Tear Gas Squad

... and the most tear gas associated with this film was probably when the police were called in when the people who bought a movie ticket found out they were going to be watching a musical full of Irish singing and stereotypes rather than a crime film and began to riot. But I digress.

I had low expectations going in, but this thing actually works pretty well. A hot head singer (Dennis Morgan as Tommy McCabe) who parodies cops in his act gets fresh with one of the patrons, one of two girls who came to the club alone. Tommy picks the one who is not as pretty IMHO and who is less perky and has tons of attitude (Gloria Dickson as Jerry Sullivan) . She agrees to let him come over to her house for supper to meet the family. They turn out to be a family of Irish cops who don't like his nightclub act. So McCabe joins the police force to try to win a girl who doesn't like him and already has a beau (John Payne as Bill Morrissey). Not exactly a cunning plan.

This thing turns out to be part musical, part romance, part buddy picture, part gangster picture, and part police procedural. And although it doesn't do any one of these things very well, the whole thing fits together to make a pretty entertaining film. The only genres you probably could not fit into this film are horror and sci-fi.

Of course, the police training part of the film makes it also part comedy. Payne's character is the officer in charge of McCabe's training, and at one point he makes McCabe stand out on the firing range with a cigarette in his mouth so that shakey recruit Piney Jones (Herbert Anderson) will have incentive to aim better! Oh the paperwork and the dismissals that would be required if that happened today! Probably then too! Well, Payne was probably angry not only about the girl problem but also because he doesn't get to sing a note in this film.

There are quite a few future stars of TV in this film. Note that both George Reeves of 50s Superman fame and his boss at the Daily Planet, John Hamilton, costar in this film, but never say a word to one another and are never even in the same scene! Great Caesar's Ghost! Not a bad way to spend an hour.

Cocky young nightclub singer joins police force to win affection of cop family's daughter.

The title remains a mystery since the crime part comes as something of an after-thought. And when the title tear gas finally does fly, it's short-lived. Actually, the movie's a showcase for Morgan who's clearly on his way to bigger and better things. Despite the B-budget, he comes through here in spades with a lively performance and a fine singing voice.

In fact, the production looks like an opportunity for a number of likable younger players— Payne, Reeves, Anderson— resulting in an uncommonly good-looking male cast. The rivalry between Morrissey (Payne) and McCabe (Morgan) appears both natural and the movie's dramatic centerpiece.

Sure, the story's about as hackneyed as they come. But it's a Warner Bros. production and no one was more energetic on screen than the studio of Cagney, Flynn, and Robinson. Their crews knew how to keep a story moving in both filming and editing. And, despite the limitations, this lively little endeavor is no exception.

(In passing—note the presence of two cast members from 1950's Superman series, George Reeves {Joe McCabe} along with John Hamilton {police chief}. Also, look quickly for Perry Mason's William Hopper in an early walk-on.)

I love this one-- it's the little film that could. It is easily my most favorite B-film. It has some great Irish music, some fast-paced action scenes (especially at the end), and appealing lead performers (like Dennis Morgan, John Payne & Gloria Dickson) to sustain our interest. But what impresses me most is the way this story deftly combines several different genres-- it's a musical, police procedural, romance, mystery and gangster drama all rolled into one. It tries to be all things to all viewers, and since the cast is so versatile, it succeeds. And to think they packed it all into a film that doesn't even run a full hour! Great entertainment.

Tear Gas Squad (1940)

** 1/2 (out of 4)

Cheap but fun "B" picture from Warner has Dennis Morgan playing a lounge singer who does a routine as a cop, which crosses the line with a beautiful woman (Gloria Dickson) there watching. Soon she invites the singer to her house where he learns that there are all cops in her family and there's another man, also a cop (John Payne), who also has a thing for her. The singer decides to become a cop himself and this here is where the trouble starts. TEAR GAS SQUAD is pretty straight from start to finish and it follows just about every cliché that you'd expect it to but I still thought the film managed to be quite entertaining through its 55-minute running time. The best thing about the picture is that director Terry O. Morse manages to keep it running at an extremely fast pace and he never lets any of the action slow down. There are all sorts of strange things going on here including the non-stop singing from Morgan who is constantly throwing out a song. Even stranger is the entire love triangle as the woman pretty much disappears from the picture and we're just left with two guys who can't stand one another. Of course there has to be "drama" from the poor attitude of the singer, his fall from grace and then the redemption. I thought Morgan and Payne were both very entertaining in their roles. I'd stop short of saying they gave great performances since the material is pretty light but there's still no doubt that they help keep the film entertaining. Dickson was good as the love interest but she really didn't have too much to do. George Reeves has a couple quick but memorable scenes. If you're looking for top-notch entertainment or an Oscar-winner then you're not going to find it here but those who like "B" movies should find plenty of entertainment here.

A bit of history is called for in explaining the misleading title.

Often in B-film productions, the studios would assign the producer only a "power title" with a hoped-for marquee value. From just that pre-assigned title with which to work, the film's storyline would then evolve.

Well, the film attached to the title "Tear Gas Squad" turns out to be a terrific little musical-comedy programmer with a great cast and original songs and music by Jack Scholl and M. K. Jerome (whose biggest fame would come from "Casablanca" two years later).

The great Irish tenor of Dennis Morgan shines. All else is a pleasurable hour of concise entertainment. Recommended!