That Gang of Mine

That Gang of Mine was the second Monogram East Side Kids movie and was the first to feature Leo Gorcey as Muggs, the archetypal character he would play uninterrupted for the next seventeen years. Thanks to his small stature, he gets roped into jockeying in this episode, and while the narrative is no more complex or interesting than in any of the other series entries, the film has points of interest. First and foremost is the direction of Joseph H. Lewis, the 'B' specialist who is remembered today for Gun Crazy and The Big Combo. Lewis does his best to create interesting moments in the film, notably during an opening sequence atop a swaying gangplank. Also of considerable interest is the third billed presence of Clarence Muse as Ben, the African-American trainer of the horse Muggs' is going to ride. Whilst his role isn't entirely free of the racial stereotyping of the period, Muse is such a fine actor that he inevitably rises above it, offering perhaps the finest acting performance of ANY of the post-Warners East Side Kids/Bowery Boys productions. It's also worth noting that Sam--the analogous character in the recent Hollywood production Seabiscuit--has virtually no dialogue and simply follows orders. Things really haven't changed as much as we'd like to think they have.

This is a solid East Side Kids feature that combines their familiar style with an equally familiar story setup about a young man's dream, producing something slightly different from either. It successfully avoids being predictable, while offering Leo Gorcey, Bobby Jordan, and the rest plenty of chances to display their boisterous style.

The story has Gorcey, as Muggs, dreaming of becoming a famous jockey. This seemingly unsuitable choice of profession sets up an interesting story that even has a few thoughtful moments. Clarence Muse does quite a good job as Muggs's kindly, wise mentor (and as a side-note, it's one of the better roles for an African-American to be found in the B-movies of the era). While the other adult characters are mostly one-dimensional, they each serve a purpose in the way that things turn out.

Along the way there are a number of chances for Gorcey, Jordan, and the rest to engage in some amusing silliness, yet director Joseph H. Lewis maintains a decent balance between that and more substantial material. As a result, it's not bad at all, and is worth seeing, at least for those who like the East Side Kids and their style.

Streetwise Muggs Maloney (Leo Gorcey) has dreams of becoming a world class jockey and finally gets his chance after befriending a kindly old poor black man named Ben (Clarence Muse) who just happens to possess and take care of a championship thoroughbred race horse.

This movie proves far more dramatic than most East Side Kids films with a fine performance from Clarence Muse as wise old Ben, who acts as a sort of adviser/mentor for Muggs and shows considerable care for him, something which is not lost on Leo Gorcey's Muggs either. The type of friendship displayed here was arguably ahead of its time in many respects. Leo Gorcey too does surprisingly well in this more dramatic role displaying the inner struggle going on in Muggs when he has to try and come to grips with his fear of racing and also his fear of letting everyone down.

While no doubt some may be a bit disappointed the humor more or less takes a back seat to the drama in this one, it actually proves a far more effective drama, and director Joseph H. Lewis does manage to keep an exciting focus on the horse racing too, than I thought was possible from many involved.

I have never been a huge fan of the Dead End Kids, the East Side Kids or the Bowery Boys--they just aren't the sort of films I enjoy. However, I must say I was pleasantly surprised by this little public domain film--it's well worth your time and not 100% predictable.

The film begins with Muggs (Leo Gorcey), out of the blue, announcing that he wants to be a jockey! Where this idea would come from is a tad hard to believe--as it is when they stumble upon a guy who just happens to have a horse that can't help but win! At this point in the film, I was far from impressed as it all seemed incredibly contrived. Fortunately, it did get better. In the crazy world of films, you'd expect that by the end of the film Muggs and the horse would be a huge success--and fortunately that is NOT where it went. The idea of an untrained knuckle-head learning overnight to be a top jockey is patently ridiculous--and fortunately the film does NOT go there. Where exactly it goes is something you'll have to see for yourself.

Another thing you may want to pay attention to is the treatment of black performers in the film. While the owner of the horse is occasionally a walking stereotype, he's also an amazingly decent and complex character--and very sympathetic. He's not just another 'dumb black man'--but someone with kindness and intelligence--something you don't often see in films of the era.

Overall, the film offered a few surprises and taught me that the best way out of your problems is to beat someone up--probably NOT the best object lesson, but entertaining nonetheless. A notch above the norm for East Side Kids films.

Plot-- Gorcey's convinced beyond reason that he's a born jockey and can win a trophy race if he can just ride his favorite horse. And that's despite the riding mistakes he keeps making and the Kids' own doubts. So what's the outcome going to be.

The flick's more dramatic than most Kids entries. The slap-happy's at a minimum, while Gorcey's efforts at becoming a jockey aboard promising race horse Blue Knight takes over the storyline. Gorcey shows his acting chops, going through more moods than usual as he confronts many horse-riding set-backs. Movie really belongs to veteran Black actor Clarence Muse as Blue Knight's loving care-taker. Significantly, Black-man Muse's character remains sympathetic, worldly wise, and not mocked for laughs in the style of the day. Still, there are some amusing lines as when one Kid says he has an idea while another Kid wonders if it hurts! Anyway, the entry has its own particular merits, along with a rather surprise ending that I wasn't expecting. But don't look for many humorous head-swats, or antics from that great looney, Huntz Hall.