Ajouter une intrigue dans votre langueThe arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.The arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.The arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 4 victoires au total
Avis à la une
Mary Boland as Mrs. Bennet, Edna May Oliver as Lady Catherine De Burgh, and Melville Cooper as Mr. Collins eat the scenery in their respective roles. They give some of the best supporting player performances that I ever remember seeing in early films. They manage to steal scenes from the greatest actor of the 20th century and making him look good at the same time!
Maureen O'Sullivan is charming as Jane, but of course Greer Garson is fabulous as Elizabeth even if she doesn't fit my idea of Elizabeth.
I recommend this movie highly as a nice addition to any classical movie collection.
What's good about it? Mainly the casting - Greer Garson is a feisty and cheeky Elizabeth (and this was more than 50 years before Jennifer Ehle played her in a similar way for BBC TV); Laurence Olivier never looked more attractive or brooded with greater effect than here as Darcy; Edna May Oliver is a memorable and prickly Catherine de Bourgh; Edmund Gwenn and Mary Boland are the Bennet parents; and the other Bennet girls are eye-catching and fun (Maureen O'Sullivan as Jane, Ann Rutherford as flighty Lydia, Heather Angel as Kitty, and Marsha Hunt as Mary).
Austen's barbs and fangs are removed from this adaptation, making it a romantic sugar gloop like many other films of the period. Still, providing you expect this, enjoy what's on the screen. MGM did this kind of thing better than other studios of the time, after all.
There have been several versions of Pride and Prejudice, two of which I had seen before this film and after viewing the 1940 version starring Greer Garson and Laurence Olivier it is clear that this is the standard. Is there a better actor than Olivier in these period dramas? And Greer Garson is radiant as Elizabeth. Their performances and the pace of the film is such that while I knew the story I was still sucked into the romance and laughter - not an easy task for a hard-core cynic like me. This movie garnered 4 stars and for good reason - if you are looking for a charming, witty and romantic film, this is a must-see.
--Shelly
For the most part, the main story is the familiar one, following the hopes and anxieties of the Bennet family as they look for husbands for their five daughters. Greer Garson might be slightly different from the Elizabeth of the novel, but she is very appealing, and her character is quite effective. Laurence Olivier works very well as the prideful Darcy. Most of the supporting cast also is good, especially Edmund Gwenn as the perpetually bemused Mr. Bennet. It does a good job of illustrating the main themes in the relationships amongst the characters, while also providing many light and humorous moments. It's an entertaining and effective mix that makes it a satisfying movie despite the departures from the novel.
Therefore, this is really watchable, but the definite version is the 1995 BBC mini series which is much closer to the novel as well.
Le saviez-vous
- AnecdotesAccording to Ann Rutherford, although the filmmakers were committed to begin shooting on a particular date, they discovered that producer David O. Selznick had used every available reel of Technicolor film in existence to make Autant en emporte le vent (1939). Therefore, despite the lavish sets and opulent costumes, this movie had to be shot in black-and-white.
- GaffesMrs. Bennet is seen steaming open the letter to Jane from Caroline Bingley. The envelope is a modern-day, gummed envelope fit for stationery letters. In 1815, the year the film takes place, letters would have been folded in and sealed with a wax seal. Gummed envelopes would not be invented for another 100 years.
- Citations
Mr. Bennet: An unhappy alternative is before you, Elizabeth. Your mother will never see you again if you do not marry Mr. Collins. And I will never see you again if you do.
- Crédits fousOpening credits prologue: It happened in OLD ENGLAND . . . . in the village of Meryton . . . .
- Versions alternativesThere is an Italian edition of this film on DVD, distributed by DNA Srl: "CIME TEMPESTOSE (1939) + ORGOGLIO E PREGIUDIZIO (1940)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsFeatured in Hollywood: Style Center of the World (1940)
- Bandes originalesFlow Gently Sweet Afton
(1786) (uncredited)
Music by Alexander Hume
Lyrics by Robert Burns (1786)
Performed by Marsha Hunt
Meilleurs choix
Détails
Box-office
- Montant brut mondial
- 4 030 820 $US
- Durée1 heure 58 minutes
- Couleur
- Rapport de forme
- 1.37 : 1