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Ajouter une intrigue dans votre langueOliver suffers a nervous breakdown as a result of working in a horn factory, but after he follows doctor's orders about getting some sea air, he finds an ex-con is aboard.Oliver suffers a nervous breakdown as a result of working in a horn factory, but after he follows doctor's orders about getting some sea air, he finds an ex-con is aboard.Oliver suffers a nervous breakdown as a result of working in a horn factory, but after he follows doctor's orders about getting some sea air, he finds an ex-con is aboard.
- Réalisation
- Scénario
- Casting principal
Richard Cramer
- Nick Grainger
- (as Dick Cramer)
Ernie Alexander
- Newsboy
- (non crédité)
Chester A. Bachman
- Officer
- (non crédité)
Eddie Borden
- Berserk Employee
- (non crédité)
Ed Brady
- Store Dresser
- (non crédité)
Harry Evans
- Store Dresser
- (non crédité)
Carl Faulkner
- Harbor Policeman
- (non crédité)
Avis à la une
I can't believe people are looking for a plot in this film. This is Laural and Hardy. Lighten up already. These two were a riot. Their comic genius is as funny today as it was 70 years ago. Not a filthy word out of either mouth and they were able to keep audiences in stitches. Their comedy wasn't sophisticated by any stretch. If a whoopee cushion can't make you grin, there's no reason to watch any of the stuff these guys did. It was a simpler time, and people laughed at stuff that was funny without a plot. I guess it takes a simple mind to enjoy this stuff, so I qualify. Two man comedy teams don't compute, We're just too sophisticated... Aren't we fortunate?
I believe that next to "County Hospital" this is my most often viewed L & H movie. Ollie has a nervous breakdown from a case of Hornophobia caused by working in a horn factory. The sound of the musical instruments sets him off, giving him nearly superhuman strength and violent behavior. The doctor, Jimmy Finlayson, says they need to take a sea cruise. They have little money, so instead, they rent a houseboat moored to the dock. Sea ear but no complicated sailing. Who should come along but another one of those head shaved convicts, a public enemy, who decides to hide out on the boat. His name is Nick Granger and he calls his gun "Little Nick." The boys find themselves with no other option but to do him in before it does them in. Several efforts to do so are quashed. There is much physical humor and desperation. I found the conclusion satisfying in the best Laurel and Hardy tradition. The films that followed were not met with much acclaim. Maybe they were just tired, or their audiences had changed.
Saps at Sea is the last film produced by Hal Roach. It is three shorts rolled into one in effect.
Laurel & Hardy work in a horn manufacturing company where they test horns, the noise has a detrimental effect in the workers and pretty soon Hardy succumbs to the noise.
When Laurel takes him home Dr Finlayson diagnoses a severe case of hornophobia and prescribes a voyage to the sea. Laurel instead rents a boat for a few days but an escaped convict takes refuge and hold them hostage.
The noise induced beginning is bound to make the audience suffer with hornophobia, Laurel taking Hardy home in the car just shows his ineptness compounded further when the doctor calls around and the plumbing in their apartment is all wonky.
The best bit is when they cook a synthetic meal for the escaped convict who then makes them eat it meanwhile all the time on the boat Chekhov's trumpet is there to be seen.
Laurel & Hardy work in a horn manufacturing company where they test horns, the noise has a detrimental effect in the workers and pretty soon Hardy succumbs to the noise.
When Laurel takes him home Dr Finlayson diagnoses a severe case of hornophobia and prescribes a voyage to the sea. Laurel instead rents a boat for a few days but an escaped convict takes refuge and hold them hostage.
The noise induced beginning is bound to make the audience suffer with hornophobia, Laurel taking Hardy home in the car just shows his ineptness compounded further when the doctor calls around and the plumbing in their apartment is all wonky.
The best bit is when they cook a synthetic meal for the escaped convict who then makes them eat it meanwhile all the time on the boat Chekhov's trumpet is there to be seen.
While the premise of the film is pretty lame (Ollie is diagnosed with "hornophobia"), the film is an amiable and enjoyable little flick. It's also a darn bit better than the films they went on to make after this one--probably since this was the last Hal Roach-produced Laurel and Hardy film. In fact, it wouldn't be a bad idea not to see ANY of their latter films, as the entire chemistry is lost in these films and the boys play their parts purely for pathos--something true Laurel and Hardy films NEVER would do. They had a bit of an edge that all the later films lack.
Stan and Ollie work at a horn factory. This sounds pretty funny, but it isn't. Not surprisingly with all the racket, Ollie is about to have a nervous breakdown and must take some time off work. The doctor (James Finlayson--in his last film with the team) recommends an ocean voyage. However, they don't like sailing and Stan has an idea of just renting a boat tied to the dock--then they can get all the sea air they want without all the bother! Once they are on the boat, a dangerous escaped criminal boards the boat and they all accidentally set out to sea. Fortunately, this portion of the film actually was well-paced and the very end worked out very well.
While not a great full-length Laurel and Hardy film, it was much better than many of them since it had no annoying and distracting musical numbers (like in THE DEVIL'S BROTHER or BABES IN TOYLAND). Additionally, there is still a decent amount of physical comedy--something you would see almost none of after this film. Part of this was due to the boys' declining health (and Ollie's increasing girth) and part of it was due to the overall insipidness of these later films.
Stan and Ollie work at a horn factory. This sounds pretty funny, but it isn't. Not surprisingly with all the racket, Ollie is about to have a nervous breakdown and must take some time off work. The doctor (James Finlayson--in his last film with the team) recommends an ocean voyage. However, they don't like sailing and Stan has an idea of just renting a boat tied to the dock--then they can get all the sea air they want without all the bother! Once they are on the boat, a dangerous escaped criminal boards the boat and they all accidentally set out to sea. Fortunately, this portion of the film actually was well-paced and the very end worked out very well.
While not a great full-length Laurel and Hardy film, it was much better than many of them since it had no annoying and distracting musical numbers (like in THE DEVIL'S BROTHER or BABES IN TOYLAND). Additionally, there is still a decent amount of physical comedy--something you would see almost none of after this film. Part of this was due to the boys' declining health (and Ollie's increasing girth) and part of it was due to the overall insipidness of these later films.
Laurel and Hardy's last film during their best golden era where they worked for Hal Roach Studios. It's not their best Roach movie, but it's still quite funny with a good dose of laughs and is completely worth seeing. (After this one they would move over to Fox and MGM Studios where they'd make what most fans agree are the least films of their career). The boys work in a horn manufacturing company where they have to test out all sorts of loud and honking horns... and Ollie eventually freaks out and goes berserk with a nervous breakdown! (this scene was so funny to me the first time I ever saw it that I had one of the most robust laughs I've ever had while watching a comedy). It is advised that Stan take Ollie home for some peace and quiet, but with Stan to nurse Ollie, you know THAT will never happen! Stan calls funnyman Dr. Finlayson who examines Hardy and diagnoses him with "Hornophobia" and a prescription to go on a sea voyage for some peace and quiet. Not long after they get onto the boat, an escaped convict sneaks aboard and terrorizes them. Like some other L&H comedies, this one feels like it's two or three different shorts rolled into one feature and the best stuff is the first half. But don't let this deter you from checking it out if you have the chance. This is still some of the best comedy around. *** out of ****
Le saviez-vous
- GaffesMrs. O'Riley shows Hardy her refrigerator/radio, which plays a brassy tune. Hardy, who is suffering from "Hornophobia", doesn't react to the music, however, as he does throughout the rest of the picture whenever he hears horns.
- Citations
Oliver Hardy: Where's the basement?
Desk Clerk: Downstairs.
- Versions alternatives"Where to Now?", one of two shortened re-edited versions cut from this film and released to early home video and TV markets, was included on the "Hal Roach Comedy Classics, Volume 6" videocassette release from 1985.
- ConnexionsEdited into Dance of the Cookoos (1982)
- Bandes originalesHome, Sweet Home
(uncredited)
Music partly composed, and arranged by H.R. Bishop from a Sicilian air
Played on trombones by Stan Laurel and Eddie Conrad
Meilleurs choix
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- How long is Saps at Sea?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- En croisière
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée56 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Laurel et Hardy en croisière (1940) officially released in India in English?
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