombard fans will eat it up. Nurses should like it, as well, since it's ultimately all about admiration for their profession.

1940's "Vigil in the Night" was a dramatic departure for comedic actress Carole Lombard, in a serious performance that never descends into cliché. Anne Lee (Lombard) is a conscientious nurse dedicated to duty, yet accepts blame for the death of a little boy who perished while her derelict younger sister Lucy (Anne Shirley) was off making tea. Joe Shand (Peter Cushing) is in love with Anne, who refuses his marriage proposal, and finds employment at another hospital, where she hopes her sister will eventually join her once she earns her certificate. Instead, Lucy impulsively marries Joe and moves to London, where they have a falling out, Lucy again finding trouble while Anne loyally stands by her. Brian Aherne is fine as a doctor who falls for Anne, and special mention must go to Ethel Griffies' eccentric performance as head matron. This was only Peter Cushing's third feature, and while his six minutes on screen are on par with the other films he made in those two years in Hollywood, he shares the screen with Lombard in all four, and earned some critical notice as well, one reviewer even comparing him to Spencer Tracy.

Carole Lombard ,who at the time sadly had only two more years to live ,shines in her part of a devoted nurse,who gives it all;the first part of the movie is a bit boring,but halfway through it hits its stride ,grabs you and does not leave you till the last pictures ,which avoid the traditional mushy happy end:a nurse's work is never done.

Because "vigil in the night" is primarily,essentially ,a tribute to the nurses in England,a tribute to their admirable work,to their courage when they cure infectious patients ,to their war which is never over:for a measly salary (a nurse says) and only half a day off (at best!);today the nurses condition has improved,but their work is not yet given the credit they deserve ,so "vigil" is still relevant in 2012.The scene of the artificial respiration (by Lucy)has got something of Frank Borzage .Most of all ,in the last scenes,George Stevens makes us feel the camaraderie,the solidarity between the nurses.

poignant story about ignorance among medical professionals...Carole Lombard is excellent as a conscientious nurse who teams with a local doctor to overcome medical incompetence and prejudice. Her sister, who is also a nurse means well, but complicates matters...Lombard's comedic skills certainly didn't hurt her portrayal, and gave more than the usual depth to a role that could have been one-dimensional...the music is evocative, and it makes the scenes in the children's ward of the hospital especially poignant. The finale, tho corny and reflective of Hollywood mores of that era, is uplifting. Despite a bitter-sweet resolution, it leaves us with an offer of hope for the future.

I was totally mesmerized by the performance of Carole Lombard and Brian Aherne. She was definitely Academy Award material for this movie. The undercurrent of their secret love for one another is very sexually tense. He is taken with her from the very beginning. This movie makes you long for the old time nurses who wore caps and who were so compassionate. You also long for the old time Doctors who were dedicated and not always looking at their watches to make sure you haven't taken more than a Medicare Minute, or that it's getting close to 5pm.

It is definitely spellbinding. Carole handles herself in such a professional manner and and manages to keep her cool in such demanding settings. She plays a good Samaritan for her sister and puts her own career into jeopardy by taking the blame for her student nurse immature sister. She evokes sentiment in women to do what one has to do and not complain about it.For this reason the story in inspirational. It's got nothing of materialism in it, or agendas that aren't uplifting. You feel good about life after watching this wonderful, don't miss, movie. Please make this available to Schools of Nursing.

The Title Vigil in the Night promotes wonderment, because all kinds of things can happen in the night hours. Thanks, MB