Trop de maris

This delightful comedy falls just short of being one of the classic screwball comedies of the era. It's a story of a woman whose husband disappears in a boating accident and is presumed to be dead. The woman then marries her late husband's business partner. When the first husband turns up alive after a year on a desert island, the woman has two legal husbands. The plot evolves around the woman's decision about which husband to keep. Jean Arthur is a delight, as always, and McMurray and Douglas could hardly be better.

It's a stage-bound film, however, clearly a filmed version of a play. There are really only six characters, including the butler. Columbia didn't want to spend much money on the production. In one scene, upstairs in the woman's family home, you can twice see the set walls shake when doors are shut. Still, the movie is great fun and should not be missed by serious students of film.

Too Many Husbands is a prime example of the screwball comedy. All the usual elements are in place -- romance out of whack, a collection of goofy but likable characters, frenetic, sometimes slapstick action, fast-delivery, witty dialog, a ridiculous situation, class satire, and the cops further gumming up the works -- all breaking off in unexpected directions like the baseball pitch the genre is named after.

A flighty rich dame (Jean Arthur) finds herself married to two different men at the same time, and she loves both of them. She is not an intentional bigamist. Hubby number one, sexy but ever wandering Fred MacMurry was lost at sea and declared legally dead, so the lonely widow marries his best friend, reliable, hard-working smoothie Melvin Douglas. When hubby number one shows up alive after all and ready for action with his beautiful wife, the fun ensues. Poor Jean, she just can't make up her mind which husband to choose. With one a reckless adventurer and the other a neglectful workaholic no sensible woman would want either, but this is Jean Arthur! She's having a whale of a time as the two compete to show her more attention than either ever had in the past. She may just take forever to make up her mind!

Jean Arthur, who was reportedly a serious dingbat in real life, seems perfectly cast in this type of role. MacMurry and Douglas are in their element here, too. The three bright stars, all at their peaks, make this one a delight all the way through. Good support comes from Henry Davenport, another mainstay of the screw-baller, as Jean's harried father, and Edgar Buchanan, looking younger than you thought he ever was, as a suspicious cop.

Too Many Husbands is a bit of a slow-starter, but give it a chance. Under Wesley Ruggles' sure direction, it soon picks up steam, getting wackier and funnier as it goes along. The great acting, gorgeous, luminous, old nitrate black and white cinematography and smooth editing you have come to expect from big studio productions of the 'thirties and the 'forties make this one a pleasure to watch. Smooth, glossy entertainment from Old Hollywood's Golden Era.

Though one might suspect "Too Many Husbands" as being in the same vein as "My Favorite Wife," it's actually based on a Somerset Maugham play. The stars of this 1940 film are Jean Arthur, Melvyn Douglas, Fred MacMurray and Harry Davenport. After her first husband, Bill Cardew (MacMurray) was lost at sea, his grieving, lonely widow Vicky marries his friend and business partner, Henry Lowndes (Douglas) six months later. Boy is she surprised when Bill shows up alive. So is her new husband and her father (Davenport). It then falls to the confused Vicky to decide which husband she wants.

This is a very amusing comedy with terrific performances from all the stars. Melvyn Douglas, one of the truly great American actors, had to do this type of film until he finally reached old age and could show the world how sensational he was. He's very funny, his voice cracking when he's upset. The men act like quarreling children, playing games of oneupmanship and chasing Vicky everywhere. Seeing the frilly guest room, Bill questions Henry's effeminate taste. "What's this fabric?" Bill asks, holding up a piece of curtain. "DOTTED SWISS!" Henry yells in a booming voice. In another scene, Bill impresses Vicky by jumping over furniture, causing Henry to give it a try. He falls flat on his face. Arthur does an excellent job as a somewhat dizzy woman who loves both men, and Davenport is a riot as her sober-faced, worried father. MacMurray has always seemed bland to me, but he holds his own as the returning husband who's been stranded on an island for a year.

Much better than I thought it would be, and Arthur fans will love it.

I wasn't expecting much from this Jean Arthur comedy vehicle, and as a result, I was pleasantly surprised by it.

Arthur plays a woman married to the best friend of her dead husband, who's mighty surprised when her dead husband turns out not to be so dead after all. Now she's got two men fighting over her, a state of affairs she settles back to enjoy, much to the dismay of her father, played by that terrific character actor Harry Davenport.

Jean Arthur is absolutely adorable, even if she is a bit of a brat in this. You want to hug her even as you want to see her kicked in the seat of her pants. Fred MacMurray plays the back from the dead husband, while Melvyn Douglas plays the best friend. I felt MacMurray straining a bit at the screwball comedy antics he was asked to tackle, but Douglas navigates the material expertly and probably gives the film's best performance.

I will say that the film is utterly unpredictable -- I could not guess how it was going to turn out right up until its closing credits.

Grade: B

Vicky Lowndes (Jean Arthur) leads a normal life with her husband of less than a year. Hank (Melvyn Douglas) does his best to avoid the subject of Vicky's previous husband, his best friend Bill Cardew (Fred MacMurray). However, when Bill comes back from the dead via a boat from the island he'd been shipwrecked on, the happy Lowndeses become a strange threesome. It is up to Vicky to choose which husband she prefers, but it isn't as simple as it sounds. She can't very well hurt the man she loves in order to be with the other man she loves.

Each cast member is adept at screwball comedy, which is what this film essentially is. However, there is a deeper vein too. Because both men are likable, it is suspenseful waiting for Vicky to choose a husband. This predicament triggers an emotional response as well. Arthur is reminiscent of Irene Dunne in her teamings with Cary Grant, but slightly funnier. Douglas and MacMurray couldn't be more different from each other, so that adds a new spin on the situation.

This movie is very much like My Favorite Wife starring Dunne and the incomplete Something's Got to Give starring Marilyn Monroe, but this film gives the wife two husbands, not the other way around. It is interesting to see how she handles the situation and how the men schmooze themselves silly to get into her good graces. In this way, it is quite a bit funnier.