Finie la comédie

Rosalind Russell and James Stewart are husband and wife in "No Time for Comedy," a 1940 film also starring Charles Ruggles, Genevieve Tobin, Louise Beavers and Allyn Joslyn. It's based on the Broadway hit that starred Katharine Cornell and Laurence Olivier in one of his early lead roles in the U.S. This was the play, according to legend, that David O. Selznick arranged for Olivier to star in so he would be separated from Vivien Leigh while she was doing "Gone with the Wind." Russell is the glamorous stage star Linda Paige who is starring in a drawing room comedy by one Gaylord Esterbrook (Stewart). He's actually from the sticks, and the play is not without its problems. When the production loses its backer, Paige steps in and saves the show. Bumpkin Esterbrook becomes a lauded playwright and marries Paige. He writes comedies with starring roles for her. One day he meets Mandy Swift, a socialite who likes to, shall we say, take young men under her wing and mold them. She convinces Gaylord that he needs to write some serious drama. Since he's already doing some serious drinking, it stands to reason one should follow the other.

Not having seen the original play, it's hard to say whether the film matches up to the original. At the time of the film, Spain was involved in a civil war, and all of Europe threatened by the Nazis; war was imminent. The play is about a playwright who is agonized by his success in the genre of sophisticated comedies when the world is such a serious place. It's also about several years into a marriage when the bloom has fallen off the rose.

The film "No Time for Comedy" is an uneasy mix of drama and comedy. Stewart, who normally plays a likable character, plays a country boy spoiled by success. He turns to drink and another woman, making him much less likable. Yet the audience is set up from the beginning to think he's going to be a nice guy. Russell, of course, plays the stage actress (which she was) beautifully. As Gaylord's suffering wife, she is dignified and sophisticated and you can see her broken heart beneath the veneer. Louise Beavers is fabulous as the maid who is not only an equal in the household but acts on stage as well.

Part of the problem with "No Time for Comedy" is that nowadays, we know the importance of comedy in times of tragedy. In fact, it's always time for comedy, never more than when there's a dark pall over the world. Despite good performances, the movie seems dated today, as I suspect would the play.

Successful comedic playwright Gaylord Esterbrook (James Stewart) is happily married to actress Linda Esterbrook (Rosalind Russell). But strange Amanda Swift (Genevieve Tobin) convinces him to write a drama and tries to steal him away from Linda. But she won't give in without a fight...

Comedic drama adapted from a stage play. It's actually pretty funny with many good lines but it just lacks that spark to make it great. It certainly isn't the actors' fault---Russell is beautiful, funny and completely at ease--Stewart comes across as an immature, alcoholic jerk (but that's what he is playing)--Tobin is quite amusing and Charlie Ruggles makes to most of his small role of Amanda's husband. And it's always great to see Louise Beavers even if is in the demeaning black servant role. So--it is good but not great. It just misses the mark. But it always great to see Russell and Stewart so young and full of life. I give it an 8.

This is a real disappointment. A comedy that isn't the least bit funny, despite the good cast. James Stewart play a playwright from a small Midwestern town that writes a successful Broadway comedy. He falls in love with Rosalind Russell, the leading lady from his play, and the two marry. But success goes to his head and he lets a rich guy's wife convince him that he is wasting his time writing comedies and he should try his hand at a tragedy. The movie was on life support by this point but after this it's all over. The characters do things that defy reason. I just didn't care a whit what happened to anybody, especially Stewart. Another thing I hated was Allyn Joslyn's smug character. He annoyed the heck out of me. A real chore to sit through. Jimmy and Roz deserved better.

This is a fascinating picture for Stewart fans. Made after "Mr. Smith Goes to Washington" and in the same year as "The Philadelphia Story," "No Time" adds an interesting pre-war wrinkle to Stewart's on screen persona. At a time when he was most associated with the "aw-shucks" stereotype of the All-American naif, his Gaylord Esterbrook must have come as a shock to movie-going audiences. Gaylord begins as another one of Stewart's lovable rubes, but by picture's end he's become a cynical sophisticate - and Stewart's handling of the transformation is seamless. He's surprisingly good at playing the gruff curmudgeon and a man on the verge of an extra-marital affair - another atypical Stewart-like development. Likewise, the film itself mirrors Gaylord's personal and artistic transformation, beginning as a typically bubbly romantic comedy but turning bitingly (yet still amusingly) sour by the second act. After a series of comeuppances, Gaylord comes up against his limitations and the final scene -- a confession of humility delivered as a monologue to a seemingly non-existent audience -- is truly moving in the tradition of some of Stewart's finest moments. Lovely.

Too bad about the awkward shift. That first part shows Stewart at his charming down-home best. He's an aspiring playwright from the Minnesota sticks intent on mounting his unlikely play on Broadway. His play is trying to ape New York sophistication, but because of his rural background, the play comes across as comedic satire which the audiences surprisingly love. So Gay's (Stewart) reputation is made which he follows up with several more successful comedies. Meanwhile, he marries sensible lead actress Linda (Russell), who's drawn to his innocent manner. Their prosperous future now seems assured until he suffers writer's block and the marriage cracks open.

Stewart shines in this first part, clearly in his natural element. The movie's problem is Gay's sudden personality shift from down-home charming to churlish alcoholic. At the same time, the movie's mood and substance also alter and in unpleasant ways. I guess maid Clementine's (Beavers) snappy remarks are supposed to carry the comedic aspect, but unfortunately they're more caustic than funny. Then too, the plot becomes pretty implausible as Gay hooks up with ditzy Amanda (Tobin), and we're supposed to believe that their lengthy relationship never gets intimate. But then if it did, we wouldn't be as accepting of the movie's upshot.

On the other hand, the acting is good, except maybe for Tobin, but the real problem is with script and direction and the sudden rupture into mismatched parts these entail. The basic idea of a naïve rural lad trying to adjust to urban sophistication remains a workable one. But it needs a smoother more plausible treatment, especially with the transition, than it gets here. Sorry to say that, all in all, the 90-minutes amounts to a waste of outstanding movie performers.